Part 16

"Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As darkly painted on the crimson sky Thy figure floats along."

The blackbirds, however, are more neighbourly. They even forage in the foreign territory, returning at night to sleep.

In nesting time the red-wing is indeed a citizen of the lowland. His voice is as distinctive of the marsh as is the croak of the frog, and from a distance it is one of the first sounds to greet the ear. How beautiful is his clear whistle with its liquid break! Indeed one may say that he is the most conspicuous singer of the marshlands. His is not a sustained song, but the exuberant expression of a happy heart.

According to many writers the little marsh wren is without song. No song! As well say that the farmer boy's whistling as he follows the plough, or the sailor's song as he hoists the sail, is not music! All are the songs of the lowly, the melody of those glad to be alive and out in the free air.

When man goes into the marsh, the marsh retires within itself, as a turtle retreats within his shell. With the exception of a few blackbirds and marsh wrens, babbling away the nest secret, and an occasional frog's croak, all the inhabitants have stealthily retired. The spotted turtle has slid from the decayed log as the boat pushed through the reeds. At our approach the heron has flown and the little Virginia rail has scuttled away among the reeds.

Remain perfectly quiet, however, and give the marsh time to regain its composure. One by one the tenants of the swamp will take up the trend of their business where it was interrupted.

All about, the frogs rest on the green carpet of the lily pads, basking in the sun. The little rail again runs among the reeds, searching for food in the form of small snails. The blackbirds and wrens, most domestic in character, go busily about their home business; the turtles again come up to their positions, and a muskrat swims across the channel. One hopes that the little colony of marsh wren homes on stilts above the water, like the ancient lake dwellers of Tenochtitlan, may have no enemies. But the habit of building dummy nests is suggestive that the wee birds are pitting their wits against the cunning of some enemy,--and suspicion rests upon the serpent.

As evening approaches and the shadows from the bordering wood point long fingers across the marsh, the blackbirds straggle back from their feeding-grounds and settle, clattering, among the reeds. Their clamour dies gradually away and night settles down upon the marsh.

* * * * *

All sounds have ceased save the booming of the frogs, which but emphasises the loneliness of it all. A distant whistle of a locomotive dispels the idea that all the world is wilderness. The firefly lamps glow along the margin of the rushes. The frogs are now in full chorus, the great bulls beating their tom-toms and the small fry filling in the chinks with shriller cries. How remote the scene and how melancholy the chorus!

To one mind there is a quality in the frogs' serenade that strikes the chord of sadness, to another the chord of contentment, to still another it is the chant of the savage, just as the hoot of an owl or the bark of a fox brings vividly to mind the wilderness.

Out of the night comes softly the croon of a little screech owl--that cry almost as ancient as the hills. It belongs with the soil beneath our towns. It is the spirit of the past crying to us. So the dirge of the frog is the cry of the spirit of river and marshland.

Our robins and bluebirds are of the orchard and the home of man, but who can claim neighbourship to the bittern or the bullfrog? There is nothing of civilisation in the hoarse croak of the great blue heron. These are all barbarians and their songs are of the untamed wilderness.

The moon rises over the hills. The mosquitoes have become savage. The marsh has tolerated us as long as it cares to, and we beat our retreat. The night hawks swoop down and boom as they pass overhead. One feels thankful that the mosquitoes are of some good in furnishing food to so graceful a bird.

A water snake glides across the channel, leaving a silver wake in the moonlight. The frogs plunk into the water as we push past. A night heron rises from the margin of the river and slowly flops away. The bittern booms again as we row down the peaceful river, and we leave the marshland to its ancient and rightful owners.

And the marsh is meshed with a million veins, That like as with rosy and silvery essences flow In the rose and silver evening glow. Farewell, my lord Sun! The creeks overflow; a thousand rivulets run 'Twixt the roots of the sod; the blades of the marsh grass stir; Passeth a hurrying sound of wings that westward whirr. Sidney Lanier.

THE COMING OF MAN

If we betake ourselves to the heart of the deepest forests which are still left upon our northern hills, and compare the bird life which we find there with that in the woods and fields near our homes, we shall at once notice a great difference. Although the coming of mankind with his axe and plough has driven many birds and animals far away or actually exterminated them, there are many others which have so thrived under the new conditions that they are far more numerous than when the tepees of the red men alone broke the monotony of the forest.

We might walk all day in the primitive woods and never see or hear a robin, while in an hour's stroll about a village we can count scores. Let us observe how some of these quick-witted feathered beings have taken advantage of the way in which man is altering the whole face of the land.

A pioneer comes to a spot in the virgin forest which pleases him and proceeds at once to cut down the trees in order to make a clearing. The hermit thrush soothes his labour with its wonderful song; the pileated woodpecker pounds its disapproval upon a near-by hollow tree; the deer and wolf take a last look out through the trees and flee from the spot forever. A house and barn arise; fields become covered with waving grass and grain; a neglected patch of burnt forest becomes a tangle of blackberry and raspberry; an orchard is set out.

When the migrating birds return, they are attracted to this new scene. The decaying wood of fallen trees is a paradise for ants, flies, and beetles; offering to swallows, creepers, and flycatchers feasts of abundance never dreamed of in the primitive forests. Straightway, what must have been a cave swallow becomes a barn swallow; the haunter of rock ledges changes to an eave swallow; the nest in the niche of the cliff is deserted and phoebe becomes a bridgebird; cedarbirds are renamed cherrybirds, and catbirds and other low-nesting species find the blackberry patch safer than the sweetbrier vine in the deep woods. The swift leaves the lightning-struck hollow tree where owl may harry or snake intrude, for the chimney flue--sooty but impregnable.

When the great herds of ruminants disappear from the western prairies, the buffalo birds without hesitation become cowbirds, and when the plough turns up the never-ending store of grubs and worms the birds lose all fear and follow at the very heels of the plough-boy: grackles, vesper sparrows, and larks in the east, and flocks of gulls farther to the westward.

The crow surpasses all in the keen wit which it pits against human invasion and enmity. The farmer declares war (all unjustly) against these sable natives, but they jeer at his gun and traps and scarecrows, and thrive on, killing the noxious insects, devouring the diseased corn-sprouts,--doing great good to the farmer in spite of himself.

The story of these sudden adaptations to conditions which the birds could never have foreseen is a story of great interest and it has been but half told. Climb the nearest hill or mountain or even a tall tree and look out upon the face of the country. Keep in mind you are a bird and not a human,--you neither know nor understand anything of the reason for these strange sights,--these bipeds who cover the earth with great square structures, who scratch the ground for miles, who later gnaw the vegetation with great shining teeth, and who are only too often on the look out to bring sudden death if one but show a feather. What would you do?

THE SILENT LANGUAGE OF ANIMALS

What a great difference there is in brilliancy of colouring between birds and the furry creatures. How the plumage of a cardinal, or indigo bunting, or hummingbird glows in the sunlight, and reflects to our eyes the most intense vermilion or indigo or an iridescence of the whole gamut of colour. On the other hand, how sombrely clad are the deer, the rabbits, and the mice; gray and brown and white being the usual hue of their fur.

This difference is by no means accidental, but has for its cause a deep significance,--all-important to the life of the bird or mammal. Scientists have long known of it, and if we unlock it from its hard sheathing of technical terms, we shall find it as simple and as easy to understand as it is interesting. When we once hold the key, it will seem as if scales had fallen from our eyes, and when we take our walks abroad through the fields and woods, when we visit a zoological park, or even see the animals in a circus, we shall feel as though a new world were opened to us.

No post offices, or even addresses, exist for birds and mammals; when the children of the desert or the jungle are lost, no detective or policeman hastens to find them, no telephone or telegraph aids in the search. Yet, without any of these accessories, the wild creatures have marvellous systems of communication. The five senses (and perhaps a mysterious sixth, at which we can only guess) are the telephones and the police, the automatic sentinels and alarms of our wild kindred. Most inferior are our own abilities in using eyes, nose, and ears, when compared with the same functions in birds and animals.