“Do you think I could forget that face?” she murmured. “Three times I saw the hearse pass below my window, and every time the driver turned and looked up at me. Oh, his face was so white and—and soft? It looked dead—it looked as if it had been dead a long time.”
I induced the girl to sit down and swallow a glass of Marsala. Then I sat down beside her, and tried to give her some advice.
“Look here, Tessie,” I said, “you go to the country for a week or two, and you’ll have no more dreams about hearses. You pose all day, and when night comes your nerves are upset. You can’t keep this up. Then again, instead of going to bed when your day’s work is done, you run off to picnics at Sulzer’s Park, or go to the Eldorado or Coney Island, and when you come down here next morning you are fagged out. There was no real hearse. There was a soft-shell crab dream.”
She smiled faintly.
“What about the man in the churchyard?”
“Oh, he’s only an ordinary unhealthy, everyday creature.”
“As true as my name is Tessie Reardon, I swear to you, Mr. Scott, that the face of the man below in the churchyard is the face of the man who drove the hearse!”
“What of it?” I said. “It’s an honest trade.”
“Then you think I did see the hearse?”
“Oh,” I said diplomatically, “if you really did, it might not be unlikely that the man below drove it. There is nothing in that.”
Tessie rose, unrolled her scented handkerchief, and taking a bit of gum from a knot in the hem, placed it in her mouth. Then drawing on her gloves she offered me her hand, with a frank, “Good-night, Mr. Scott,” and walked out.
The next morning, Thomas, the bell-boy, brought me the Herald and a bit of news. The church next door had been sold. I thanked Heaven for it, not that being a Catholic I had any repugnance for the congregation next door, but because my nerves were shattered by a blatant exhorter, whose every word echoed through the aisle of the church as if it had been my own rooms, and who insisted on his r’s with a nasal persistence which revolted my every instinct. Then, too, there was a fiend in human shape, an organist, who reeled off some of the grand old hymns with an interpretation of his own, and I longed for the blood of a creature who could play the doxology with an amendment of minor chords which one hears only in a quartet of very young undergraduates. I believe the minister was a good man, but when he bellowed: “And the Lorrrrd said unto Moses, the Lorrrd is a man of war; the Lorrrd is his name. My wrath shall wax hot and I will kill you with the sworrrrd!” I wondered how many centuries of purgatory it would take to atone for such a sin.
“Who bought the property?” I asked Thomas.
“Nobody that I knows, sir. They do say the gent wot owns this ’ere ’Amilton flats was lookin’ at it. ’E might be a bildin’ more studios.”
I walked to the window. The young man with the unhealthy face stood by the churchyard gate, and at the mere sight of him the same overwhelming repugnance took possession of me.
“By the way, Thomas,” I said, “who is that fellow down there?”
Thomas sniffed. “That there worm, sir? ’Es night-watchman of the church, sir. ’E maikes me tired a-sittin’ out all night on them steps and lookin’ at you insultin’ like. I’d a punched ’is ’ed, sir—beg pardon, sir—”
“Go on, Thomas.”
“One night a comin’ ’ome with ’Arry, the other English boy, I sees ’im a sittin’ there on them steps. We ’ad Molly and Jen with us, sir, the two girls on the tray service, an’ ’e looks so insultin’ at us that I up and sez: ‘Wat you looking hat, you fat slug?’—beg pardon, sir, but that’s ’ow I sez, sir. Then ’e don’t say nothin’ and I sez: ‘Come out and I’ll punch that puddin’ ’ed.’ Then I hopens the gate an’ goes in, but ’e don’t say nothin’, only looks insultin’ like. Then I ’its ’im one, but, ugh! ’is ’ed was that cold and mushy it ud sicken you to touch ’im.”
“What did he do then?” I asked curiously.
“’Im? Nawthin’.”
“And you, Thomas?”
The young fellow flushed with embarrassment and smiled uneasily.
“Mr. Scott, sir, I ain’t no coward, an’ I can’t make it out at all why I run. I was in the 5th Lawncers, sir, bugler at Tel-el-Kebir, an’ was shot by the wells.”
“You don’t mean to say you ran away?”
“Yes, sir; I run.”
“Why?”
“That’s just what I want to know, sir. I grabbed Molly an’ run, an’ the rest was as frightened as I.”
The King in Yellow · The Wunder Library — complete classics, free to read, with narration.