After having been several times severely snubbed in this fashion, Hemingway remarked grimly as he put a black pearl back into his pocket:
"At this rate sister will be mighty glad to see me when I get home. It seems almost a pity I haven't got a sister."
The girl answered this only with a grave smile.
On another occasion she admired a polo pony that had been imported for the stable of the boy Sultan. But next morning Hemingway, after much diplomacy, became the owner of it and proudly rode it to the agency. Lady Firth and Polly Adair walked out to meet him arm in arm, but at sight of the pony there came into the eyes of the secretary a look that caused Hemingway to wish himself and his mount many miles in the jungle. He saw that before it had been proffered, his gift-horse had been rejected. He acted promptly.
"Lady Firth," he said, "you've been so awfully kind to me, made this place so like a home to me, that I want you to put this mare in your stable. The Sultan wanted her, but when he learned I meant to turn her over to you, he let her go. We both hope you'll accept."
Lady Firth had no scruples. In five minutes she had accepted, had clapped a side-saddle on her rich gift, and was cantering joyously down the Pearl Road.
Polly Adair looked after her with an expression that was distinctly wistful. Thus encouraged, Hemingway said:
"I'm glad you are sorry. I hope every time you see that pony you'll be sorry."
"Why should I be sorry?" asked the girl.
"Because you have been unkind," said Hemingway, "and it is not your character to be unkind. And that you have shown lack of character ought to make you sorry."
"But you know perfectly well," said Mrs. Adair, "that if I were to take any one of these wonderful things you bring me, I wouldn't have any character left."
She smiled at him reassuringly. "And you know," she added, "that that is not why I do not take them. It isn't because I can't afford to, or because I don't want them, because I do; but it's because I don't deserve them, because I can give you nothing in return."
"As the copy-book says," returned Hemingway, "'the pleasure is in the giving.' If the copy-book don't say that, I do. And to pretend that you give me nothing, that is ridiculous!"
It was so ridiculous that he rushed on vehemently. "Why, every minute you give me something," he exclaimed. "Just to see you, just to know you are alive, just to be certain when I turn in at night that when the world wakes up again you will still be a part of it; that is what you give me. And its name is--Happiness!"
He had begun quite innocently; he had had no idea that it would come. But he had said it. As clearly as though he had dropped upon one knee, laid his hand over his heart and exclaimed: "Most beautiful of your sex, I love you! Will you marry me?" His eyes and the tone of his voice had said it. And he knew that he had said it, and that she knew.
Her eyes were filled with sudden tears, and so wonderful was the light in them that for one mad moment Hemingway thought they were tears of happiness. But the light died, and what had been tears became only wet drops of water, and he saw to his dismay that she was most miserable.
The girl moved ahead of him to the cliff on which the agency stood, and which overhung the harbor and the Indian Ocean. Her eyes were filled with trouble. As she raised them to his they begged of him to be kind.
"I am glad you told me," she said. "I have been afraid it was coming. But until you told me I could not say anything. I tried to stop you. I was rude and unkind--"
"You certainly were," Hemingway agreed cheerfully. "And the more you would have nothing to do with me, the more I admired you. And then I learned to admire you more, and then to love you. It seems now as though I had always known and always loved you. And now this is what we are going to do."
He wouldn't let her speak; he rushed on precipitately.
"We are first going up to the house to get your typewriting-machine, and we will bring it back here and hurl it as far as we can off this cliff. I want to see the splash! I want to hear it smash when it hits that rock. It has been my worst enemy, because it helped you to be independent of me, because it kept you from me. Time after time, on the veranda, when I was pretending to listen to Lady Firth, I was listening to that damned machine banging and complaining and tiring your pretty fingers and your dear eyes. So first it has got to go. You have been its slave, now I am going to be your slave. You have only to rub the lamp and things will happen. And because I've told you nothing about myself, you mustn't think that the money that helps to make them happen is 'tainted.' It isn't. Nor am I, nor my father, nor my father's father. I am asking you to marry a perfectly respectable young man. And, when you do--"
Again he gave her no opportunity to interrupt, but rushed on impetuously: "We will sail away across that ocean to wherever you will take me. To Ceylon and Tokio and San Francisco, to Naples and New York, to Greece and Athens. They are all near. They are all yours. Will you accept them and me?" He smiled appealingly, but most miserably. For though he had spoken lightly and with confidence, it was to conceal the fact that he was not at all confident. As he had read in her eyes her refusal of his pony, he had read, even as he spoke, her refusal of himself. When he ceased speaking the girl answered:
"If I say that what you tell me makes me proud, I am saying too little." She shook her head firmly, with an air of finality that frightened Hemingway. "But what you ask--what you suggest is impossible."
"You don't like me?" said Hemingway.
"I like you very much," returned the girl, "and, if I don't seem unhappy that it can't be, it is because I always have known it can't be--"
"Why can't it be?" rebelled Hemingway. "I don't mean that I can't understand your not wanting to marry me, but if I knew your objection, maybe, I could beat it down."
Again, with the same air of finality, the girl moved her head slowly, as though considering each word; she began cautiously.
"I cannot tell you the reason," she said, "because it does not concern only myself."
The Lost Road · The Wunder Library — complete classics, free to read, with narration.