Part 2

As Madeline sat waiting in the yellow gloom she heard the faint, intermittent click of the telegraph instrument, the low hum of wires, the occasional stamp of an iron-shod hoof, and a distant vacant laugh rising above the sounds of the dance. These commonplace things were new to her. She became conscious of a slight quickening of her pulse. Madeline had only a limited knowledge of the West. Like all of her class, she had traveled Europe and had neglected America. A few letters from her brother had confused her already vague ideas of plains and mountains, as well as of cowboys and cattle. She had been astounded at the interminable distance she had traveled, and if there had been anything attractive to look at in all that journey she had passed it in the night. And here she sat in a dingy little station, with telegraph wires moaning a lonely song in the wind.

A faint sound like the rattling of thin chains diverted Madeline’s attention. At first she imagined it was made by the telegraph wires. Then she heard a step. The door swung wide; a tall man entered, and with him came the clinking rattle. She realized then that the sound came from his spurs. The man was a cowboy, and his entrance recalled vividly to her that of Dustin Farnum in the first act of “The Virginian.”

“Will you please direct me to a hotel?” asked Madeline, rising.

The cowboy removed his sombrero, and the sweep he made with it and the accompanying bow, despite their exaggeration, had a kind of rude grace. He took two long strides toward her.

“Lady, are you married?”

In the past Miss Hammond’s sense of humor had often helped her to overlook critical exactions natural to her breeding. She kept silence, and she imagined it was just as well that her veil hid her face at the moment. She had been prepared to find cowboys rather striking, and she had been warned not to laugh at them.

This gentleman of the range deliberately reached down and took up her left hand. Before she recovered from her start of amaze he had stripped off her glove.

“Fine spark, but no wedding-ring,” he drawled. “Lady, I’m glad to see you’re not married.”

He released her hand and returned the glove.

“You see, the only ho-tel in this here town is against boarding married women.”

“Indeed?” said Madeline, trying to adjust her wits to the situation.

“It sure is,” he went on. “Bad business for ho-tels to have married women. Keeps the boys away. You see, this isn’t Reno.”

Then he laughed rather boyishly, and from that, and the way he slouched on his sombrero, Madeline realized he was half drunk. As she instinctively recoiled she not only gave him a keener glance, but stepped into a position where a better light shone on his face. It was like red bronze, bold, raw, sharp. He laughed again, as if good-naturedly amused with himself, and the laugh scarcely changed the hard set of his features. Like that of all women whose beauty and charm had brought them much before the world, Miss Hammond’s intuition had been developed until she had a delicate and exquisitely sensitive perception of the nature of men and of her effect upon them. This crude cowboy, under the influence of drink, had affronted her; nevertheless, whatever was in his mind, he meant no insult.

“I shall be greatly obliged if you will show me to the hotel,” she said.

“Lady, you wait here,” he replied, slowly, as if his thought did not come swiftly. “I’ll go fetch the porter.”

She thanked him, and as he went out, closing the door, she sat down in considerable relief. It occurred to her that she should have mentioned her brother’s name. Then she fell to wondering what living with such uncouth cowboys had done to Alfred. He had been wild enough in college, and she doubted that any cowboy could have taught him much. She alone of her family had ever believed in any latent good in Alfred Hammond, and her faith had scarcely survived the two years of silence.

Waiting there, she again found herself listening to the moan of the wind through the wires. The horse outside began to pound with heavy hoofs, and once he whinnied. Then Madeline heard a rapid pattering, low at first and growing louder, which presently she recognized as the galloping of horses. She went to the window, thinking, hoping her brother had arrived. But as the clatter increased to a roar, shadows sped by—lean horses, flying manes and tails, sombreroed riders, all strange and wild in her sight. Recalling what the conductor had said, she was at some pains to quell her uneasiness. Dust-clouds shrouded the dim lights in the windows. Then out of the gloom two figures appeared, one tall, the other slight. The cowboy was returning with a porter.

Heavy footsteps sounded without, and lighter ones dragging along, and then suddenly the door rasped open, jarring the whole room. The cowboy entered, pulling a disheveled figure—that of a priest, a padre, whose mantle had manifestly been disarranged by the rude grasp of his captor. Plain it was that the padre was extremely terrified.

Madeline Hammond gazed in bewilderment at the little man, so pale and shaken, and a protest trembled upon her lips; but it was never uttered, for this half-drunken cowboy now appeared to be a cool, grim-smiling devil; and stretching out a long arm, he grasped her and swung her back to the bench.

“You stay there!” he ordered.

His voice, though neither brutal nor harsh nor cruel, had the unaccountable effect of making her feel powerless to move. No man had ever before addressed her in such a tone. It was the woman in her that obeyed—not the personality of proud Madeline Hammond.

The padre lifted his clasped hands as if supplicating for his life, and began to speak hurriedly in Spanish. Madeline did not understand the language. The cowboy pulled out a huge gun and brandished it in the priest’s face. Then he lowered it, apparently to point it at the priest’s feet. There was a red flash, and then a thundering report that stunned Madeline. The room filled with smoke and the smell of powder. Madeline did not faint or even shut her eyes, but she felt as if she were fast in a cold vise. When she could see distinctly through the smoke she experienced a sensation of immeasurable relief that the cowboy had not shot the padre. But he was still waving the gun, and now appeared to be dragging his victim toward her. What possibly could be the drunken fool’s intention? This must be, this surely was a cowboy trick. She had a vague, swiftly flashing recollection of Alfred’s first letters descriptive of the extravagant fun of cowboys. Then she vividly remembered a moving picture she had seen—cowboys playing a monstrous joke on a lone school-teacher. Madeline no sooner thought of it than she made certain her brother was introducing her to a little wild West amusement. She could scarcely believe it, yet it must be true. Alfred’s old love of teasing her might have extended even to this outrage. Probably he stood just outside the door or window laughing at her embarrassment.

Anger checked her panic. She straightened up with what composure this surprise had left her and started for the door. But the cowboy barred her passage—grasped her arms. Then Madeline divined that her brother could not have any knowledge of this indignity. It was no trick. It was something that was happening, that was real, that threatened she knew not what. She tried to wrench free, feeling hot all over at being handled by this drunken brute. Poise, dignity, culture—all the acquired habits of character—fled before the instinct to fight. She was athletic. She fought. She struggled desperately. But he forced her back with hands of iron. She had never known a man could be so strong. And then it was the man’s coolly smiling face, the paralyzing strangeness of his manner, more than his strength, that weakened Madeline until she sank trembling against the bench.

“What—do you—mean?” she panted.

“Dearie, ease up a little on the bridle,” he replied, gaily.

Madeline thought she must be dreaming. She could not think clearly. It had all been too swift, too terrible for her to grasp. Yet she not only saw this man, but also felt his powerful presence. And the shaking priest, the haze of blue smoke, the smell of powder—these were not unreal.

Then close before her eyes burst another blinding red flash, and close at her ears bellowed another report. Unable to stand, Madeline slipped down onto the bench. Her drifting faculties refused clearly to record what transpired during the next few moments; presently, however, as her mind steadied somewhat, she heard, though as in a dream, the voice of the padre hurrying over strange words. It ceased, and then the cowboy’s voice stirred her.

“Lady, say Si—Si. Say it—quick! Say it—Si!”