Part 19

“The little circles M show the moon at several successive positions in her orbit, just twenty-four hours apart. You perceive that in consequence of the slight inclination to the eastern horizon the sinking of the latter caused by the earth’s rotation will bring the moon into view night after night at almost the same hour. In fact, in high northern latitudes like those of Norway and Sweden the moon’s path at this time of the year may actually coincide with the horizon, so that for several evenings she will rise at exactly the same hour. The name ‘Harvest Moon’ explains itself, since it always occurs at the time of the autumn harvests and the vintage, and seems to supplement the fading daylight for the benefit of late laborers in the fields. The ‘Harvest Moon’ does not occur every year at precisely the same date. It is very rare that Full Moon happens to fall just on September 22d. It usually either precedes or follows that date. The ‘Harvest Moon’ is the Full Moon which occurs nearest to the Autumn Equinox, either before or after. The ‘Hunter’s Moon’ is the first Full Moon which follows the ‘Harvest Moon.’ Like the former it rises for several successive evenings near the same hour, but this phenomenon is less marked in the case of the ‘Hunter’s Moon,’ because it is farther from the Equinox.”

“Thank you, again,” said my friend. “I shall never henceforth look at the moon without thinking of circles, straight lines, and arrows as well as of ‘ring mountains’ and ‘seas.’”

“Then you are making good progress toward science,” I replied. “One last look, now, at the photograph of the Old Moon’s sickle, and then we had better postpone our examination of the large photographs, showing certain particularly interesting districts on the moon, until to-morrow morning. There is here another interesting point for artists to note. The convex side of the sickle of the Old Moon, or the New Moon, is always an arc of a circle, but the concave side is never circular although it is often thus represented. The concave side, neglecting its irregularities arising from the differences of level and of brilliancy of the lunar surface, is elliptical in outline, that is to say, it is a semicircle viewed obliquely.”

“Whatever its geometry may be,” replied my friend, “it is certainly very beautiful. Good night, and I shall demand to see those large photographs before the sun is very high to-morrow.”

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GREAT SCENES ON THE MOON

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GREAT SCENES ON THE MOON

MY friend did not leave me in doubt on the following morning as to the genuineness of her interest in her new studies. The shadows of the trees in the park were yet as long drawn out as the silhouettes of lunar peaks at sunrise, when we resumed our place under the elm, and, at her request, I opened once more my portfolio.

“The series of photographs that we are now about to examine,” I began, “are on so large a scale that only a selected part of the moon is seen in each of them. But within the restricted limits of these pictures the amount of detail shown is truly astonishing, far more indeed than can be found on the most elaborate lunar charts. These photographs were made by Mr. Ritchey with the great 40-inch telescope of the Yerkes Observatory. Many more besides those that we are going to look at were taken by him, but I have selected, where choice was difficult, six which seemed to me to be of special interest. We shall begin with one which covers the larger part of the Mare Nubium, in the southeastern quarter of the moon. You certainly must remember the Mare Nubium, for it forms the head of the ‘dark woman’ whom you discovered in the moon last evening, and if you will hold this photograph at arm’s length you will see that her face is unmistakably stamped upon it.”

“I am greatly flattered,” she replied, “that you should remember my discovery so well. I begin to feel hopeful that it may yet find a place in the books.”

“It certainly is as deserving of such a place as many things that get into books. You ought to find a suitable name for this woman in the moon.”

“If I believed myself capable of rivaling the man who christened the ‘Marsh of a Dream,’ I should surely try my hand at lunar nomenclature, but I fear that I should fall too far short of the ideal he has set up, and so I shall leave her nameless.”

“Permit me then to continue to call her the ‘dark woman’ whenever a reference to her may seem useful in fixing the localities that we shall talk about in this photograph. The most striking object shown in the picture is the great ring mountain Bullialdus which forms an extraordinary ornament on the top of the ‘dark woman’s’ ear. This photograph was taken when the line of sunrise ran just along the border between the Mare Nubium and the Oceanus Procellarum. The Mare Humorum is yet buried in night beyond the upper right-hand edge of the picture, but some of its bordering mountains and craters have been touched by the morning sunbeams. You will observe that a little more than half of the interior of Bullialdus—which, by the way, I did not mention by name when we were studying the series of phase photographs—is yet filled with shadow, but its double-headed central peak rises clear and bright in the sunlight. The shadow of this central mountain can be seen projecting toward the east over the floor. The east wall, which is distinctly terraced, lies in full sunshine, and the light streaming over the lofty crest of the western wall touches the floor on its eastern half. The steep outer slopes that lead up to the western rampart, and the deep parallel ravines cut near the crest are clearly shown. The distance across the ring from the summit of the wall on one side to that on the other is 38 miles. The depth of the depression is 8,000 feet below the crest of the walls, but the latter rise only 4,000 feet above the level of the Mare Nubium outside, so that Bullialdus is an excellent example of the characteristic form of the lunar volcano, which I tried to illustrate for you last evening. The central mountain is 3,000 feet high. East of the south point of the ring a shadow shows the existence of a profound cleft in the wall, while a little west of south appears a smaller crater ring very black with shadow, except on its eastern side. If we stood on the Mare Nubium and looked toward Bullialdus and its neighbor from a distance of 25 or 30 miles they would resemble a double, flat-topped mountain, with its serrated crests connected by a high neck. The summit of one of the little peaks shown in the photograph in the plain just west of Bullialdus would form an excellent point of observation. Still farther south stands another crater ring most of whose interior is also, at present, filled with shadow. East of this, and a little farther south, is still a third ring of similar aspect, from which a curious range of hills runs southward. Returning to Bullialdus you will notice the radiating lines of hills that surround it, and particularly a more lofty and broken range which runs eastward.”

BULLIALDUS AND THE Mare Nubium. ]

“Bullialdus verily frightens me!” exclaimed my friend. “What an unearthly look it has! The longer I regard it the stronger becomes the indescribable impression that it produces. I begin to understand now what you meant when you promised to find a history in the moon. Truly there never can have been such another history. I almost feel that I do not care whether the moon ever had inhabitants or not. Its own story is more fascinating than that of any puny race of beings, passing their ephemeral lives upon its wonderful surface, could possibly be.”

“I am glad,” I replied, “that you have begun to enter into the spirit of those who long and carefully study the earth’s satellite. You see now, that it is not necessary to the astronomer to find evidences either of former or of present life upon the moon in order to stimulate his zeal. For him, as you have yourself intimated, the relics of its past history, which this little world in the sky exhibits so abundantly, are of higher interest than any story of human empire, for they have an incomparably vaster theme. But to lighten our labor a little, let me once more refer to the ‘dark woman,’ whose features, like the outlines of a constellation, serve for points of reference. I began by remarking that Bullialdus seems to be placed just over her ear. Observe now that, taken together with its immediate surroundings, the great crater ring forms a kind of barbaric ear-ornament of most extraordinary form and richness of detail. The line of hills east of Bullialdus, of which I spoke a few minutes ago, connects the ring with a tumbled mass of mountains on the border of the Mare Humorum. These mountains run northward, or downward in the picture, for a distance of perhaps 150 miles, and then turn abruptly westward for a like distance; after which, in the form of a broken chain, constituting the eastern walls of a row of half-submerged ring plains, they change direction once more and run southward in the Mare Nubium. The whole system bears some resemblance to a gigantic buckle.”

“What is that curious object below Bullialdus which resembles an old-fashioned gold earring?”

“I was about to speak of that. It is a ring plain named Lubiniesky, about 23 miles in diameter with a wall a thousand feet in height, except in the direction of Bullialdus where it is broken down. The interior is very flat, and it forms a fine example of the half-submerged lunar volcanoes which abound in this hemisphere. It may have had a central mountain like Bullialdus, but if so it has been completely buried under the influx of molten lava or whatever it was that covered this part of the moon. The perfect form of Bullialdus in all its details when compared with the mere outline that remains of Lubiniesky indicates that the former probably burst forth after the inundation of liquid rock that drowned the latter. Thus we have in these two neighboring formations two chapters of lunar history which, like the monuments of Egypt, tell the story of widely separated epochs. The row of still more completely submerged crater rings westward from Lubiniesky and Bullialdus show by their condition that the depth of the lava flood was probably greater in their vicinity than it was farther eastward.

“Now look southward from Bullialdus, at a distance about twice as great as that of Lubiniesky and you will see another partially submerged ring, with a more serrated crest. The name of this is Kies. It is remarkable for the lofty mountain spur which sets off from its southern wall, and also for the fact that one of the bright streaks from Tycho—one of a parallel pair that I pointed out to you last evening—traverses its flat floor and continues on, broadening as it goes, to a deep crater ring which we have already noticed, southeast of Bullialdus.

“South of Kies, at the edge of the Mare Nubium, is a lofty mountain range whose summits and slopes are very bright in the sunrise. At one point a great pass breaks through these mountains, leading to a sort of bay shut in on all sides by precipices and the walls of gigantic crater rings. The large crater ring at the eastern corner of this bay is Capuanus. The smaller ring on its western side with a conspicuous crater on its eastern wall is Cichus. Notice the fine shadow that Cichus casts, whose pointed edge is evidently due to the little crater on the wall. That ‘little’ crater is six miles across! The twin rings apparently terminating the mountain mass northeast of the bay are Mercator and Capuanus. Between these and Kies you perceive two short ranges of small mountains and then a kind of round swelling of the surface of the plain resembling a great mound. These formations are rare on the moon. They look like bubbles raised by imprisoned gases. The United States Geological Survey has discovered something similar in form, but infinitely inferior in magnitude, in the great mud bubbles that rise to the surface of the Gulf of Mexico off the mouth of the Mississippi River. But I do not mean to aver that the two phenomena are similar in origin.

“Near the southern shore of the Mare Nubium appears a long, dark line which starts at the edge of a crater ring, crosses the southern arm of the ‘sea,’ evidently penetrates the bordering mountains, and reappears traversing the dark bay near its northern edge, cleaving both walls of a small crater ring in its way.

“I should weary you, perhaps, with too much detail if I undertook to identify all of the prominent objects in this photograph. Returning to the southern shore of the Mare Nubium, I shall simply call your attention to the very large ring plain with terraced walls and a peak a little east of its center. This is Pitatus. An enormous ravine breaks through its eastern side and connects it with a smaller ring from which the dark line already mentioned starts. This dark line represents one of the most remarkable clefts on the moon. It looks as though the crust had been split asunder there over a distance of at least 150 miles. It bears some resemblance to the great cañon near Aristarchus and Herodotus, except that the latter is very tortuous and this is nearly straight.”

“Have I not heard of something similar in connection with the California earthquake in 1906?” asked my friend.

“No doubt you are thinking of the great ‘fault’ which geologists have discovered off the Pacific coast of North America. There is perhaps some resemblance between these phenomena. Pitatus, I may add, is 58 miles in diameter. You will observe how its southern wall has apparently been broken down by the deluge of lava which buried so many smaller rings in the Mare Nubium. If you will now turn your attention to the left-hand side of the photograph, somewhat above the center, you will perceive a very strange object, the so-called ‘Straight Wall.’ It lies just west of a large conical crater pit which has a much smaller pit near its western edge. You might easily mistake the ‘Straight Wall’ for an accidental mark in the photograph. It is not absolutely straight, and near its southern end it makes a slight turn eastward and terminates in a curious, branched mountain, whose most conspicuous part is crescent-shaped. The wall is about 65 miles in length and 500 feet in height. It is as perpendicular on its east face as the Palisades on the Hudson. It is not a ridge of hills at all, but a place where the level of the ground suddenly falls away. Approaching it from the west you would probably be unaware of its existence until you stood upon its verge. The dark line that we see in the photograph is the shadow cast by the wall upon the lower plain. In the lunar afternoon the appearance is changed, and the face of the cliff is seen bright with sunlight. This curious object has attracted the attention of students of the moon for generations, and many speculations were formerly indulged in concerning its possible artificial origin. It has sometimes been called the ‘Lunar Railroad.’ Manifestly, whatever else it may be, it is not artificial. The closest analogy perhaps is with what we were speaking of a little while ago, a geological fault, that is to say, a line in the crust of the planet where the rocky strata have been broken across and one side has dropped to a lower level.

“The crater pit in the Mare Nubium, east of the ‘Straight Wall,’ is named Birt, and its twin, 75 miles farther east, is Nicollet. Look now at the hooked nose of your ‘dark woman.’ The huge wart upon it is a crater plain named Lassell. Between the lower end of the ‘Straight Wall’ and Lassell, and over the bridge of the ‘nose,’ a wedge-shaped mountain runs out into the mare. This is called the Promontorium Ænarium, and must have formed a magnificent outlook if ever a real ocean flowed at the foot of its cliffs. The ring with a crater on its wall below Lassell is Davy. You will note some very somber regions scattered over this part of the Mare Nubium. One of them forms the ‘dark woman’s’ eye, and just over it, like an eyebrow, is a curving range of hillocks, including some little craters. On the ‘cheek’—I am still utilizing the ‘dark woman’ as a kind of signboard—at the base of the ‘chin,’ appears a partly double range of large ring plains. The greatest of these, at the bottom, is named Fra Mauro, and you will notice within it a curious speckling of small craters. Adjoining Fra Mauro on the south are two intersecting rings, Barry being the name of the western and Bonpland that of the eastern one. The partially submerged ring is nameless, as far as I know, while the upper or southern member of the group, with a broad valley shut in between broken mountain walls opening out of its northern side, is Guerike. There is only one other object, on the extreme lower right-hand corner of the picture, to which I will ask your attention. It is a singular range of mountains thrown into a great loop at its northern end, and known as the Riphæan Mountains.”

“It seems to me,” said my friend, putting her elbow on the table, and leaning her head a little wearily on her hand, “that there is a great sameness in these lunar scenes—always crater rings with or without central mountains, always peaks and ridges and chasms and black shadows. Truly variety is lacking.”

“But what could you expect?” I replied. “Is it not enough to stimulate your curiosity that you are looking intimately into the details of a foreign world? When you go to Europe you see there mountains, plains, rivers, lakes, cities, people, absolutely identical in their main features with what you see in America. But you find them endlessly interesting because of their comparatively slight differences from similar things with which you are familiar, because of the great age of many of the objects to which your attention is directed, because of the long course of history which they represent, and principally, perhaps, because you are aware of the sensation of being far from home. It ought to be the same for you here on the moon. These things that we are looking upon belong to a globe suspended in space 239,000 miles from the earth. If the features of our globe are practically the same everywhere, differing only in the arrangement of their details, you should not be surprised at finding that nature does not vary from her rule of uniformity on the moon.