The Life of the Weevil

CHAPTER I. The Old Weevils

THE OLD WEEVILS

In winter, when the insect takes an enforced rest, the study of numismatics affords me some delightful moments. I love to interrogate its metal disks, the records of the petty things which men call history. In this soil of Provence, where the Greek planted the olive-tree and the Roman planted the law, the peasant finds coins, scattered more or less everywhere, when he turns the sod. He brings them to me and consults me upon their pecuniary value, never upon their meaning.

What matters to him the inscription on his treasure-trove! Men suffered of yore, they suffer to-day, they will suffer in the future: to him all history is summed up in that! The rest is sheer futility, a pastime of the idle.

I do not possess this lofty philosophy of indifference to things of the past. I scratch the piece of money with my finger-nail, I carefully strip it of its earthy rind, I examine it with the magnifying-glass, I try to decipher its lettering. And my satisfaction is no small one when the bronze or silver disk has spoken. For then I have read a page of humanity, not in books, which are chroniclers open to suspicion, but in records which are, in a manner, living and which were contemporary with the persons and the facts.

This bit of silver, flattened with the die, speaks to me of the Vocontii.

‘VOOC ... VOCUNT,’ says the inscription.

It comes from the small neighbouring town of Vaison, where Pliny the naturalist sometimes spent a holiday. Here perhaps, at his host’s table, the celebrated compiler learnt to appreciate the Beccafico, famous among the Roman epicures and still renowned to-day, under the name of Grasset, among our Provençal gastronomers. It is a pity that my bit of silver says nothing of these events, more memorable than any battle.

It shows on one side a head and on the other a galloping horse, all barbarously inaccurate. A child trying its hand for the first time with a sharp-pointed stone on the fresh mortar of the walls would produce no more shapeless design. No, of a surety, those bold Allobroges were no artists.

How greatly superior to them were the foreigners from Phocæa! Here is a drachma of the Massalietes: ΜΑΣΣΑΛΙΗΤΩΝ. On the obverse, a head of Diana of Ephesus, chub-faced, full-cheeked, thick-lipped. A receding forehead, surmounted by a diadem; an abundant head of hair, streaming down the neck in a cascade of curls; heavy ear-drops, a pearl necklace, a bow slung over the shoulder. Thus was the idol decked by the hands of the pious Syrian.

To tell the truth, it is not æsthetic. It is sumptuous, if you will, and preferable, after all, to the donkey’s-ears which our modern beauties wear perched upon their heads. What a singular freak is fashion, so fertile in the means of uglification! Commerce knows nothing of loveliness, says this divinity of the traders; it prefers profit, embellished with luxury. So speaks the drachma.

On the reverse, a lion clawing the ground and roaring wide-mouthed. Not of to-day alone is the savagery that symbolizes power in the shape of some formidable brute, as though evil were the supreme expression of strength. The eagle, the lion and other marauders often figure on the reverse of coins. But reality is not sufficient; the imagination invents monstrosities: the centaur, the dragon, the griffin, the unicorn, the double-headed eagle.

Are the inventors of these emblems so greatly superior to the Redskin who celebrates the prowess of his scalping-knife with a Bear’s paw, a Falcon’s wing or a Puma’s tooth stuck in his hair? We may safely doubt it.

How preferable to these heraldic horrors is the reverse of our own silver coinage recently brought into circulation! It represents a sower who, with a nimble hand, at sunrise, fills the furrows with the good seed of thought. It is very simple and it is great; it makes us reflect.

The Marseilles drachma has for its sole merit its magnificent relief. The artist who made the dies was a master of the graver’s tool; but he lacked the breath of inspiration. His chub-faced Diana is no better than a trollop.

Here is the NAMASAT of the Volscæ, which became the colony of Nîmes. Side by side, profiles of Augustus and of his minister Agrippa. The former, with his dour forehead, his flat skull, his acquisitive broken nose, inspires me with but little confidence, notwithstanding what gentle Virgil said of him: Deus nobis hæc otia fecit. It is success that makes gods. Had he not succeeded in his criminal projects, Augustus the divine would have remained Octavius the scoundrel.

His minister pleases me better. He was a great mover of stones, who, with his building operations, his aqueducts and his roads, came and civilized the rude Volscæ a little. Not far from my village a splendid road crosses the plain, starting from the banks of the Aygues, and climbs up yonder, tedious in its monotonous length, to cross the Sérignan hills, under the protection of a mighty oppidum, which, much later, became the old castle, the castelas. It is a section of Agrippa’s Road, which joined Marseilles and Vienne. The majestic ribbon, twenty centuries old, is still frequented. We no longer see the little brown foot-soldier of the Roman legions upon it; in his stead we see the peasant going to market at Orange, with his flock of Sheep or his drove of unruly Porkers. Of the two I prefer the peasant.

Let us turn over our green-crusted penny. ‘COL. NEM.,’ the reverse tells us. The inscription is accompanied by a Crocodile chained to a palm-tree from which hang crowns. It is an emblem of Egypt, conquered by the veterans who founded the colony. The beast typifying the Nile gnashes its teeth at the foot of the familiar tree. It speaks to us of Antony, the Don Juan; it tells us of Cleopatra, whose nose, had it been an inch shorter, would have changed the face of the globe. Thanks to the memories which it awakens, the scaly-backed reptile becomes a superb historical lesson.

In this way, the important lessons of the numismatics of metals might be continued for many a day and be constantly varied without departing from my immediate neighbourhood. But there is another science of numismatics, far superior and less costly, which, with its medals, the fossils, tells us the history of life. I refer to the numismatics of stones.

My very window-sill, the confidant of bygone ages, talks to me of a vanished world. It is, literally speaking, an ossuary, whose every particle retains the imprint of past lives. That block of stone has lived. Prickly spines of Sea-urchins, teeth and vertebræ of fish, broken pieces of shells and fragments of madrepores form a conglomeration of dead existences. Examined stone by stone, my house would resolve itself into a reliquary, a rag-fair of ancient things that were once alive.

The rocky stratum from which we extract our building materials in these parts covers with its mighty shell the greater portion of the neighbouring uplands. Here the quarryman has been digging for none knows how many centuries, perhaps since the time when Agrippa hewed Cyclopean blocks to form the stages and the face of the theatre at Orange. And here daily the pick-axe uncovers curious fossils. The most remarkable of these are teeth, still wonderfully polished in the midst of their rough matrix and as bright with enamel as in the fresh state. Some of them are formidable, three-cornered, finely jagged at the edges, almost as large as a man’s hand. What a yawning gulf, a jaw armed with such a set of teeth in manifold rows, placed stepwise almost to the back of the gullet! What mouthfuls, snapped up and lacerated by those notched shears! You shiver at the mere thought of reconstructing that awful implement of destruction!

The monster thus equipped as a prince of death belonged to the family of the Squali. Palæontology calls him Carcharodon megalodon. Our modern Shark, the terror of the seas, gives an approximate idea of him, in so far as a dwarf can give an idea of a giant.

Other Squali, all ferocious gluttons, abound within the same stone. It contains Oxyrhinæ (O. xyphodon, Agass.), whose jaws are furnished with curved and toothed Malay creeses; Lamiæ (L. denticulata, Agass.), whose mouths bristle with sharp, flexuous daggers, flat on one side, convex on the other; and Notidani (N. primigenius, Agass.), whose sunken teeth are crowned with radiating indentations.

This dental arsenal, bearing eloquent witness to bygone massacres, can hold its own with the Nîmes Crocodile, the Marseilles Diana or the Vaison Horse. With its panoply of carnage, it tells me how extermination came at all times to prune the excess of life; it says:

‘On the very spot where you stand meditating upon a splinter of stone, an arm of the sea once stretched, filled with warlike devourers and peaceful victims. A deep inlet occupied the future site of the Rhone valley. Its billows broke not far from your house.’

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