Part 1

The Moon Endureth

Tales and Fancies

John Buchan

Contents

From the Pentlands looking North and South

I The Company of the Marjolaine Avignon 1759

II A Lucid Interval The Shorter Catechism (revised version)

III The Lemnian Atta's song

IV Space Stocks and stones

V Streams of water in the South The Gipsy's song to the lady Cassilis

VI The grove of Ashtaroth Wood magic

VII The riding of Ninemileburn Plain Folk

VIII The Kings of Orion Babylon

IX The green glen The wise years [Updater's note: Chapter 9 missing from etext]

X The rime of True Thomas

FROM THE PENTLANDS LOOKING NORTH AND SOUTH

Around my feet the clouds are drawn In the cold mystery of the dawn; No breezes cheer, no guests intrude My mossy, mist-clad solitude; When sudden down the steeps of sky Flames a long, lightening wind. On high The steel-blue arch shines clear, and far, In the low lands where cattle are, Towns smoke. And swift, a haze, a gleam,-- The Firth lies like a frozen stream, Reddening with morn. Tall spires of ships, Like thorns about the harbour's lips, Now shake faint canvas, now, asleep, Their salt, uneasy slumbers keep; While golden-grey, o'er kirk and wall, Day wakes in the ancient capital.

Before me lie the lists of strife, The caravanserai of life, Whence from the gates the merchants go On the world's highways; to and fro Sail laiden ships; and in the street The lone foot-traveller shakes his feet, And in some corner by the fire Tells the old tale of heart's desire. Thither from alien seas and skies Comes the far-questioned merchandise:-- Wrought silks of Broussa, Mocha's ware Brown-tinted, fragrant, and the rare Thin perfumes that the rose's breath Has sought, immortal in her death: Gold, gems, and spice, and haply still The red rough largess of the hill Which takes the sun and bears the vines Among the haunted Apennines. And he who treads the cobbled street To-day in the cold North may meet, Come month, come year, the dusky East, And share the Caliph's secret feast; Or in the toil of wind and sun Bear pilgrim-staff, forlorn, fordone, Till o'er the steppe, athwart the sand Gleam the far gates of Samarkand. The ringing quay, the weathered face Fair skies, dusk hands, the ocean race The palm-girt isle, the frosty shore, Gales and hot suns the wide world o'er Grey North, red South, and burnished West The goals of the old tireless quest, Leap in the smoke, immortal, free, Where shines yon morning fringe of sea I turn, and lo! the moorlands high Lie still and frigid to the sky. The film of morn is silver-grey On the young heather, and away, Dim, distant, set in ribs of hill, Green glens are shining, stream and mill, Clachan and kirk and garden-ground, All silent in the hush profound Which haunts alone the hills' recess, The antique home of quietness. Nor to the folk can piper play The tune of "Hills and Far Away," For they are with them. Morn can fire No peaks of weary heart's desire, Nor the red sunset flame behind Some ancient ridge of longing mind. For Arcady is here, around, In lilt of stream, in the clear sound Of lark and moorbird, in the bold Gay glamour of the evening gold, And so the wheel of seasons moves To kirk and market, to mild loves And modest hates, and still the sight Of brown kind faces, and when night Draws dark around with age and fear Theirs is the simple hope to cheer.-- A land of peace where lost romance And ghostly shine of helm and lance Still dwell by castled scarp and lea, And the last homes of chivalry, And the good fairy folk, my dear, Who speak for cunning souls to hear, In crook of glen and bower of hill Sing of the Happy Ages still.

O Thou to whom man's heart is known, Grant me my morning orison. Grant me the rover's path--to see The dawn arise, the daylight flee, In the far wastes of sand and sun! Grant me with venturous heart to run On the old highway, where in pain And ecstasy man strives amain, Conquers his fellows, or, too weak, Finds the great rest that wanderers seek! Grant me the joy of wind and brine, The zest of food, the taste of wine, The fighter's strength, the echoing strife The high tumultuous lists of life-- May I ne'er lag, nor hapless fall, Nor weary at the battle-call!... But when the even brings surcease, Grant me the happy moorland peace; That in my heart's depth ever lie That ancient land of heath and sky, Where the old rhymes and stories fall In kindly, soothing pastoral. There in the hills grave silence lies, And Death himself wears friendly guise There be my lot, my twilight stage, Dear city of my pilgrimage.

THE COMPANY OF THE MARJOLAINE

"Qu'est-c'qui passe ici si tard, Compagnons de la Marjolaine," --CHANSONS DE FRANCE

...I came down from the mountain and into the pleasing valley of the Adige in as pelting a heat as ever mortal suffered under. The way underfoot was parched and white; I had newly come out of a wilderness of white limestone crags, and a sun of Italy blazed blindingly in an azure Italian sky. You are to suppose, my dear aunt, that I had had enough and something more of my craze for foot-marching. A fortnight ago I had gone to Belluno in a post-chaise, dismissed my fellow to carry my baggage by way of Verona, and with no more than a valise on my back plunged into the fastnesses of those mountains. I had a fancy to see the little sculptured hills which made backgrounds for Gianbellini, and there were rumours of great mountains built wholly of marble which shone like the battlements.

...1 This extract from the unpublished papers of the Manorwater family has seemed to the Editor worth printing for its historical interest. The famous Lady Molly Carteron became Countess of Manorwater by her second marriage. She was a wit and a friend of wits, and her nephew, the Honourable Charles Hervey-Townshend (afterwards our Ambassador at The Hague), addressed to her a series of amusing letters while making, after the fashion of his contemporaries, the Grand Tour of Europe. Three letters, written at various places in the Eastern Alps and despatched from Venice, contain the following short narrative....

of the Celestial City. So at any rate reported young Mr. Wyndham, who had travelled with me from Milan to Venice. I lay the first night at Pieve, where Titian had the fortune to be born, and the landlord at the inn displayed a set of villainous daubs which he swore were the early works of that master. Thence up a toilsome valley I journeyed to the Ampezzan country, valley where indeed I saw my white mountains, but, alas! no longer Celestial. For it rained like Westmorland for five endless days, while I kicked my heels in an inn and turned a canto of Aristo into halting English couplets. By-and-by it cleared, and I headed westward towards Bozen, among the tangle of rocks where the Dwarf King had once his rose-garden. The first night I had no inn but slept in the vile cabin of a forester, who spoke a tongue half Latin, half Dutch, which I failed to master. The next day was a blaze of heat, the mountain-paths lay thick with dust, and I had no wine from sunrise to sunset. Can you wonder that, when the following noon I saw Santa Chiara sleeping in its green circlet of meadows, my thought was only of a deep draught and a cool chamber? I protest that I am a great lover of natural beauty, of rock and cascade, and all the properties of the poet: but the enthusiasm of Rousseau himself would sink from the stars to earth if he had marched since breakfast in a cloud of dust with a throat like the nether millstone.

Yet I had not entered the place before Romance revived. The little town--a mere wayside halting-place on the great mountain-road to the North--had the air of mystery which foretells adventure. Why is it that a dwelling or a countenance catches the fancy with the promise of some strange destiny? I have houses in my mind which I know will some day and somehow be intertwined oddly with my life; and I have faces in memory of which I know nothing--save that I shall undoubtedly cast eyes again upon them. My first glimpses of Santa Chiara gave me this earnest of romance. It was walled and fortified, the streets were narrow pits of shade, old tenements with bent fronts swayed to meet each other. Melons lay drying on flat roofs, and yet now and then would come a high-pitched northern gable. Latin and Teuton met and mingled in the place, and, as Mr. Gibbon has taught us, the offspring of this admixture is something fantastic and unpredictable. I forgot my grievous thirst and my tired feet in admiration and a certain vague expectation of wonders. Here, ran my thought, it is fated, maybe, that romance and I shall at last compass a meeting. Perchance some princess is in need of my arm, or some affair of high policy is afoot in this jumble of old masonry. You will laugh at my folly, but I had an excuse for it. A fortnight in strange mountains disposes a man to look for something at his next encounter with his kind, and the sight of Santa Chiara would have fired the imagination of a judge in Chancery.

I strode happily into the courtyard of the Tre Croci, and presently had my expectation confirmed for I found my fellow,--a faithful rogue I got in Rome on a Cardinal's recommendation,--hot in dispute with a lady's maid. The woman was old, harsh-featured--no Italian clearly, though she spoke fluently in the tongue. She rated my man like a pickpocket, and the dispute was over a room.

"The signor will bear me out," said Gianbattista. "Was not I sent to Verona with his baggage, and thence to this place of ill manners? Was I not bidden engage for him a suite of apartments? Did I not duly choose these fronting on the gallery, and dispose therein the signor's baggage? And lo! an hour ago I found it all turned into the yard and this woman installed in its place. It is monstrous, unbearable! Is this an inn for travellers, or haply the private mansion of these Magnificences?"

"My servant speaks truly," I said firmly yet with courtesy, having no mind to spoil adventure by urging rights. "He had orders to take these rooms for me, and I know not what higher power can countermand me."