Part 36

Heat is in proportion to the want of true knowledge.

The controversy about the attributes, &c. instead of cooling, on the contrary had inflamed the Strasburgers imaginations to a most inordinate degree——The less they understood of the matter the greater was their wonder about it—they were left in all the distresses of desire unsatisfied——saw their doctors, the Parchmentarians, the Brassarians, the Turpentarians, on one side—the Popish doctors on the other, like Pantagruel and his companions in quest of the oracle of the bottle, all embarked out of sight.

——The poor Strasburgers left upon the beach!

——What was to be done?—No delay—the uproar increased——every one in disorder——the city gates set open.——

Unfortunate Strasbergers! was there in the store-house of nature——was there in the lumber-rooms of learning——was there in the great arsenal of chance, one single engine left undrawn forth to torture your curiosities, and stretch your desires, which was not pointed by the hand of Fate to play upon your hearts?——I dip not my pen into my ink to excuse the surrender of yourselves—’tis to write your panegyrick. Shew me a city so macerated with expectation——who neither eat, or drank, or slept, or prayed, or hearkened to the calls either of religion or nature, for seven-and-twenty days together, who could have held out one day longer.

On the twenty-eighth the courteous stranger had promised to return to Strasburg.

Seven thousand coaches (Slawkenbergius must certainly have made some mistake in his numeral characters) 7000 coaches——15000 single-horse chairs—20000 waggons, crowded as full as they could all hold with senators, counsellors, syndicks—beguines, widows, wives, virgins, canons, concubines, all in their coaches—The abbess of Quedlingberg, with the prioress, the deaness and sub-chantress, leading the procession in one coach, and the dean of Strasburg, with the four great dignitaries of his chapter, on her left-hand—the rest following higglety-pigglety as they could; some on horseback——some on foot——some led——some driven——some down the Rhine——some this way——some that——all set out at sun-rise to meet the courteous stranger on the road.

Haste we now towards the catastrophe of my tale——I say Catastrophe (cries Slawkenbergius) inasmuch as a tale, with parts rightly disposed, not only rejoiceth (gaudet) in the Catastrophe and Peripeitia of a DRAMA, but rejoiceth moreover in all the essential and integrant parts of it——it has its Protasis, Epitasis, Catastasis, its Catastrophe or Peripeitia growing one out of the other in it, in the order Aristotle first planted them——without which a tale had better never be told at all, says Slawkenbergius, but be kept to a man’s self.

In all my ten tales, in all my ten decades, have I Slawkenbergius tied down every tale of them as tightly to this rule, as I have done this of the stranger and his nose.

——From his first parley with the centinel, to his leaving the city of Strasburg, after pulling off his crimson-sattin pair of breeches, is the Protasis or first entrance——where the characters of the Personæ Dramatis are just touched in, and the subject slightly begun.

The Epitasis, wherein the action is more fully entered upon and heightened, till it arrives at its state or height called the Catastasis, and which usually takes up the 2d and 3d act, is included within that busy period of my tale, betwixt the first night’s uproar about the nose, to the conclusion of the trumpeter’s wife’s lectures upon it in the middle of the grand parade: and from the first embarking of the learned in the dispute—to the doctors finally sailing away, and leaving the Strasburgers upon the beach in distress, is the Catastasis or the ripening of the incidents and passions for their bursting forth in the fifth act.

This commences with the setting out of the Strasburgers in the Frankfort road, and terminates in unwinding the labyrinth and bringing the hero out of a state of agitation (as Aristotle calls it) to a state of rest and quietness.

This, says Hafen Slawkenbergius, constitutes the Catastrophe or Peripeitia of my tale—and that is the part of it I am going to relate.

We left the stranger behind the curtain asleep——he enters now upon the stage.

—What dost thou prick up thy ears at?—’tis nothing but a man upon a horse——was the last word the stranger uttered to his mule. It was not proper then to tell the reader, that the mule took his master’s word for it; and without any more ifs or ands, let the traveller and his horse pass by.

The traveller was hastening with all diligence to get to Strasburg that night. What a fool am I, said the traveller to himself, when he had rode about a league farther, to think of getting into Strasburg this night.—Strasburg!——the great Strasburg!——Strasburg, the capital of all Alsatia! Strasburg, an imperial city! Strasburg, a sovereign state! Strasburg, garrisoned with five thousand of the best troops in all the world!—Alas! if I was at the gates of Strasburg this moment, I could not gain admittance into it for a ducat—nay a ducat and half—’tis too much—better go back to the last inn I have passed——than lie I know not where——or give I know not what. The traveller, as he made these reflections in his mind, turned his horse’s head about, and three minutes after the stranger had been conducted into his chamber, he arrived at the same inn.

——We have bacon in the house, said the host, and bread——and till eleven o’clock this night had three eggs in it——but a stranger, who arrived an hour ago, has had them dressed into an omelet, and we have nothing.——

Alas! said the traveller, harassed as I am, I want nothing but a bed.——I have one as soft as is in Alsatia, said the host.

——The stranger, continued he, should have slept in it, for ’tis my best bed, but upon the score of his nose.——He has got a defluxion, said the traveller.——Not that I know, cried the host.——But ’tis a camp-bed, and Jacinta, said he, looking towards the maid, imagined there was not room in it to turn his nose in.——Why so? cried the traveller, starting back.—It is so long a nose, replied the host.——The traveller fixed his eyes upon Jacinta, then upon the ground—kneeled upon his right knee—had just got his hand laid upon his breast——Trifle not with my anxiety, said he rising up again.——’Tis no trifle, said Jacinta, ’tis the most glorious nose!——The traveller fell upon his knee again—laid his hand upon his breast—then, said he, looking up to heaven, thou hast conducted me to the end of my pilgrimage—’Tis Diego.

The traveller was the brother of the Julia, so often invoked that night by the stranger as he rode from Strasburg upon his mule; and was come, on her part, in quest of him. He had accompanied his sister from Valadolid across the Pyrenean mountains through France, and had many an entangled skein to wind off in pursuit of him through the many meanders and abrupt turnings of a lover’s thorny tracks.

——Julia had sunk under it——and had not been able to go a step farther than to Lyons, where, with the many disquietudes of a tender heart, which all talk of——but few feel—she sicken’d, but had just strength to write a letter to Diego; and having conjured her brother never to see her face till he had found him out, and put the letter into his hands, Julia took to her bed.

Fernandez (for that was her brother’s name)——tho’ the camp-bed was as soft as any one in Alsace, yet he could not shut his eyes in it.——As soon as it was day he rose, and hearing Diego was risen too, he entered his chamber, and discharged his sister’s commission.

The letter was as follows:

“Seig. DIEGO,

“Whether my suspicions of your nose were justly excited or not——’tis not now to inquire—it is enough I have not had firmness to put them to farther tryal.

“How could I know so little of myself, when I sent my Duenna to forbid your coming more under my lattice? or how could I know so little of you, Diego, as to imagine you would not have staid one day in Valadolid to have given ease to my doubts?—Was I to be abandoned, Diego, because I was deceived? or was it kind to take me at my word, whether my suspicions were just or no, and leave me, as you did, a prey to much uncertainty and sorrow?

“In what manner Julia has resented this——my brother, when he puts this letter into your hands, will tell you; He will tell you in how few moments she repented of the rash message she had sent you——in what frantic haste she flew to her lattice, and how many days and nights together she leaned immoveably upon her elbow, looking through it towards the way which Diego was wont to come.

“He will tell you, when she heard of your departure—how her spirits deserted her——how her heart sicken’d——how piteously she mourned——how low she hung her head. O Diego! how many weary steps has my brother’s pity led me by the hand languishing to trace out yours; how far has desire carried me beyond strength——and how oft have I fainted by the way, and sunk into his arms, with only power to cry out—O my Diego!