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The Little Tea Book · Arthur Gray — chapter 1 of 9 · ~1,007 words · public domain

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THE LITTLE TEA BOOK

COMPILED BY ARTHUR GRAY

Compiler of Over the Black Coffee

ILLUSTRATED BY GEORGE W. HOOD

NEW YORK

THE BAKER & TAYLOR COMPANY 33-37 EAST 17TH ST., UNION SQ. NORTH

COPYRIGHT, 1903, BY THE BAKER & TAYLOR COMPANY

Published, October, 1903

The Crow Press, N.H.

Thou soft, thou sober, sage, and venerable liquid! Thou innocent pretence for bringing the wicked of both sexes together in the morning! Thou female tongue-running, smile-soothing, heart-opening, wink-tipping cordial to whose glorious insipidity I owe the happiest moments of my life. --COLLEY CIBBER.

INTRODUCING THE LITTLE TEA BOOK

After all, tea is the drink! Domestically and socially it is the beverage of the world. There may be those who will come forward with their figures to prove that other fruits of the soil-- agriculturally and commercially--are more important. Perhaps they are right when quoting statistics. But what other product can compare with tea in the high regard in which it has always been held by writers whose standing in literature, and recognized good taste in other walks, cannot be questioned?

A glance through this book will show that the spirit of the tea beverage is one of peace, comfort, and refinement. As these qualities are all associated with the ways of women, it is to them, therefore--the real rulers of the world--that tea owes its prestige and vogue.

Further peeps through these pages prove this to be true; for nearly all the allusions and references to the beverage, by male writers, reveal the womanly influence that tea imparts. But this is not all. The side-lights of history, customs, manners, and modes of living which tea plays in the life of all nations will be found entertaining and instructive. Linked with the fine feminine atmosphere which pervades the drinking of the beverage everywhere, a leaf which can combine so much deserves, at least, a little human hearing for its long list of virtues; for its peaceful walks, talks, tales, tattle, frills, and fancies which go to make up this tribute to "the cup that cheers but not inebriates."

THE ORIGIN OF TEA

Darma, third son of Koyuwo, King of India, a religions high priest from Siaka (the author of that Eastern paganism about a thousand years before the Christian era), coming to China, to teach the way of happiness, lived a most austere life, passing his days in continual mortification, and retiring by night to solitudes, in which he fed only upon the leaves of trees and other vegetable productions. After several years passed in this manner, in fasting and watching, it happened that, contrary to his vows, the pious Darma fell asleep! When he awoke, he was so much enraged at himself, that, to prevent the offence to his vows for the future, he got rid of his eyelids and placed them on the ground. On the following day, returning to his accustomed devotions, he beheld, with amazement, springing up from his eyelids, two small shrubs of an unusual appearance, such as he had never before seen, and of whose qualities he was, of course, entirely ignorant. The saint, however, not being wholly devoid of curiosity--or, perhaps, being unusually hungry--was prompted to eat of the leaves, and immediately felt within him a wonderful elevation of mind, and a vehement desire of divine contemplation, with which he acquainted his disciples, who were eager to follow the example of their instructor, and they readily received into common use the fragrant plant which has been the theme of so many poetical and literary pens in succeeding ages.

TEA

By FRANCIS SALTUS SALTUS

From what enchanted Eden came thy leaves That hide such subtle spirits of perfume? Did eyes preadamite first see the bloom, Luscious nepenthe of the soul that grieves?

By thee the tired and torpid mind conceives Fairer than roses brightening life's gloom, Thy protean charm can every form assume And turn December nights to April eves.

Thy amber-tinted drops bring back to me Fantastic shapes of great Mongolian towers, Emblazoned banners, and the booming gong; I hear the sound of feast and revelry, And smell, far sweeter than the sweetest flowers, The kiosks of Pekin, fragrant of Oolong!

LITTLE CUPS OF CHINESE AND JAPANESE TEA

Although the legend credits the pious East Indian with the discovery of tea, there is no evidence extant that India is really the birthplace of the plant.

Since India has no record of date, or facts, on stone or tablet, or ever handed down a single incident of song or story--apart from the legend--as to the origin of tea, one is loath to accept the claim--if claim they assert--of a people who are not above practising the "black art" at every turn of their fancy.

Certain it is that China, first in many things, knew tea as soon as any nation of the world. The early Chinese were not only more progressive than other peoples, but linked with their progress were important researches, and invaluable discoveries, which the civilized world has long ago recognized. Then, why not add tea to the list?

At any rate, it is easy to believe that the Chinese were first in the tea fields, and that undoubtedly the plant was a native of both China and Japan when it was slumbering on the slopes of India, unpicked, unsteeped, undrunk, unhonored, and unsung.

A celebrated Buddhist, St. Dengyo Daishai, is credited with having introduced tea into Japan from China as early as the fourth century. It is likely that he was the first to teach the Japanese the use of the herb, for it had long been a favorite beverage in the mountains of the Celestial Kingdom. The plant, however, is found in so many parts of Japan that there can be little doubt but what it is indigenous there as well.

The word TEA is of Chinese origin, being derived from the Amoy and Swatow reading, "Tay," of the same character, which expresses both the ancient name of tea, "T'su," and the more modern one, "Cha." Japanese tea, "Chiya"--pronounced Châ.

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