MAUD. I don't dare. Everybody would think there was a woman in the club.
FITZSIMMONS. [Shaking his head.] No, they won't. They've all gone to the fight. There's not a soul in the building.
MAUD. [Alarmed, in a weak voice.] Not--a--soul--in--the building?
FITZSIMMONS. Not a soul. Only you and I.
MAUD. [Starting hurriedly toward door.] Then I must go.
FITZSIMMONS. What's your hurry? Sing.
MAUD. [Turning back with new resolve.] Let me see you punch the bag,--er--Bob.
FITZSIMMONS. You sing first.
MAUD. No; you punch first.
FITZSIMMONS. I don't believe you are Harry--
MAUD. [Hastily.] All right, I'll sing. You sit down over there and turn your back.
MAUD. "Robert Fitzsimmons." That will prove to my brother that I have been here.
FITZSIMMONS. Hurry up.
SONG
MAUD. How did you like it?
FITZSIMMONS. [Gruffly.] Rotten. Anybody could tell it was a boy's voice--
MAUD. Oh!
FITZSIMMONS. It is rough and coarse and it cracked on every high note.
MAUD. Oh! Oh!
MAUD. [As he finishes.] Beautiful! Beautiful!
MAUD. Wh-a-a-t?
FITZSIMMONS. A toot. You know--one of those rip-snorting nights you used to make.
MAUD. [Emphatically, as she picks up newspapers from leather chair, sits down, and places them on her lap.] I'll do nothing of the sort. I've--I've reformed.
FITZSIMMONS. You used to joy-ride like the very devil.
MAUD. I know it.
FITZSIMMONS. And you always had a pretty girl or two along.
MAUD. [Boastfully, in mannish, fashion.] Oh, I still have my fling. Do you know any--well,--er,--nice girls?
FITZSIMMONS. Sure.
The Human Drift · The Wunder Library — complete classics, free to read, with narration.