CHAPTER V

A good account of the meaning of art is to be found in Santayana's Reason in Art, Chapters I-III.

For this whole topic of the aesthetic interest, cf. H. R. Marshall's Pleasure, Pain, and Aesthetics.

For an interpretation of painting in terms of the perceptual process, cf. B. Berenson's Florentine Painters of the Renaissance, pp. 1-16; and North Italian Painters of the Renaissance, pp. 145-157.

The best account of the emotions and instincts is to be found in James's Principles of Psychology, Vol. II, Chapters XXIV, XXV.

Walter Pater: The Renaissance, p. 140.

Taine: Op. cit., pp. 112, 114-115, and passim.

Pater: Op. cit., pp. 129-130; cf. the chapter on Leonardo da Vinci, entire.

Plato: Republic, Book III, p. 398, translated by Jowett. The whole of Books III and X are interesting in this connection.

In connection with the general topic of the moral criticism of art, cf. Santayana's Reason in Art, Chapters IX-XI; also Ruskin's Lectures on Art, Lectures II-IV.

Aristotle: Nicomachean Ethics, Book X.

Cf. the Republic, Book X.

Arthur Benson: Beside Still Waters, pp. 138-139. Cf. also pp. 143-144.

Pater: Op. cit., pp. 249, 250; cf. the Conclusion, passim.

James: Op. cit., Vol. I, pp. 125-126.

Republic; Book X, p. 606, translated by Jowett.

Ibid., Book III, p. 399.

Aristotle: Politics, Book VIII, Chapter V, translated by Jowett, p. 252.

Taine: The Ideal in Art, translated by J. Durand, pp. 42 sq.

Tolstoy: What is Art? X, translated by Leo Wiener, p. 227.

Arnold: Culture and Anarchy, pp. 37, 38. Cf. Chapter I, passim.

Republic, Book III, p. 401, translation by Jowett.

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