Part 30

"'Am I then so changed, Mr. Marshfield?' she asked. And all at once I knew her: the girl whose nightingale throat had redeemed the desolation of the evenings at Rathdrum, whose sunny beauty had seemed (even to my celebrated cold-blooded æstheticism) worthy to haunt a man's dreams. Yes, there was the subtle curve of the waist, the warm line of throat, the dainty foot, the slender tip-tilted fingers--witty fingers, as I had classified them--which I now shook like a true Briton, instead of availing myself of the privilege the country gave me, and kissing her slender wrist.

"But she was changed; and I told her so with unconventional frankness, studying her closely as I spoke.

"'I am afraid,' I said gravely, 'that this place does not agree with you.'

"She shrank from my scrutiny with a nervous movement and flushed to the roots of her red-brown hair. Then she answered coldly that I was wrong, that she was in excellent health, but that she could not expect any more than other people to preserve perennial youth (I rapidly calculated she might be two-and-twenty), though, indeed, with a little forced laugh, it was scarcely flattering to hear one had altered out of all recognition. Then, without allowing me time to reply, she plunged into a general topic of conversation which, as I should have been obtuse indeed not to take the hint, I did my best to keep up.

"But while she talked of Vienna and Warsaw, of her distant neighbors, and last year's visitors, it was evident that her mind was elsewhere; her eye wandered, she lost the thread of her discourse, answered me at random, and smiled her piteous smile incongruously.

"However lonely she might be in her solitary splendor, the company of a countryman was evidently no such welcome diversion.

"After a little while she seemed to feel herself that she was lacking in cordiality, and, bringing her absent gaze to bear upon me with a puzzled strained look: 'I fear you will find it very dull,' she said, 'my husband is so wrapped up this winter in his country life and his sport. You are the first visitor we have had. There is nothing but guns and horses here, and you do not care for these things.'

"The door creaked behind us; and the baron entered, in faultless evening dress. Before she turned toward him I was sharp enough to catch again the upleaping of a quick dread in her eyes, not even so much dread perhaps, I thought afterwards, as horror--the horror we notice in some animals at the nearing of a beast of prey. It was gone in a second, and she was smiling. But it was a revelation.

"Perhaps he beat her in Russian fashion, and she, as an Englishwoman, was narrow-minded enough to resent this; or perhaps, merely, I had the misfortune to arrive during a matrimonial misunderstanding.

"The baron would not give me leisure to reflect; he was so very effusive in his greeting--not a hint of our previous meeting--unlike my hostess, all in all to me; eager to listen, to reply; almost affectionate, full of references to old times and genial allusions. No doubt when he chose he could be the most charming of men; there were moments when, looking at him in his quiet smile and restrained gesture, the almost exaggerated politeness of his manner to his wife, whose fingers he had kissed with pretty, old-fashioned gallantry upon his entrance, I asked myself, Could that encounter in the passage have been a dream? Could that savage in the sheepskin be my courteous entertainer?

"Just as I came in, did I hear my wife say there was nothing for you to do in this place?" he said presently to me. Then, turning to her:

"You do not seem to know Mr. Marshfield. Wherever he can open his eyes there is for him something to see which might not interest other men. He will find things in my library which I have no notion of. He will discover objects for scientific observation in all the members of my household, not only in the good-looking maids--though he could, I have no doubt, tell their points as I could those of a horse. We have maidens here of several distinct races, Marshfield. We have also witches, and Jew leeches, and holy daft people. In any case, Yany, with all its dependencies, material, male and female, are at your disposal, for what you can make out of them.

"'It is good," he went on gayly, 'that you should happen to have this happy disposition, for I fear that, no later than to-morrow, I may have to absent myself from home. I have heard that there are news of wolves--they threaten to be a greater pest than usual this winter, but I am going to drive them on quite a new plan, and it will go hard with me if I don't come even with them. Well for you, by the way, Marshfield, that you did not pass within their scent to-day.' Then, musingly: 'I should not give much for the life of a traveler who happened to wander in these parts just now.' Here he interrupted himself hastily and went over to his wife, who had sunk back on her chair, livid, seemingly on the point of swooning.

"His gaze was devouring; so might a man look at the woman he adored, in his anxiety.

"'What! faint, Violet, alarmed!' His voice was subdued, yet there was an unmistakable thrill of emotion in it.

"'Pshaw!' thought I to myself, 'the man is a model husband.'

"She clinched her hands, and by sheer force of will seemed to pull herself together. These nervous women have often an unexpected fund of strength.

"'Come, that is well,' said the baron with a flickering smile; 'Mr. Marshfield will think you but badly acclimatized to Poland if a little wolf scare can upset you. My dear wife is so soft-hearted,' he went on to me, 'that she is capable of making herself quite ill over the sad fate that might have, but has not, overcome you. Or, perhaps,' he added, in a still gentler voice, 'her fear is that I may expose myself to danger for the public weal.'

"She turned her head away, but I saw her set her teeth as if to choke a sob. The baron chuckled in his throat and seemed to luxuriate in the pleasant thought.

"At this moment folding doors were thrown open, and supper was announced. I offered my arm, she rose and took it in silence. This silence she maintained during the first part of the meal, despite her husband's brilliant conversation and almost uproarious spirits. But by and by a bright color mounted to her cheeks and luster to her eyes. I suppose you will think me horribly unpoetical if I add that she drank several glasses of champagne one after the other, a fact which perhaps may account for the change.

"At any rate she spoke and laughed and looked lovely, and I did not wonder that the baron could hardly keep his eyes off her. But whether it was her wifely anxiety or not--it was evident her mind was not at ease through it all, and I fancied that her brightness was feverish, her merriment slightly hysterical.

"After supper--an exquisite one it was--we adjourned together, in foreign fashion, to the drawing-room; the baron threw himself into a chair and, somewhat with the air of a pasha, demanded music. He was flushed; the veins of his forehead were swollen and stood out like cords; the wine drunk at table was potent: even through my phlegmatic frame it ran hotly.

"She hesitated a moment or two, then docilely sat down to the piano. That she could sing I have already made clear: how she could sing, with what pathos, passion, as well as perfect art, I had never realized before.

"When the song was ended she remained for a while, with eyes lost in distance, very still, save for her quick breathing. It was clear she was moved by the music; indeed she must have thrown her whole soul into it.

"At first we, the audience, paid her the rare compliment of silence. Then the baron broke forth into loud applause. 'Brava, brava! that was really said con amore. A delicious love song, delicious--but French! You must sing one of our Slav melodies for Marshfield before you allow us to go and smoke.'

"She started from her reverie with a flush, and after a pause struck slowly a few simple chords, then began one of those strangely sweet, yet intensely pathetic Russian airs, which give one a curious revelation of the profound, endless melancholy lurking in the national mind.

"'What do you think of it?' asked the baron of me when it ceased.

"'What I have always thought of such music--it is that of a hopeless people; poetical, crushed, and resigned.'