Part 2

“Your husband was an angel, the way he went off at your bidding,” the gentleman who had first spoken declared to Mrs. St. George.

“At my bidding?”

“Didn’t you make him go to church?”

“I never made him do anything in my life but once—when I made him burn up a bad book. That’s all!” At her “That’s all!” our young friend broke into an irrepressible laugh; it lasted only a second, but it drew her eyes to him. His own met them, though not long enough to help him to understand her; unless it were a step towards this that he saw on the instant how the burnt book—the way she alluded to it!—would have been one of her husband’s finest things.

“A bad book?” her interlocutor repeated.

“I didn’t like it. He went to church because your daughter went,” she continued to General Fancourt. “I think it my duty to call your attention to his extraordinary demonstrations to your daughter.”

“Well, if you don’t mind them I don’t,” the General laughed.

“Il s’attache à ses pas. But I don’t wonder—she’s so charming.”

“I hope she won’t make him burn any books!” Paul Overt ventured to exclaim.

“If she’d make him write a few it would be more to the purpose,” said Mrs. St. George. “He has been of a laziness of late—!”

Our young man stared—he was so struck with the lady’s phraseology. Her “Write a few” seemed to him almost as good as her “That’s all.” Didn’t she, as the wife of a rare artist, know what it was to produce one perfect work of art? How in the world did she think they were turned on? His private conviction was that, admirably as Henry St. George wrote, he had written for the last ten years, and especially for the last five, only too much, and there was an instant during which he felt inwardly solicited to make this public. But before he had spoken a diversion was effected by the return of the absentees. They strolled up dispersedly—there were eight or ten of them—and the circle under the trees rearranged itself as they took their place in it. They made it much larger, so that Paul Overt could feel—he was always feeling that sort of thing, as he said to himself—that if the company had already been interesting to watch the interest would now become intense. He shook hands with his hostess, who welcomed him without many words, in the manner of a woman able to trust him to understand and conscious that so pleasant an occasion would in every way speak for itself. She offered him no particular facility for sitting by her, and when they had all subsided again he found himself still next General Fancourt, with an unknown lady on his other flank.

“That’s my daughter—that one opposite,” the General said to him without lose of time. Overt saw a tall girl, with magnificent red hair, in a dress of a pretty grey-green tint and of a limp silken texture, a garment that clearly shirked every modern effect. It had therefore somehow the stamp of the latest thing, so that our beholder quickly took her for nothing if not contemporaneous.

“She’s very handsome—very handsome,” he repeated while he considered her. There was something noble in her head, and she appeared fresh and strong.

Her good father surveyed her with complacency, remarking soon: “She looks too hot—that’s her walk. But she’ll be all right presently. Then I’ll make her come over and speak to you.”

“I should be sorry to give you that trouble. If you were to take me over there—!” the young man murmured.

“My dear sir, do you suppose I put myself out that way? I don’t mean for you, but for Marian,” the General added.

“I would put myself out for her soon enough,” Overt replied; after which he went on: “Will you be so good as to tell me which of those gentlemen is Henry St. George?”

“The fellow talking to my girl. By Jove, he is making up to her—they’re going off for another walk.”

“Ah is that he—really?” Our friend felt a certain surprise, for the personage before him seemed to trouble a vision which had been vague only while not confronted with the reality. As soon as the reality dawned the mental image, retiring with a sigh, became substantial enough to suffer a slight wrong. Overt, who had spent a considerable part of his short life in foreign lands, made now, but not for the first time, the reflexion that whereas in those countries he had almost always recognised the artist and the man of letters by his personal “type,” the mould of his face, the character of his head, the expression of his figure and even the indications of his dress, so in England this identification was as little as possible a matter of course, thanks to the greater conformity, the habit of sinking the profession instead of advertising it, the general diffusion of the air of the gentleman—the gentleman committed to no particular set of ideas. More than once, on returning to his own country, he had said to himself about people met in society: “One sees them in this place and that, and one even talks with them; but to find out what they do one would really have to be a detective.” In respect to several individuals whose work he was the opposite of “drawn to”—perhaps he was wrong—he found himself adding “No wonder they conceal it—when it’s so bad!” He noted that oftener than in France and in Germany his artist looked like a gentleman—that is like an English one—while, certainly outside a few exceptions, his gentlemen didn’t look like an artist. St. George was not one of the exceptions; that circumstance he definitely apprehended before the great man had turned his back to walk off with Miss Fancourt. He certainly looked better behind than any foreign man of letters—showed for beautifully correct in his tall black hat and his superior frock coat. Somehow, all the same, these very garments—he wouldn’t have minded them so much on a weekday—were disconcerting to Paul Overt, who forgot for the moment that the head of the profession was not a bit better dressed than himself. He had caught a glimpse of a regular face, a fresh colour, a brown moustache and a pair of eyes surely never visited by a fine frenzy, and he promised himself to study these denotements on the first occasion. His superficial sense was that their owner might have passed for a lucky stockbroker—a gentleman driving eastward every morning from a sanitary suburb in a smart dog-cart. That carried out the impression already derived from his wife. Paul’s glance, after a moment, travelled back to this lady, and he saw how her own had followed her husband as he moved off with Miss Fancourt. Overt permitted himself to wonder a little if she were jealous when another woman took him away. Then he made out that Mrs. St. George wasn’t glaring at the indifferent maiden. Her eyes rested but on her husband, and with unmistakeable serenity. That was the way she wanted him to be—she liked his conventional uniform. Overt longed to hear more about the book she had induced him to destroy.

AS they all came out from luncheon General Fancourt took hold of him with an “I say, I want you to know my girl!” as if the idea had just occurred to him and he hadn’t spoken of it before. With the other hand he possessed himself all paternally of the young lady. “You know all about him. I’ve seen you with his books. She reads everything—everything!” he went on to Paul. The girl smiled at him and then laughed at her father. The General turned away and his daughter spoke—“Isn’t papa delightful?”

“He is indeed, Miss Fancourt.”

“As if I read you because I read ‘everything’!”

“Oh I don’t mean for saying that,” said Paul Overt. “I liked him from the moment he began to be kind to me. Then he promised me this privilege.”

“It isn’t for you he means it—it’s for me. If you flatter yourself that he thinks of anything in life but me you’ll find you’re mistaken. He introduces every one. He thinks me insatiable.”

“You speak just like him,” laughed our youth.

“Ah but sometimes I want to”—and the girl coloured. “I don’t read everything—I read very little. But I have read you.”

“Suppose we go into the gallery,” said Paul Overt. She pleased him greatly, not so much because of this last remark—though that of course was not too disconcerting—as because, seated opposite to him at luncheon, she had given him for half an hour the impression of her beautiful face. Something else had come with it—a sense of generosity, of an enthusiasm which, unlike many enthusiasms, was not all manner. That was not spoiled for him by his seeing that the repast had placed her again in familiar contact with Henry St. George. Sitting next her this celebrity was also opposite our young man, who had been able to note that he multiplied the attentions lately brought by his wife to the General’s notice. Paul Overt had gathered as well that this lady was not in the least discomposed by these fond excesses and that she gave every sign of an unclouded spirit. She had Lord Masham on one side of her and on the other the accomplished Mr. Mulliner, editor of the new high-class lively evening paper which was expected to meet a want felt in circles increasingly conscious that Conservatism must be made amusing, and unconvinced when assured by those of another political colour that it was already amusing enough. At the end of an hour spent in her company Paul Overt thought her still prettier than at the first radiation, and if her profane allusions to her husband’s work had not still rung in his ears he should have liked her—so far as it could be a question of that in connexion with a woman to whom he had not yet spoken and to whom probably he should never speak if it were left to her. Pretty women were a clear need to this genius, and for the hour it was Miss Fancourt who supplied the want. If Overt had promised himself a closer view the occasion was now of the best, and it brought consequences felt by the young man as important. He saw more in St. George’s face, which he liked the better for its not having told its whole story in the first three minutes. That story came out as one read, in short instalments—it was excusable that one’s analogies should be somewhat professional—and the text was a style considerably involved, a language not easy to translate at sight. There were shades of meaning in it and a vague perspective of history which receded as you advanced. Two facts Paul had particularly heeded. The first of these was that he liked the measured mask much better at inscrutable rest than in social agitation; its almost convulsive smile above all displeased him (as much as any impression from that source could), whereas the quiet face had a charm that grew in proportion as stillness settled again. The change to the expression of gaiety excited, he made out, very much the private protest of a person sitting gratefully in the twilight when the lamp is brought in too soon. His second reflexion was that, though generally averse to the flagrant use of ingratiating arts by a man of age “making up” to a pretty girl, he was not in this case too painfully affected: which seemed to prove either that St. George had a light hand or the air of being younger than he was, or else that Miss Fancourt’s own manner somehow made everything right.

Overt walked with her into the gallery, and they strolled to the end of it, looking at the pictures, the cabinets, the charming vista, which harmonised with the prospect of the summer afternoon, resembling it by a long brightness, with great divans and old chairs that figured hours of rest. Such a place as that had the added merit of giving those who came into it plenty to talk about. Miss Fancourt sat down with her new acquaintance on a flowered sofa, the cushions of which, very numerous, were tight ancient cubes of many sizes, and presently said: “I’m so glad to have a chance to thank you.”