PART I.. Schiller's Youth.

SCHILLER'S YOUTH.

(1759-1784.)

Introductory remarks: Schiller's high destiny. His Father's career: Parental example and influences. Boyish caprices and aspirations. (p. 3.)--His first schoolmaster: Training for the Church: Poetical glimmerings. The Duke of Wuertemberg, and his Free Seminary: Irksome formality there. Aversion to the study of Law and Medicine. (9.)--Literary ambition and strivings: Economic obstacles and pedantic hindrances: Silent passionate rebellion. Bursts his fetters. (13.)--The Robbers: An emblem of its young author's baffled, madly struggling spirit: Criticism of the Characters in the Play, and of the style of the work. Extraordinary ferment produced by its publication: Exaggerated praises and condemnations: Schiller's own opinion of its moral tendency. (17.)--Discouragement and persecution from the Duke of Wuertemberg. Dalberg's generous sympathy and assistance. Schiller escapes from Stuttgard, empty in purse and hope: Dalberg supplies his immediate wants: He finds hospitable friends. (28.)--Earnest literary efforts. Publishes two tragedies, Fiesco and Kabale und Liebe. His mental growth. Critical account of the Conspiracy of Fiesco: Fiesco's genial ambition: The Characters of the Play nearer to actual humanity. How all things in the Drama of Life hang inseparably together. (35.)--Kabale und Liebe, a domestic tragedy of high merit: Noble and interesting characters of hero and heroine. (42.)--The stormy confusions of Schiller's youth now subsiding. Appointed poet to the Mannheim Theatre. Nothing to fear from the Duke of Wuertemberg. The Public, his only friend and sovereign. A Man of Letters for the rest of his days. (46.)