Part 19

Anyhow, whatever happened, he could not go back. That was the one certain thing. The broad stretches of country to right and left held no shapes of houses, no glimmer of warm candle-light; they were bare and bleak, only broken by circles of trees that stood out like black islands in the misty grey of the twilight.

'I shall have to sleep behind a hedge,' he said bravely enough; but there did not seem to be any hedges. And then, quite suddenly, he came upon it.

A scattered building, half transparent as it seemed, showing black against the last faint pink and primrose of the sunset. He stopped, took a few steps off the road on short, crisp turf that rose in a gentle slope. And at the end of a dozen paces he knew it. Stonehenge! Stonehenge he had always wanted so desperately to see. Well, he saw it now, more or less.

He stopped to think. He knew that Stonehenge stands all alone on Salisbury Plain. He was very tired. His mother had told him about a girl in a book who slept all night on the altar stone at Stonehenge. So it was a thing that people did--to sleep there. He was not afraid, as you or I might have been--of that lonely desolate ruin of a temple of long ago. He was used to the forest, and, compared with the forest, any building is homelike.

There was just enough light left amid the stones of the wonderful broken circle to guide him to its centre. As he went his hand brushed a plant; he caught at it, and a little group of flowers came away in his hand.

'St. John's wort,' he said, 'that's the magic flower.' And he remembered that it is only magic when you pluck it on Midsummer Eve.

'And this is Midsummer Eve,' he told himself, and put it in his buttonhole.

'I don't know where the altar stone is,' he said, 'but that looks a cosy little crack between those two big stones.'

He crept into it, and lay down on a flat stone that stretched between and under two fallen pillars.

The night was soft and warm; it was Midsummer Eve.

'Mother isn't going till the twenty-sixth,' he told himself. 'I sha'n't bother about hotels. I shall send her a telegram in the morning, and get a carriage at the nearest stables and go straight back to her. No, she won't be angry when she hears all about it. I'll ask her to let me go to sea instead of to school. It's much more manly. Much more manly ... much much more, much.'

He was asleep. And the wild west wind that swept across the plain spared the little corner where he lay asleep, curled up in his sacking with the inside-out school cap, doubled twice, for pillow.

He fell asleep on the smooth, solid, steady stone.

He awoke on the stone in a world that rocked as sea-boats rock on a choppy sea.

He went to sleep between fallen moveless pillars of a ruin older than any world that history knows.

He awoke in the shade of a purple awning through which strong sunlight filtered, and purple curtains that flapped and strained in the wind; and there was a smell, a sweet familiar smell, of tarred ropes and the sea.

'I say,' said Quentin to himself, 'here's a rum go.'

He had learned that expression in a school in Salisbury, a long time ago as it seemed.

The stone on which he lay dipped and rose to a rhythm which he knew well enough. He had felt it when he and his mother went in a little boat from Keyhaven to Alum Bay in the Isle of Wight. There was no doubt in his mind. He was on a ship. But how, but why? Who could have carried him all that way without waking him? Was it magic? Accidental magic? The St. John's wort perhaps? And the stone--it was not the same. It was new, clean cut, and, where the wind displaced a corner of the curtain, dazzlingly white in the sunlight.

There was the pat pat of bare feet on the deck, a dull sort of shuffling as though people were arranging themselves. And then people outside the awning began to sing. It was a strange song, not at all like any music you or I have ever heard. It had no tune, no more tune than a drum has, or a trumpet, but it had a sort of wild rough glorious exciting splendour about it, and gave you the sort of intense all-alive feeling that drums and trumpets give.

Quentin lifted a corner of the purple curtain and looked out.

Instantly the song stopped, drowned in the deepest silence Quentin had ever imagined. It was only broken by the flip-flapping of the sheets against the masts of the ship. For it was a ship, Quentin saw that as the bulwark dipped to show him an unending waste of sea, broken by bigger waves than he had ever dreamed of. He saw also a crowd of men, dressed in white and blue and purple and gold. Their right arms were raised towards the sun, half of whose face showed across the sea--but they seemed to be, as my old nurse used to say, 'struck so,' for their eyes were not fixed on the sun, but on Quentin. And not in anger, he noticed curiously, but with surprise and ... could it be that they were afraid of him?

Quentin was shivering with the surprise and newness of it all. He had read about magic, but he had not wholly believed in it, and yet, now, if this was not magic, what was it? You go to sleep on an old stone in a ruin. You wake on the same stone, quite new, on a ship. Magic, magic, if ever there was magic in this wonderful, mysterious world!

The silence became awkward. Some one had to say something.

'Good-morning,' said Quentin, feeling that he ought perhaps to be the one.

Instantly every one in sight fell on his face on the deck.

Only one, a tall man with a black beard and a blue mantle, stood up and looked Quentin in the eyes.

'Who are you?' he said. 'Answer, I adjure you by the Sacred Tau!' Now this was very odd, and Quentin could never understand it, but when this man spoke Quentin understood him perfectly, and yet at the same time he knew that the man was speaking a foreign language. So that his thought was not, 'Hullo, you speak English!' but 'Hullo, I can understand your language.'