The man's head and shoulders arose, then his whole body. He was a smooth- faced, blue-eyed youngster of twenty-five, slender and natty in his captain's uniform. He advanced until halted, then seated himself a dozen feet away.
"You are a brave man," said Koolau wonderingly. "I could kill you like a fly."
"No, you couldn't," was the answer.
"Why not?"
"Because you are a man, Koolau, though a bad one. I know your story. You kill fairly."
Koolau grunted, but was secretly pleased.
"What have you done with my people?" he demanded. "The boy, the two women, and the man?"
"They gave themselves up, as I have now come for you to do."
Koolau laughed incredulously.
"I am a free man," he announced. "I have done no wrong. All I ask is to be left alone. I have lived free, and I shall die free. I will never give myself up."
"Then your people are wiser than you," answered the young captain. "Look--they are coming now."
Koolau turned and watched the remnant of his band approach. Groaning and sighing, a ghastly procession, it dragged its wretchedness past. It was given to Koolau to taste a deeper bitterness, for they hurled imprecations and insults at him as they went by; and the panting hag who brought up the rear halted, and with skinny, harpy-claws extended, shaking her snarling death's head from side to side, she laid a curse upon him. One by one they dropped over the lip-edge and surrendered to the hiding soldiers.
"You can go now," said Koolau to the captain. "I will never give myself up. That is my last word. Good-bye."
The captain slipped over the cliff to his soldiers. The next moment, and without a flag of truce, he hoisted his hat on his scabbard, and Koolau's bullet tore through it. That afternoon they shelled him out from the beach, and as he retreated into the high inaccessible pockets beyond, the soldiers followed him.
For six weeks they hunted him from pocket to pocket, over the volcanic peaks and along the goat-trails. When he hid in the lantana jungle, they formed lines of beaters, and through lantana jungle and guava scrub they drove him like a rabbit. But ever he turned and doubled and eluded. There was no cornering him. When pressed too closely, his sure rifle held them back and they carried their wounded down the goat-trails to the beach. There were times when they did the shooting as his brown body showed for a moment through the underbrush. Once, five of them caught him on an exposed goat-trail between pockets. They emptied their rifles at him as he limped and climbed along his dizzy way. Afterwards they found bloodstains and knew that he was wounded. At the end of six weeks they gave up. The soldiers and police returned to Honolulu, and Kalalau Valley was left to him for his own, though head-hunters ventured after him from time to time and to their own undoing.
Two years later, and for the last time, Koolau crawled into a thicket and lay down among the ti-leaves and wild ginger blossoms. Free he had lived, and free he was dying. A slight drizzle of rain began to fall, and he drew a ragged blanket about the distorted wreck of his limbs. His body was covered with an oilskin coat. Across his chest he laid his Mauser rifle, lingering affectionately for a moment to wipe the dampness from the barrel. The hand with which he wiped had no fingers left upon it with which to pull the trigger.
He closed his eyes, for, from the weakness in his body and the fuzzy turmoil in his brain, he knew that his end was near. Like a wild animal he had crept into hiding to die. Half-conscious, aimless and wandering, he lived back in his life to his early manhood on Niihau. As life faded and the drip of the rain grew dim in his ears it seemed to him that he was once more in the thick of the horse-breaking, with raw colts rearing and bucking under him, his stirrups tied together beneath, or charging madly about the breaking corral and driving the helping cowboys over the rails. The next instant, and with seeming naturalness, he found himself pursuing the wild bulls of the upland pastures, roping them and leading them down to the valleys. Again the sweat and dust of the branding pen stung his eyes and bit his nostrils.
All his lusty, whole-bodied youth was his, until the sharp pangs of impending dissolution brought him back. He lifted his monstrous hands and gazed at them in wonder. But how? Why? Why should the wholeness of that wild youth of his change to this? Then he remembered, and once again, and for a moment, he was Koolau, the leper. His eyelids fluttered wearily down and the drip of the rain ceased in his ears. A prolonged trembling set up in his body. This, too, ceased. He half-lifted his head, but it fell back. Then his eyes opened, and did not close. His last thought was of his Mauser, and he pressed it against his chest with his folded, fingerless hands.
GOOD-BYE, JACK
Hawaii is a queer place. Everything socially is what I may call topsy- turvy. Not but what things are correct. They are almost too much so. But still things are sort of upside down. The most ultra-exclusive set there is the "Missionary Crowd." It comes with rather a shock to learn that in Hawaii the obscure martyrdom-seeking missionary sits at the head of the table of the moneyed aristocracy. But it is true. The humble New Englanders who came out in the third decade of the nineteenth century, came for the lofty purpose of teaching the kanakas the true religion, the worship of the one only genuine and undeniable God. So well did they succeed in this, and also in civilizing the kanaka, that by the second or third generation he was practically extinct. This being the fruit of the seed of the Gospel, the fruit of the seed of the missionaries (the sons and the grandsons) was the possession of the islands themselves,--of the land, the ports, the town sites, and the sugar plantations: The missionary who came to give the bread of life remained to gobble up the whole heathen feast.
But that is not the Hawaiian queerness I started out to tell. Only one cannot speak of things Hawaiian without mentioning the missionaries. There is Jack Kersdale, the man I wanted to tell about; he came of missionary stock. That is, on his grandmother's side. His grandfather was old Benjamin Kersdale, a Yankee trader, who got his start for a million in the old days by selling cheap whiskey and square-face gin. There's another queer thing. The old missionaries and old traders were mortal enemies. You see, their interests conflicted. But their children made it up by intermarrying and dividing the island between them.
Life in Hawaii is a song. That's the way Stoddard put it in his "Hawaii Noi":--
"Thy life is music--Fate the notes prolong! Each isle a stanza, and the whole a song."
And he was right. Flesh is golden there. The native women are sun-ripe Junos, the native men bronzed Apollos. They sing, and dance, and all are flower-bejewelled and flower-crowned. And, outside the rigid "Missionary Crowd," the white men yield to the climate and the sun, and no matter how busy they may be, are prone to dance and sing and wear flowers behind their ears and in their hair. Jack Kersdale was one of these fellows. He was one of the busiest men I ever met. He was a several-times millionaire. He was a sugar-king, a coffee planter, a rubber pioneer, a cattle rancher, and a promoter of three out of every four new enterprises launched in the islands. He was a society man, a club man, a yachtsman, a bachelor, and withal as handsome a man as was ever doted upon by mammas with marriageable daughters. Incidentally, he had finished his education at Yale, and his head was crammed fuller with vital statistics and scholarly information concerning Hawaii Nei than any other islander I ever encountered. He turned off an immense amount of work, and he sang and danced and put flowers in his hair as immensely as any of the idlers. He had grit, and had fought two duels--both, political--when he was no more than a raw youth essaying his first adventures in politics. In fact, he played a most creditable and courageous part in the last revolution, when the native dynasty was overthrown; and he could not have been over sixteen at the time. I am pointing out that he was no coward, in order that you may appreciate what happens later on. I've seen him in the breaking yard at the Haleakala Ranch, conquering a four-year-old brute that for two years had defied the pick of Von Tempsky's cow-boys. And I must tell of one other thing. It was down in Kona,--or up, rather, for the Kona people scorn to live at less than a thousand feet elevation. We were all on the lanai of Doctor Goodhue's bungalow. I was talking with Dottie Fairchild when it happened. A big centipede--it was seven inches, for we measured it afterwards--fell from the rafters overhead squarely into her coiffure. I confess, the hideousness of it paralysed me. I couldn't move. My mind refused to work. There, within two feet of me, the ugly venomous devil was writhing in her hair. It threatened at any moment to fall down upon her exposed shoulders--we had just come out from dinner.
"What is it?" she asked, starting to raise her hand to her head.
"Don't!" I cried. "Don't!"
"But what is it?" she insisted, growing frightened by the fright she read in my eyes and on my stammering lips.
My exclamation attracted Kersdale's attention. He glanced our way carelessly, but in that glance took in everything. He came over to us, but without haste.
The House of Pride, and Other Tales of Hawaii · The Wunder Library — complete classics, free to read, with narration.