"Don't, Justin. I can't stand any more--now. The sight of her face that Sunday at the Dietz--the ghostliness of her, in my locked room--I thought I was haunted."
"Would you like to see her again, and judge for yourself whether----"
"Take me to her," Heron broke in.
They started on again toward the gray limousine drawn up at the roadside only a few yards away; but before they had gone a dozen steps Heron stopped O'Reilly once more.
"Does she know?" he asked abruptly.
"I have said nothing to her," Justin assured him. "She cannot know. Yet I think, what one would call her 'subconscious self' is aware of a tie between you and herself. She's Celtic, too! She hasn't been able to rest since she learned (in a way you shall hear about later) that your life was threatened. I'm certain that something above Fate has brought us three together on the road to-night. I didn't see you in the car. She saw you. She made me turn back."
Without another word Heron began to walk very fast. Justin kept at his side, but did not speak until they had nearly reached the car which contained Clo. Then he warned Heron hastily that the girl had had an accident. "That is," he corrected himself, dryly, "she was shot by the leader of the band that's after you. If you want to tell her here and now what you think you are to each other, I don't forbid it. Happy news seldom hurts. (By the by, she explained to me that she came over to America because she thought the States looked small on the map, and she might meet her American father!) Go gently with her, that's all I ask."
"You give me leave to talk to her--as I wish?"
"Yes. But--what about Mrs. Heron? Is she----"
"Oh, later, I must tell her. To-night I want it to rest between ourselves. But, O'Reilly, I can't go on with my wife and that fellow, Hammersley-Fisher, to the Sands'--after this! What am I to do? Think for me. I can think only--of one thing."
"When I've introduced you to my wife" (each time O'Reilly spoke those two words it was with tenderness and pride) "I'll go back to Hammersley-Fisher's car and suggest that he take Mrs. Heron on, while we follow later, if you like."
"For heaven's sake, do."
They had reached the gray limousine. Justin opened the door. "Clo, here is my old friend, John Heron, come to see you," he announced.
"Clo! Her name's not 'Clodagh,' is it?" the question leapt from Heron's lips.
"It was one of my mother's names, Mr. Heron."
"And your voice is her voice!" he exclaimed. "Your face is her face." He had not meant to begin in this way; but the moment was too big for him when Clo switched on an electric lamp, and the light framed her in silver. Justin silently moved away, leaving the two to make acquaintance as Fate led.
Next morning the newspapers all over the country were head-lined with a new sensation. Mrs. John Heron, of California, had arrived rather late, on account of an accident to the car of Mr. Hammersley-Fisher, who had been entertaining the Herons at Narragansett. Mr. Heron, owing to indisposition, had remained behind, and only the lady's host had accompanied her to the ball. At the moment of their entrance a dance, given by several famous Russian professionals, was nearly ended. An extra dancer had accompanied the party as an understudy of one of its members who feared a breakdown. Not being called upon to dance, he had taken up his station near the door, and must have known Mrs. John Heron by sight, though not her husband. When she came in, accompanied by Hammersley-Fisher, he shot the latter through the breast, calling out in English: "Take that, John Heron, for your sins against the Comrades!"
Unfortunately the Russian--or pretended Russian--was allowed to escape in the confusion, but the police had hopes of getting upon his track. Mr. Hammersley-Fisher was seriously, but not fatally, injured. All the guests of Mr. and Mrs. Sands, with the exception of four, had left, that the house might be kept quiet for the invalid.
The four who remained were Mr. and Mrs. John Heron, Justin O'Reilly, and Justin O'Reilly's wife.
THE END
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The Lion's Mouse · The Wunder Library — complete classics, free to read, with narration.