Part 5

She shook her head emphatically, and said something that I failed to catch.

“You wish to indicate,” I hazarded, “that he married a fortune.”

This time I caught the words. They were “Tinned meats,” and having uttered them she lapsed into gloomy silence.

“Nevertheless,” I said, “this room must have cost a pretty penny.”

“She done it all herself,” replied my new friend, with concentrated scorn.

“But this green floor, so beautifully stained--”

“Boiling oil,” said she, with a flush of honest shame, “and a shillingsworth o' paint.”

“Those rugs--”

“Remnants,” she sighed, and showed me how artfully they had been pieced together.

“The curtains--”

“Remnants.”

“At all events the sofa--”

She raised its drapery, and I saw that the sofa was built of packing cases.

“The desk--”

I really thought that I was safe this time, for could I not see the drawers with their brass handles, the charming shelf for books, the pigeon-holes with their coverings of silk?

“She made it out of three orange boxes,” said the lady, at last a little awed herself.

I looked around me despairingly, and my eye alighted on the holland covering. “There is a fine chandelier in that holland bag,” I said coaxingly.

She sniffed and was raising an untender hand, when I checked her. “Forbear, ma'am,” I cried with authority, “I prefer to believe in that bag. How much to be pitied, ma'am, are those who have lost faith in everything.” I think all the pretty things that the little nursery governess had made out of nothing squeezed my hand for letting the chandelier off.

“But, good God, ma'am,” said I to madam, “what an exposure.”

She intimated that there were other exposures upstairs.

“So there is a stair,” said I, and then, suspiciously, “did she make it?”

No, but how she had altered it.

The stair led to Mary's bedroom, and I said I would not look at that, nor at the studio, which was a shed in the garden.

“Did she build the studio with her own hands?”

No, but how she had altered it.

“How she alters everything,” I said. “Do you think you are safe, ma'am?”

She thawed a little under my obvious sympathy and honoured me with some of her views and confidences. The rental paid by Mary and her husband was not, it appeared, one on which any self-respecting domestic could reflect with pride. They got the house very cheap on the understanding that they were to vacate it promptly if anyone bought it for building purposes, and because they paid so little they had to submit to the indignity of the notice-board. Mary A---- detested the words “This space to be sold,” and had been known to shake her fist at them. She was as elated about her house as if it were a real house, and always trembled when any possible purchaser of spaces called.

As I have told you my own aphorism I feel I ought in fairness to record that of this aggrieved servant. It was on the subject of art. “The difficulty,” she said, “is not to paint pictures, but to get frames for them.” A home thrust this.