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Part 18

The Human Drift · Jack London — chapter 18 of 25 · ~625 words · public domain

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NED. Scandal fiddlesticks. Loretta, I want you to be my wife. [He waits anxiously.]

NED. You might say something.

LORETTA. I will . . . if . . .

NED. [In suspense.] Yes, go on.

LORETTA. If I don't have to marry Billy.

NED. [Almost shouting.] You can't marry both of us!

LORETTA. [Sadly, repulsing him with her hands.] Then, Ned, I cannot marry you.

NED. [Dumbfounded.] W-what?

LORETTA. [Sadly.] Because I can't marry both of you.

NED. Bosh and nonsense!

LORETTA. I'd like to marry you, but . . .

NED. There is nothing to prevent you.

LORETTA. [With sad conviction.] Oh, yes, there is. You said yourself that I had to marry Billy. You said you would s-s-shoot him if he didn't.

NED. [Drawing her toward him.] Nevertheless . . .

LORETTA. [Slightly holding him off.] And it isn't the custom . . . what . . . Billy said?

NED. No, it isn't the custom. Now, Loretta, will you marry me?

LORETTA. [Pouting demurely.] Don't be angry with me, Ned. [He gathers her into his arms and kisses her. She partially frees herself, gasping.] I wish it were the custom, because now I'd have to marry you, Ned, wouldn't I?

LORETTA. I don't care.

CURTAIN

THE BIRTH MARK SKETCH BY JACK LONDON written for Robert and Julia Fitzsimmons

SCENE--One of the club rooms of the West Bay Athletic Club. Near centre front is a large table covered with newspapers and magazines. At left a punching-bag apparatus. At right, against wall, a desk, on which rests a desk-telephone. Door at rear toward left. On walls are framed pictures of pugilists, conspicuous among which is one of Robert Fitzsimmons. Appropriate furnishings, etc., such as foils, clubs, dumb-bells and trophies.

MAUD. [Pausing by table.] Not a soul saw me. I wonder where everybody is. And that big brother of mine said I could not get in. [She reads back of card.] "Here is my card, Maudie. If you can use it, go ahead. But you will never get inside the door. I consider my bet as good as won." [Looking up, triumphantly.] You do, do you? Oh, if you could see your little sister now. Here she is, inside. [Pauses, and looks about.] So this is the West Bay Athletic Club. No women allowed. Well, here I am, if I don't look like one. [Stretches out one leg and then the other, and looks at them. Leaving card and parcel on table, she struts around like a man, looks at pictures of pugilists on walls, reading aloud their names and making appropriate remarks. But she stops before the portrait of Fitzsimmons and reads aloud.] "Robert Fitzsimmons, the greatest warrior of them all." [Clasps hands, and looking up at portrait murmurs.] Oh, you dear!

FITZSIMMONS. "Maudie. John H. Sylvester." That must be Jack Sylvester's sister Maud. [FITZSIMMONS shows by his expression that he is going to play a joke. Tossing cloak and bonnet under the table he places card in his vest pocket, selects a chair, sits down, and looks at MAUD. He notes paper is upside down, is hugely tickled, and laughs silently.] Hello! [Newspaper is agitated by slight tremor. He speaks more loudly.] Hello! [Newspaper shakes badly. He speaks very loudly.] Hello!

MAUD. [Peeping at him over top of paper and speaking hesitatingly.] H-h- hello!

FITZSIMMONS. [Gruffly.] You are a queer one, reading a paper upside down.

MAUD. [Lowering newspaper and trying to appear at ease.] It's quite a trick, isn't it? I often practise it. I'm real clever at it, you know.

FITZSIMMONS. [Grunts, then adds.] Seems to me I have seen you before.

MAUD. [Glancing quickly from his face to portrait and back again.] Yes, and I know you--You are Robert Fitzsimmons.

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