Part 16

There is little beauty, fragrance, or even economic value in this wild, overrunning host of thistles, docks, daisies, plantains, yarrows, carrots, that now possess the earth; but when they crowd out along the dusty roadsides and cover the sterile, neglected, and unsightly places, we can sing, like the good gray poet, “the leaves and flowers of the commonest weeds” in our “Song of Joys.”

There is certainly some praise due the chicory, or blue corn-flower, for it is a waste transformer, a “slummer” among flowers, if ever there was one. Like the daisy, it is a foreigner; but unlike the daisy, its coming is wholly benevolent. It asks only the roadsides, and for these along only the choked, deserted stretches; and where the summer dust lies deepest. Coarse, common, weedy, it doubtless is; but it never droops in the heat, and its blue shines through the smother like azure through the mists of the sky.

The winds and the birds are the sowers of the wayside, and to them I am indebted for this touch of midsummer color. But they miss certain spots along the roads, or else these are the patches that have no deepness of earth, where the seed of the winds’ sowing can get no hold, for I have had to sow these myself. As I go up and down I carry a pocketful of sweet clover seed,—melilotus,—and over every waste and sandy place I scatter a few of the tiny seeds, when, lo! not two blades of grass where one grew before, but a patch of tall white flowers, breathing the sweetness of heaven into all the air, and humming in the July sun with the joyous sound of my honey bees. All this, and for season after season, where nothing grew before!

Along with melilotus in the gravelly cuts and burnt woodlands grows the fireweed, a tall showy annual that waves its pink, plumed head throughout July. Farther north and west, this striking flower, like the melilotus, yields a heavy flow of delicious honey, but it does not attract the bees in this locality. Neither do my bees get any nectar from the fat little indigo-bush that takes possession of the unfarmed, sandy fields in July, though the wild bumblebees are busy upon it as long as it remains in bloom.

But this is not the native land of the honey bee, and it is sheer luck that the white clover, the basswood, the goldenrod, and here in July, the sumac, give down to these immigrant bees their honey-sweets.

High noon of the year! The laggard breeze comes to me now from the maple swamp, slow and sleepy with the odor of the white azaleas; a flock of chickadees stop and quiz me; the quivering click-clack of a distant mowing-machine fills the air with a drowsy hum.

Up to this time I have not seen a black snake, but now one is watching me with raised head from the edge of ferns among the rocks. One step toward him and the lifted, rigid neck, a flashing streak of jet, glides swiftly, evenly, mysteriously away, leaving me with an uncanny feeling of chill.

It, too, is a creature of the sun, as is everything that seems to belong especially to July. Smells, colors, sounds, shapes, are all sun-born. The hum of the insects, the music of the mower, the clear, strong hues of the flowers, the sweet breath of curing hay, the heavy balsamic odors of the woods,—everything seems either a distillation, a vibration, an essence, or some direct, immediate work of the sun.

Has your blood been work and winter faded until it runs thin? Would you feel the pulse of a new life? Come, we will take a day out of July and bask like the wood-lily and the snake; we will sleep for this one day in the blazing, sleeping, living, midsummer sun.

XII

The Palace in the Pig-pen

IT is certainly a humble environment. The delicious spring of water, the plenty of wild, cool air, and the clean pavement of loose stones do not surround this home as they did the home of Mr. Burroughs’s phœbes, nor does this look “out upon some wild scene and overhung by beetling crags.” Instead, this phœbe’s nest is stuck close up to the low board roof in my pig-pen.

“You have taken a handful of my wooded acres,” says Nature, “and if you have not improved them, you at least have changed them greatly. But they are mine still. Be friendly now, go softly, and you shall have them all,—and I shall have them all, too. We will share them together.”

And we do. Every part of the fourteen acres is mine, yielding some kind of food or fuel or shelter. And every foot, yes, every foot, is Nature’s; as entirely hers as when the thick primeval forest stood here. The apple trees are hers as much as mine, and she has an average of ten different bird families, living in them every spring. A pair of crows and a pair of red-tailed hawks are nesting in the woodlot; there are at least three families of chipmunks in as many of my stone piles; a fine old tree toad (his fourth season now) sleeps on the porch under the climbing rose; a hornet’s nest hangs in a corner of the eaves; a small colony of swifts thunder in the chimney; swallows twitter in the hayloft; a chipmunk and a half-tame gray squirrel feed in the barn; and—to bring an end to this bare beginning—under the roof of the pig-pen dwell this pair of phœbes.

To make a bird house of a pig-pen, to divide it between the pig and the bird—this is as far as Nature can go, and this is certainly enough to redeem the whole farm. For she has not sent an outcast or a scavenger to dwell in the pen, but a bird of character, however much he may lack in song or color. Phœbe does not make up well in a picture; neither does he perform well as a singer; there is little to him, in fact, but personality,—personality of a kind and quantity, sufficient to make the pig-pen a decent and respectable neighborhood.

Phœbe is altogether more than his surroundings. Every time I go to feed the pig, he lights upon a post near by and says to me: “It’s what you are! Not what you do, but how you do it!”—with a launch into the air, a whirl, an unerring snap at a cabbage butterfly, and an easy drop to the post again, by way of illustration. “Not where you live, but how you live there; not the feathers you wear, but how you wear them,—it is what you are that counts!”

There is a difference between being a “character” and having one. “Jim” Crow is a character, largely because he has so little. That is why he is “Jim.” My phœbe lives over the pig, but he has no nickname like the crow. I cannot feel familiar with a bird of his air and carriage, who faces the world so squarely, who settles upon a stake as if he owned it, who lives a prince in my pig-pen.

Look at him! How alert, able, free! Notice the limber drop of his tail, the ready energy it suggests. By that one sign you would know the bird had force. He is afraid of nothing, not even the cold, and he migrates only because he is a flycatcher, and is thus compelled to. The earliest spring day, however, that you find the flies buzzing in the sun, look for phœbe. He is back. The first of my birds to return in the spring is he, often beating the bluebird and robin by almost a week. It was a fearful spring, the spring of 1904. How phœbe managed to exist those miserable March days is a mystery. He came directly to the pen, as he had come the year before, and his presence in that bleakest of Marches made it almost spring.

The same force and promptness are manifest in the domestic affairs of the bird. The first to arrive that spring, he was also the first to build and bring off a brood,—or, perhaps, She was. And the size of the brood—of the broods, for the second one is now a-wing, and there may yet be a third!

Phœbe appeared without his mate, and for nearly three weeks he hunted in the vicinity of the pen, calling the day long, and, toward the end of the second week, occasionally soaring into the air, flapping and pouring forth a small, ecstatic song that seemed fairly forced from him.

These aerial bursts meant just one thing: she was coming, was coming soon! Was she coming, or was he getting ready to go for her? Here he had been for nearly three weeks, his house-lot chosen, his mind at rest, his heart beating faster with every sunrise. It was as plain as day that he knew—was certain—just how and just when something lovely was going to happen. I wished I knew. I was half in love with her myself, half jealous of him, and I, too, watched for her.

But she was not for me. On the evening of April 14, he was alone as usual. The next morning a pair of phœbes flitted in and out of the windows of the pen. Here she was. Will some one tell me all about it? Had she just come along and fallen instantly in love with him and his fine pig-pen? There are foolish female birds; and there are records of just such love affairs; but this was too early in the season. It is pretty evident that he nested here last year. Was she his old mate, as Wilson believes? Did they keep together all through the autumn and winter, all the way from Massachusetts to Florida and back? Or was she a new bride, who had promised him before he left Florida? If so, then how did she know where to find him?

Here is a pretty story. But who will tell it to me?

What followed is a pretty story, too, had I a lover’s pen with which to write it,—the story of his love, of their love, and of her love especially, which was last and best.

For several days after she came the weather continued raw and wet, so that nest-building was greatly delayed. The scar of an old, last year’s nest still showed on a stringer, and I wondered if they had decided on this or some other site for the new nest. They had not made up their minds, for when they did start it was to make three beginnings.

Then I offered a suggestion. Out of a bit of stick, branching at right angles, I made a little bracket and tacked it up on one of the stringers, down near the lower end of the roof. It appealed to the birds at once, and from that moment the building went steadily on.

Saddled upon this bracket, as well as mortared to the stringer, the nest, when finished, was as safe as a castle. And how perfect a thing! Few nests, indeed, combine the solidity, the softness, and the exquisite curve of phœbe’s.

In placing the bracket, I had carelessly nailed it under one of the cracks in the loose board roof. The nest was receiving its first linings when there came a long, hard rain that beat through the crack and soaked the little cradle. This was serious, for a great deal of mud had been worked into the thick foundation, and here, in the constant shade, the dampness would be long in drying out.