Part 43

They penetrated the blue curtain of tobacco smoke which veiled the cellar restaurant. People of all sorts were sitting at small, uncovered wooden tables, which were painted green. There were long-haired foreigners; there were rich American Jews. There were girls who looked like "show girls" or chorus girls at least, companioned by fashionably dressed and silly-faced boys. And all the company drank wine from oddly shaped bottles, or beer out of stone or pewter "krugs." At the end of the long, narrow room stood two huge casks, one on either side of a small stage where three men in the costumes of Tyrolese peasants played a zither, a 'cello, and a violin, for a gaily dressed boy and girl to dance.

There were a number of tables still unoccupied, and of these a few were free. O'Reilly chose one close to the entrance. Seated there, he and Clo could see everybody who came in or went out. If they themselves wished to leave in a hurry it would be a convenient place.

Clo could not even pretend to eat. She asked for strong coffee, and not to be conspicuous O'Reilly ordered for himself beer, and food with an odd, Russian sounding name. Having thus bought their right to the table, he leaned across to the pale girl.

"The time's come when I can tell you what I think," he said. "First, what I think of you. You're the bravest person I ever met, and the most loyal. If the woman for whose sake you've done this is worthy of her friend, why, I'll be on her side from this night on."

"Thank you," said Clo, meekly. She was very tired, but vitality flowed through her newly at O'Reilly's words and look. "I don't deserve such a compliment, but she deserves everything. If I've behaved badly to you, it was for her."

"I know," said O'Reilly. "But you weren't precisely 'bad.' You were, on the whole, rather--wonderful. How did you get out of my room with the only door locked on the inside?"

"Oh!" the girl cried, surprised, "I thought you'd guess. I went along the stone ledge under the window of your bedroom till I came to an open window of a room in the next suite."

"I thought of that, when it was too late; but it seemed incredible."

"It wasn't as hard to do as I was afraid it would be," said Clo. "The other window was open, the curtain was blowing out. I caught hold of it, and got along somehow, through not looking down. Then in the room where I went in, there was a man. He was at the door, and I scared him popping in that way at the window, so he let me run past. That's all." Firmly the girl closed the subject.

"Let's talk about the pearls," she said. "Peterson was a wicked man. I can't pretend to be sorry he's been killed. He was acting for others higher up. I want to find Kit, not because I think she murdered him, but because I'm sure she's got the pearls. Who called out 'Come in!' in a man's voice, when Peterson was dead? We haven't got time to discuss the whole business before half-past eleven. Here comes my coffee! It's going to give me new life!"

"You must need it. Try to nibble a few crumbs of this rusk," O'Reilly advised. "I've been thinking hard since you told me how 'Chuff' 'phoned to 'Pete,' and took you for Kit. As for the voice that called 'Come in', the wall being thin, a man in the room close by might think the knock was at his door. You're almost surely right about Kit being in the hotel to watch Peterson. No doubt he was acting for men who have the power to--trouble Mrs. Sands. Don't look at me like a wild cat! I shan't tell what you don't want to hear, but there certainly are such men. Most likely Peterson followed us into the Sands' apartment without being noticed in the wild confusion of your fainting. He was there to get hold of the thing he was blackmailing her for, the thing you went back to my hotel to steal, and then repented stealing. Naturally Peterson didn't find it, as it was still in my safe at the Dietz, but he might have seen the pearls. The fellow must have been hiding close to Mrs. Sands and me, when we talked, or he wouldn't have known that John Heron had wanted to buy those pearls! He 'phoned, later, from the Westmorland to Heron, as you must have guessed from what I 'phoned back. As for Kit, she was in her room next door when he called Heron up, and heard about his having pearls to sell; or else she went in to help him pack, and saw them. But it strikes me that a young woman of her class wouldn't bash a man on the head, and risk the Chair, for the righteous joy of turning a fortune over to her pals. No, if she killed Peterson, she killed him because she wanted the pearls for herself or a 'sweetheart.'"

"There's Churn," said Clo. "He and Kit may be a 'case.' She may have gone straight to him with the pearls."

"'Churn's' possibly a nickname for that Lorenz Czerny, whose name you found written on a visiting card," O'Reilly said. "What with that card, and the memorandum, and Kit's bag, we ought to get on to the track of the gang. I'm on Mrs. Sands' side now. But I know a private detective who's worked for clients of mine. He's close as an oyster, and true as a compass. Chuff may keep his appointment, or he may not. If the real Kit's turned up and told the truth, perhaps he won't dare, for fear of a trap. Still, he may, if he's got pluck, and a good disguise--or if the police have nothing 'on' him. The gang won't want the false Kit to get away with what she knows if the real one's true to them. And they'll be eager to see whom they're up against. That's why I should like to have Denham--the detective--on the spot."

"Would that be the best way to get the pearls?" asked Clo.

"Can you suggest a better one?"

"Not on the spur of the moment."

"It's on the spur of the moment we must decide."

"Well--'phone Denham."

"I will," said O'Reilly. "I think I ought to get him now unless he's on some job. I'll be back in a few minutes. There's no danger of serious trouble for you here."

"I'm used to taking care of myself," said Clo. The hot, strong coffee had brought a faint colour to her face, and she looked up with one of those "cheeky" grins of hers, such as his "cousin" had given him at the Dietz. O'Reilly went away bewitched with the creature, absorbed in her. She had done so much for the love of a woman. What would she do for love of a man?

He had to go upstairs to the telephone, it seemed, at Krantz's. Then the line was busy. He was obliged to wait.

Meanwhile a tall girl, in a bright pink cloak over a pink dress, hurried through the gloomy restaurant. She paused only to glance at a clock on the wall, and then ran downstairs to the "Keller."

XXVI

THE GIRL IN PINK

Clo sat watching the crowd. She had removed her veil, and the long, brown cloak lent by Beverley. The latter she had folded, and was sitting upon it.

It was then, when most of the tables were taken, and when a young tenor with a good voice had replaced the Italian peasants, that the girl in pink walked in. Clo sat with her face to the entrance, and happened to be looking that way. At sight of the girl, who came in alone, it was all she could do to sit still. She felt the blood stream to her face, and taking up the empty coffee cup, pretended to drink.

"Gracious, why did I never think of her!" she wondered. For this was the girl who had got out of the elevator at the Westmorland, and had been stared at by the men, when Clo and Beverley descended the stairs from Peterson's room. Would there have been time after they had turned their backs for Kit to get out of the brown trunk (if she'd been in it!), fasten the lid, and descend to the lift while the two women went down the six flights of stairs?

Yes, there would have been time. Clo was thankful that she had disposed of her veil, and was sitting on the cloak. Here at Krantz's she was only a girl in a white dress, with a brown toque which at the Westmorland had been hidden with a veil.