Part 1

Executive Director's Notes:

In addition to the notes below, and so you will *NOT* think all the spelling errors introduced by the printers of the time have been corrected, here are the first few lines of Hamlet, as they are presented herein:

Barnardo. Who's there? Fran. Nay answer me: Stand & vnfold your selfe

Bar. Long liue the King

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As I understand it, the printers often ran out of certain words or letters they had often packed into a "cliche". . .this is the original meaning of the term cliche. . .and thus, being unwilling to unpack the cliches, and thus you will see some substitutions that look very odd. . .such as the exchanges of u for v, v for u, above. . .and you may wonder why they did it this way, presuming Shakespeare did not actually write the play in this manner. . . .

The answer is that they MAY have packed "liue" into a cliche at a time when they were out of "v"'s. . .possibly having used "vv" in place of some "w"'s, etc. This was a common practice of the day, as print was still quite expensive, and they didn't want to spend more on a wider selection of characters than they had to.

You will find a lot of these kinds of "errors" in this text, as I have mentioned in other times and places, many "scholars" have an extreme attachment to these errors, and many have accorded them a very high place in the "canon" of Shakespeare. My father read an assortment of these made available to him by Cambridge University in England for several months in a glass room constructed for the purpose. To the best of my knowledge he read ALL those available . . .in great detail. . .and determined from the various changes, that Shakespeare most likely did not write in nearly as many of a variety of errors we credit him for, even though he was in/famous for signing his name with several different spellings.

So, please take this into account when reading the comments below made by our volunteer who prepared this file: you may see errors that are "not" errors. . . .

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Scanner's Notes:

What this is and isn't. This was taken from a copy of Shakespeare's first folio and it is as close as I can come in ASCII to the printed text.

The elongated S's have been changed to small s's and the conjoined ae have been changed to ae. I have left the spelling, punctuation, capitalization as close as possible to the printed text. I have corrected some spelling mistakes (I have put together a spelling dictionary devised from the spellings of the Geneva Bible and Shakespeare's First Folio and have unified spellings according to this template), typo's and expanded abbreviations as I have come across them. Everything within brackets [] is what I have added. So if you don't like that you can delete everything within the brackets if you want a purer Shakespeare.

Another thing that you should be aware of is that there are textual differences between various copies of the first folio. So there may be differences (other than what I have mentioned above) between this and other first folio editions. This is due to the printer's habit of setting the type and running off a number of copies and then proofing the printed copy and correcting the type and then continuing the printing run. The proof run wasn't thrown away but incorporated into the printed copies. This is just the way it is. The text I have used was a composite of more than 30 different First Folio editions' best pages.

David Reed

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The Merchant of Venice

Actus primus.

Enter Anthonio, Salarino, and Salanio.

Anthonio. In sooth I know not why I am so sad, It wearies me: you say it wearies you; But how I caught it, found it, or came by it, What stuffe 'tis made of, whereof it is borne, I am to learne: and such a Want-wit sadnesse makes of mee, That I haue much ado to know my selfe

Sal. Your minde is tossing on the Ocean, There where your Argosies with portly saile Like Signiors and rich Burgers on the flood, Or as it were the Pageants of the sea, Do ouer-peere the pettie Traffiquers That curtsie to them, do them reuerence As they flye by them with their wouen wings

Salar. Beleeue me sir, had I such venture forth, The better part of my affections, would Be with my hopes abroad. I should be still Plucking the grasse to know where sits the winde, Peering in Maps for ports, and peers, and rodes: And euery obiect that might make me feare Misfortune to my ventures, out of doubt Would make me sad

Sal. My winde cooling my broth, Would blow me to an Ague, when I thought What harme a winde too great might doe at sea. I should not see the sandie houre-glasse runne, But I should thinke of shallows, and of flats, And see my wealthy Andrew docks in sand, Vailing her high top lower then her ribs To kisse her buriall; should I goe to Church And see the holy edifice of stone, And not bethinke me straight of dangerous rocks, Which touching but my gentle Vessels side Would scatter all her spices on the streame, Enrobe the roring waters with my silkes, And in a word, but euen now worth this, And now worth nothing. Shall I haue the thought To thinke on this, and shall I lacke the thought That such a thing bechaunc'd would make me sad? But tell me, I know Anthonio Is sad to thinke vpon his merchandize

Anth. Beleeue me no, I thanke my fortune for it, My ventures are not in one bottome trusted, Nor to one place; nor is my whole estate Vpon the fortune of this present yeere: Therefore my merchandize makes me not sad

Sola. Why then you are in loue

Anth. Fie, fie

Sola. Not in loue neither: then let vs say you are sad Because you are not merry: and 'twere as easie For you to laugh and leape, and say you are merry Because you are not sad. Now by two-headed Ianus, Nature hath fram'd strange fellowes in her time: Some that will euermore peepe through their eyes, And laugh like Parrats at a bag-piper. And other of such vineger aspect, That they'll not shew their teeth in way of smile, Though Nestor sweare the iest be laughable. Enter Bassanio, Lorenso, and Gratiano.

Sola. Heere comes Bassanio, Your most noble Kinsman, Gratiano, and Lorenso. Faryewell, We leaue you now with better company