Among other important persons who lived at Little Chelsea in or about Fulham Road were Sir Bartholomew Shower, a well-known lawyer, in 1693; the Bishop of Gloucester (Edward Fowler), 1709; the Bishop of Chester (Sir William Dawes), who afterwards became Archbishop of York; and Sir Edward Ward, Chief Baron of the Exchequer, in 1697. It is odd to read of a highway murder occurring near Little Chelsea in 1765. The barbarity of the time demanded that the murderers should be executed on the spot where their crime was committed, so that the two men implicated were hanged, the one at the end of Redcliffe Gardens, and the other near Stamford Bridge, Chelsea Station. These men were Chelsea pensioners, and must have been active for their years to make such an attempt. The gibbet stood at the end of the present Redcliffe Gardens for very many years.
Ifield Road was once Honey Lane. To the west are the entrance gates of the cemetery, which is about 800 yards in extreme length by 300 in the broadest part. The graves are thickly clustered together at the southern end, with hardly two inches between the stones, which are of every variety. The cemetery was opened for burial in June, 1840. Sir Roderick Murchison, the geologist, is among those who lie here. In the centre of the southern part of the cemetery is a chapel; two colonnades and a central building stand over the catacombs, which are not now used. At the northern end is a Dissenters' chapel. Having thus come to the extreme limits of the district, we turn to the neighbourhood of Earl's Court.
Earl's Court can show good cause why it should hold both its names, for here the lords of the manor, the Earls of Oxford, held their courts. The earlier maps of Kensington are all of the nineteenth century. Before that time the old topographers doubtless thought there was nothing out of which to make a map, for except by the sides of the high-road, and in the detached villages of Brompton, Earl's Court, and Little Chelsea, there were only fields. Faulkner's 1820 map is very slight and sketchy. He says: "In speaking of this part, proceeding down Earl's Court Lane , we arrive at the village of Earl's Court." The 1837 Survey shows a considerable increase in the number of houses, though Earl's Court is still a village, connected with Kensington by a lane. Daw's map of 1846 for some reason shows fewer houses, but his 1858 map gives a decided increase.
Near where the underground station now is stood the old court-house of Earl's Court. From 1789 to 1875 another building superseded it, but the older house was standing until 1878. There was a medicinal spring at Earl's Court in the beginning of the nineteenth century. Beside these two facts, there is very little that is interesting to note. John Hunter, the celebrated anatomist, founder of the Hunterian Museum, lived here in a house he had built for himself. He had a passion for animals, particularly strange beasts, and gathered an odd collection round him, somewhat to the dismay of his neighbours.
The popular Earl's Court Exhibition is partly in Kensington and partly in Fulham; it is the largest exhibition open in London, and is patronized as much because it is one of the few places to which the Londoner can go to sit out of doors and hear a band after dinner, as for its more varied entertainments.
One of the comparatively old houses of the neighbourhood of Earl's Court, that has only recently been demolished, was Coleherne Court, at the corner of Redcliffe Gardens and the Brompton Road. It is now replaced by residential flats. This was possibly the same house as that mentioned by Bowack (1705): "The Hon. Col. Grey has a fine seat at Earl's Court; it is but lately built, after the modern manner, and standing upon a plain, where nothing can intercept the sight, looks very stately at a distance. The gardens are very good." The house was later occupied by the widow of General Ponsonby, who fell in the Battle of Waterloo. Its companion, Hereford House, further eastward, was used as the headquarters of a cycling club before its demolition.
The rest of the district eastward to Gloucester Road has no old association. St. Jude's Church, in Courtfield Gardens, was built in 1870. The reredos is of red-stained alabaster, coloured marble, and mosaics by Salviati. St. Stephen's, in Gloucester Road, is a smaller church, founded in 1866. Beyond it Gloucester Road runs into Victoria Road, once Love Lane. General Gordon was at No. 8, Victoria Grove, in 1881. Returning again to Earl's Court Road, we see St. Stephen's, another of the numerous modern churches in which the district abounds; it was built partly at the expense of the Rev. D. Claxton, and was opened in 1858. In Warwick Gardens, westward, is St. Mathias, which rivals St. Cuthbert's, in Philbeach Gardens, in the ritualism of its services. Both churches are very highly decorated. In St. Cuthbert's the interior is of great height, and the walls ornamentally worked in stone; there is a handsome oak screen, and a very fine statue of the Virgin and Child by Sir Edgar Boehm in the Lady Chapel; in both churches the seats are all free.
Edwardes Square, with its houses on the north side bordering Kensington Road, is peculiarly attractive, with a large garden in the centre, and an old-world air about its houses, which are mostly small. Leigh Hunt says that it was (traditionally) built by a Frenchman at the time of the threatened French invasion, and that so confident was this good patriot of the issue of the war that he built the square, with its large garden and small houses, to suit the promenading tastes and poorly-furnished pockets of Napoleon's officers. The name was taken from the family name of Lord Kensington.
Mrs. Inchbald stayed as a boarder at No. 4 in the square when she was sixty-five. She seems to have chosen the life for the sake of company rather than by reason of lack of means, for she was not badly off, having been always extraordinarily well paid for her work. She is described as having been above the middle height, of a freckled complexion, and with sandy hair, but nevertheless good-looking. Leigh Hunt himself was at No. 32 for some years before 1853, when he removed to Hammersmith. He mentions, on hearsay, that Coleridge once stayed in the square, but this was probably only on the occasion of a visit to friends. In recent times Walter Pater was a resident here.
Leaving aside for a time Holland House, standing in beautiful grounds, which line the northern side of the road, and turning eastward, we find the Roman Catholic Pro-Cathedral, almost hidden behind houses. It is of dark-red brick, and was designed by Mr. Goldie, but the effect of the north porch is lost, owing to the buildings which hem it in; this defect will doubtless be remedied in time as leases expire. The interior of the cathedral is of great height, and the light stone arches are supported by pillars of polished Aberdeen granite.
After Abingdon Road comes Allen Street, in which there is the Kensington Independent Chapel, a great square building with an imposing portico, built in 1854, "for the worshippers in the Hornton Street Chapel." The houses at the northern end of Allen Street are called Phillimore Terrace, and here Sir David Wilkie came in the autumn of 1824, having for the previous thirteen years lived in Lower Phillimore Place. His life in Kensington was quiet and regular. He says: "I dine at two o'clock, paint two hours in the forenoon and two hours in the afternoon, and take a short walk in the Park or through the fields twice a day." His mother and sister lived with him, and though he was a bachelor, his domestic affections were very strong. The time in Phillimore Terrace was far from bright; it was while he lived here that his mother died, also two of his brothers and his sister's fiance; and many other troubles, including money worries, came upon him. He eventually moved, though not far, only to Vicarage Gardens (then Place), near Church Street.
In Kensington Road, beyond Allen Street, was an ancient inn, the Adam and Eve, in which it is said that Sheridan used to stop for a drink on the way to and from Holland House, and where he ran up a bill which he coolly left to be settled by his friend Lord Holland. The inn is now replaced by a modern public-house of the same name. Between this and Wright's Lane the aspect of the place has been entirely changed in the last few years by the erection of huge red-brick flats. On the other side of Wright's Lane the enlarged premises of Messrs. Ponting have covered up the site of Scarsdale House, which only disappeared to make way for them. Scarsdale House is supposed to have been built by one of the Earls of Scarsdale (first creation), the second of whom married Lady Frances Rich, eldest daughter of the Earl of Warwick and Holland, but there is not much evidence to support this conjecture. At the same time, the house was evidently much older than the date of the second Scarsdale creation--namely, 1761. The difficulty is surmounted by Mr. Loftie, who says: "John Curzon, who founded it, and called it after the home of his ancestors in Derbyshire, had bought the land for the purpose of building on it."
At the end of this lane is the Home for Crippled Boys, established in Woolsthorpe House. The house was evidently named after the home of Sir Isaac Newton at Woolsthorpe, near Grantham. But apparently he never lived in it. His only connection with this part is that here stood "a batch of good old family houses, one of which belonged to Sir Isaac Newton." It is possible that the name was given by an enthusiastic admirer, moved thereto by the fact that Newton had lived in Bullingham House, Church Street, not so far distant.
In the 1837 map of the district Woolsthorpe is marked "Carmaerthen House." The front and the entrance are old, and in one of the rooms there is decorative moulding on the ceiling and a carved mantelpiece, but the schoolrooms and workshops built out at the back are all modern. The home had a very small beginning, being founded in 1866 by Dr. Bibby, who rented one room, and took in three crippled boys.
In Marloes Road, further south, are the workhouse and infirmary.
Returning to the High Street, the Free Library and the Town Hall attract attention. The latter is nearly on the site of the old free schools, which were built by Sir John Vanbrugh with all the solidity characteristic of his style; and Leigh Hunt opined, if suffered to remain, they would probably outlast the whole of Kensington. However, no such misfortune occurred, and the only relics of them remaining are the figures of the charity children of Queen Anne's period, which now stand above the doorway of the new schools at the back of the Town Hall.
William Cobbett, "essayist, politician, agriculturist," lived in a house on the site of some of the great shops on the south side of the High Street, opposite the Town Hall. His grounds bordered on those of Scarsdale House, and he established in them a seed garden in which to carry out his practical experiments in agriculture. His pugnacity and sharp tongue led him into many a quarrel, and he was never a favourite with those who were his neighbours. He advocated Queen Caroline's cause with warmth, and was the real author of her famous letter to the King. But he will always be remembered best by his Weekly Register, a potent political weapon.
The parish church of St. Mary Abbots, with its high spire, forms a very striking object on the north side of the road. There is a stone porch over the entrance to the churchyard, and a picturesque cloistered passage leading round the south side. Within the cloister is a tablet commemorating the fact that it was partly built by Rev. E. C. Glyn and his wife in memory of his mother, who died in 1892. A little further on, immediately facing the south door, is another tablet, stating that the porch at the entrance to the cloister was erected by the widow of James Liddle Fairless in memory of her husband, who died in 1891. Within the church the walls are thickly covered with memorial tablets, and on the north and south walls are rows of them set in coloured marble. The reredos is a representation of the four evangelists in mosaic work in four panels, enclosed in a Gothic canopy of marble. On the north side of the chancel is a fresco painting enclosed in marble, presented by the Archbishop of York on leaving the parish. On the south side there is also a small fresco painting, but the greater part of the wall is occupied by the sedilia. The transept on the south side of the nave contains numerous memorial tablets and two brasses: nearly all of these belong to the eighteenth century. The monument of the Rich family is against the west wall in this transept, and is a conspicuous object. A large marble slab against the wall bears the name of Edward Rich, last Earl of Warwick and Holland (died 1759), his wife Mary, who survived him ten years, and their only child Charlotte, who died unmarried. Above are the names of the Rich family, and below is the statue of the young Earl of Warwick and Holland, the stepson of Addison, who died in 1721, aged twenty-four. He is in Roman dress, life-size, and is represented seated with his right elbow resting on an urn.
On the further side of the south door we have a curious old white marble monument to the memory of Mr. Colin Campbell (died 1708). This was in the old church, and was placed in its present position by a descendant of the Campbell family. The font, a handsome marble basin, stands in the north aisle. Near it is a marble bust of Dr. Rennell, a former vicar of Kensington, by Chantrey. In the north chapel there is a large marble tablet to the memory of William Murray, third son of the Earl of Dunmore. The pulpit is of dark carved oak, and stood in the old church. The west porch is very handsomely ornamented with stonework. In the churchyard are buried several persons of note, including Mrs. Inchbald, the authoress; and a son of George Canning, whose monument is by Chantrey.
Among other entries in the registers may be noticed the marriage of Henry Cromwell, already mentioned. There are many records of the Hicks (Campden) family, also of the Winchilsea and Nottingham, Lawrence, Cecil, Boyle, Howard of Effingham, Brydges, Dukes of Chandos, Molesworth, and Godolphin families. The plate belonging to the church is very valuable. The oldest piece is a cup dating from 1599, and a silver tankard is of the year 1619. A full description of the plate was given by Mr. Cripps in the parish magazine in 1879.
The church owes its additional name of Abbots to the fact of its having belonged to the Abbot and convent of Abingdon, as set forth in the history of the parish. Bowack says: "It does not appear that this church was ever dedicated to any saint, nor can we find, after a very strict search, by whom it was founded, though we have traced its vicars up to the year 1260."
It has already been explained that Aubrey de Vere made a present to the Abbot of the slice of land on which the church stands, and that this formed a secondary manor in Kensington. This transfer had been made with the consent of Pope Alexander, but without the consent of the Bishop of London or the Archbishop. In consequence of this omission the title of the Abbey to the land was disputed, and it was at length settled that the patronage of the vicarage should be vested in the Bishop. This was in 1260. At the time of the dissolution of the monasteries the Abbot's portion became vested in the Crown, from which it passed to various persons; and when Sir Walter Cope bought the manor a special arrangement had to be made with Robert Horseman, who was then in possession.
So much for the history. The actual fabric has been subject to much change, and has been rebuilt many times. It is known that a church was standing on this site in 1102, but how old it was then is only matter for conjecture; in 1370 it was wholly or partly rebuilt. And this church was pulled down about 1694, with the exception of the tower, and again rebuilt; but in seven years the new building began to crack, and in 1704 the roof was taken off, and the north and south walls once more rebuilt. After this Bowack describes it as "of brick and handsomely finished; but what it was formerly may be guessed by the old tower now standing, which has some appearance of antiquity, and looks like the architecture of the twelfth or thirteenth centuries." In his encomium he probably spoke more in accordance with convention than with real approbation, for this church has been described by many other independent persons as an unsightly building, with no architectural beauty whatever; and as far as may be gathered from the prints still extant this is the true judgment. In 1811 it showed signs of decay, and underwent thorough restoration; and in 1869 it was entirely demolished, and the present church built from the designs of Sir Gilbert Scott. The spire, added a few years later, is only exceeded by two in England--namely, those of Salisbury and Norwich Cathedrals.
There are many parish charities, which it would be out of place to enumerate here, and among them are several bequests for the cleansing and repair of tombs.
The fine shops on the south side of the street inherit a more ancient title than might be supposed. Bowack, writing in 1705, speaks of the "abundance of shopkeepers and all sorts of artificers" along the high-road, "which makes it appear rather like a part of London than a country village."
Leaving aside for the time Church Street and all the interesting district on the north, we turn to Kensington Square, which was begun about the end of James II.'s reign, and from the very first was a notably fashionable place, and more especially so after the Court was established at Kensington Palace. In Queen Anne's reign, "for beauty of buildings and worthy inhabitants," it "exceeds several noted squares in London." The eminent inhabitants have indeed been so numerous that it is difficult to prevent any account of them from degenerating into a mere catalogue. "In the time of George II. the demand for lodgings was so great that an Ambassador, a Bishop, and a physician were known to occupy apartments in the same house" (Faulkner).
The two houses, Nos. 10 and 11, in the eastern corner on the south side are the two oldest that look on to the square. They were reserved for the maids of honour when the Court was at Kensington, and the wainscoted rooms and little powdering closets speak volumes as to their bygone days; these two were originally one house, as the exterior shows. Next door is the women's department of King's College. J. R. Green, the historian, lived at No. 14 until his death, and in No. 18 John S. Mill was living in 1839. Three Bishops at least are known to have been domiciled in the square: Bishop Mawson of Ely, who died here in 1770; Bishop Herring of Bangor, a very notable prelate, who was afterwards Archbishop of Canterbury; and in the south-western corner Bishop Hough of Oxford, Lichfield, and Worcester had a fine old house until 1732. The Convent of the Assumption now covers the same ground in Nos. 20 to 24. The original object of the convent was prayer for the conversion of England to the Roman Catholic faith, but the sisters now devote themselves to the work of teaching; they have a pleasant garden, more than an acre in extent, stretching out at the back of the house. In the chapel there is a fresco painting by Westlake.
No. 26 is the Kensington Foundation Grammar School. Talleyrand lived in Nos. 36 and 37, formerly one house. He succeeded Bishop Herring in the occupancy, after a lapse of fifty years, and the man who had abandoned the vocation of the Church to follow diplomacy was thus sheltered by the same roof that had sheltered a Churchman by vocation, if ever there were one. Many foreign ambassadors patronized the square at various times. The Duchess of Mazarin, already mentioned in the volume on Chelsea, was here in 1692, and six years later moved to her Chelsea home, where she died; but her day was over many years before she came here. Joseph Addison lodged in the square for a time, four or five years before his marriage with the Countess of Warwick. At No. 41 Sir Edward Burne-Jones lived for three years, subsequently removing to West Kensington, but the association which has most glorified the square is its proximity to Young Street, so long the home of Thackeray. He came to No. 16, then 13, in 1846, aged only thirty-five, but with the romance of his life behind him. A tablet marks the window in which he used to work. Six years previously his wife, whom he had tenderly loved, had developed melancholia, and, soon becoming a confirmed invalid, had had to be placed permanently under medical care. Their married life had been very short, only four or five years, but Thackeray had three little daughters to remind him of it. He had passed through many vicissitudes, from the comparatively opulent days of youth and the University to the time when he had lost all his patrimony and been forced to support himself precariously by pen and pencil. Yearly he had become better known, and by the time he came to Young Street he was sufficiently removed from money troubles to be without that worst form of worry, anxiety for the future. He had contributed to the Times, Frazer's Magazine, and Punch. It is rather odd to read that at the time when Punch was started one of Thackeray's friends was rather sorry that he should become a contributor, fearing that it would lower his status in the literary world! It was in Punch, nevertheless, that his first real triumph was won. The "Snob Papers" attracted universal attention, and were still running when he moved to Young Street. Here he began more serious work, and scarcely a year later "Vanity Fair" was brought out in numbers, according to the fashion made popular by Dickens. It did not prove an instantaneous success, but by the time it had run its course its author's position was assured. In spite of the sorrow that overshadowed his domestic life--and he had by this time for many years given up any hope of communicating with his wife--the time he spent in this house cannot have been unhappy. He had congenial work, many friends, among whom were numbered his fellow contributor Leech, also G. F. Watts, Herman Merivale, the Theodore Martins, Monckton Milnes, Kinglake, and others. He had also his daughters, and he was a loving and sympathetic father, realizing that children need brightness in their lives as well as mere care, and taking his little family about whenever he could to parties and shows; and he had a growing reputation in the literary world. "Pendennis" was published in 1848, and before it had finished running Thackeray suffered from a severe illness, that left its mark on all his succeeding life.
The Kensington District · The Wunder Library — complete classics, free to read, with narration.