Part 18

"All right!" he exclaimed. "I'll promise not to bore you with my past, and I agree to be judged by Zanzibar standards. I only hope I can live up to them, for I see I am going to like the place very much."

Hemingway kept his promise. He bored no one with confidences as to his ancestors. Of his past he made a point never to speak. He preferred that the little community into which he had dropped should remain unenlightened, should take him as they found him. Of the fact that a college was named after his grandfather and that on his father's railroad he could travel through many States, he was discreetly silent.

The men of Zanzibar asked no questions. That Hemingway could play a stiff game of tennis, a stiffer game of poker, and, on the piano, songs from home was to them sufficient recommendation. In a week he had become one of the most popular members of Zanzibar society. It was as though he had lived there always. Hemingway found himself reaching out to grasp the warmth of the place as a flower turns to the sun. He discovered that for thirty years something in him had been cheated. For thirty years he had believed that completely to satisfy his soul all he needed was the gray stone walls and the gray-shingled cabins under the gray skies of New England, that what in nature he most loved was the pine forests and the fields of goldenrod on the rock-bound coast of the North Shore. But now, like a man escaped from prison, he leaped and danced in the glaring sunlight of the equator, he revelled in the reckless generosity of nature, in the glorious confusion of colors, in the "blooming blue" of the Indian Ocean, in the Arabian nights spent upon the housetops under the purple sky, and beneath silver stars so near that he could touch them with his hand.

He found it like being perpetually in a comic opera and playing a part in one. For only the scenic artist would dare to paint houses in such yellow, pink, and cobalt-blue; only a "producer" who had never ventured farther from Broadway than the Atlantic City boardwalk would have conceived costumes so mad and so magnificent. Instinctively he cast the people of Zanzibar in the conventional roles of musical comedy.

His choruses were already in waiting. There was the Sultan's body-guard in gold-laced turbans, the merchants of the bazaars in red fezzes and gowns of flowing silk, the Malay sailors in blue, the black native police in scarlet, the ladies of the harems closely veiled and cloaked, the market women in a single garment of orange, or scarlet, or purple, or of all three, and the happy, hilarious Zanzibari boys in the color God gave them.

For hours he would sit under the yellow-and-green awning of the Greek hotel and watch the procession pass, or he would lie under an umbrella on the beach and laugh as the boatmen lifted their passengers to their shoulders and with them splash through the breakers, or in the bazaars for hours he would bargain with the Indian merchants, or in the great mahogany hall of the Ivory House, to the whisper of a punka and the tinkle of ice in a tall glass, listen to tales of Arab raids, of elephant poachers, of the trade in white and black ivory, of the great explorers who had sat in that same room--of Emin Pasha, of Livingstone, of Stanley. His comic opera lacked only a heroine and the love interest.

When he met Mrs. Adair he found both. Polly Adair, as every one who dared to do so preferred to call her, was, like himself, an American and, though absurdly young, a widow. In the States she would have been called an extremely pretty girl. In a community where the few dozen white women had wilted and faded in the fierce sun of the equator, and where the rest of the women were jet black except their teeth, which were dyed an alluring purple, Polly Adair was as beautiful as a June morning. At least, so Hemingway thought the first time he saw her, and each succeeding time he thought her more beautiful, more lovely, more to be loved.

He met her, three days after his arrival, at the residence of the British agent and consul-general, where Lady Firth was giving tea to the six nurses from the English hospital and to all the other respectable members of Zanzibar society.

"My husband's typist," said her ladyship as she helped Hemingway to tea, "is a copatriot of yours. She's such a nice gell; not a bit like an American. I don't know what I'd do in this awful place without her. Promise me," she begged tragically, "you will not ask her to marry you."

Unconscious of his fate, Hemingway promised.

"Because all the men do," sighed Lady Firth, "and I never know what morning one of the wretches won't carry her off to a home of her own. And then what would become of me? Men are so selfish! If you must fall in love," suggested her ladyship, "promise me you will fall in love with"--she paused innocently and raised baby-blue eyes, in a baby-like stare--"with some one else."

Again Hemingway promised. He bowed gallantly. "That will be quite easy," he said.

Her ladyship smiled, but Hemingway did not see the smile. He was looking past her at a girl from home, who came across the terrace carrying in her hand a stenographer's note-book.

Lady Firth followed the direction of his eyes and saw the look in them. She exclaimed with dismay:

"Already! Already he deserts me, even before the ink is dry on the paper."

She drew the note-book from Mrs. Adair's fingers and dropped it under the tea-table.

"Letters must wait, my child," she declared.

"But Sir George--" protested the girl.

"Sir George must wait, too," continued his wife; "the Foreign Office must wait, the British Empire must wait until you have had your tea."

The girl laughed helplessly. As though assured her fellow countryman would comprehend, she turned to him.

"They're so exactly like what you want them to be," she said--"I mean about their tea!"

Hemingway smiled back with such intimate understanding that Lady Firth glanced up inquiringly.

"Have you met Mrs. Adair already?" she asked.

"No," said Hemingway, "but I have been trying to meet her for thirty years."

Perplexed, the Englishwoman frowned, and then, with delight at her own perspicuity, laughed aloud.

"I know," she cried, "in your country you are what they call a 'hustler'! Is that right?" She waved them away. "Take Mrs. Adair over there," she commanded, "and tell her all the news from home. Tell her about the railroad accidents and 'washouts' and the latest thing in lynching."

The young people stretched out in long wicker chairs in the shade of a tree covered with purple flowers. On a perch at one side of them an orang-outang in a steel belt was combing the whiskers of her infant daughter; at their feet what looked like two chow puppies, but which happened to be Lady Firth's pet lions, were chewing each other's toothless gums; and in the immediate foreground the hospital nurses were defying the sun at tennis while the Sultan's band played selections from a Gaiety success of many years in the past. With these surroundings it was difficult to talk of home. Nor on any later occasions, except through inadvertence, did they talk of home.

For the reasons already stated, it amused Hemingway to volunteer no confidences. On account of what that same evening Harris told him of Mrs. Adair, he asked none.