Part 73

“From the lady of the rose,” Giovanni announced himself softly to the Duke.

“Yes, yes,” came the answer, feverishly impatient. “Well, what is your message?”

“To-night her father is from home. She will expect your magnificence at midnight.”

Gandia drew a deep breath.

“By the Host! You are no more than in time. I had almost despaired, my friend, my best of friends. To-night!” He pronounced the word ecstatically. “Wait you here. Yourself you shall conduct me. Meanwhile, go sup.”

And beating his hands, he summoned attendants.

Came the steward and a couple of Moorish slaves in green turbans, to whose care the Duke commanded his masked visitor. But Giovanni neither required nor desired their ministrations; he would not eat nor drink, but contented himself with the patience of hatred to sit for two long hours awaiting the pleasure of his foolish victim.

They left at last, a little before midnight the Duke, his brother Cesare, his cousin Monreale, and a numerous attendance, his own retinue and those of the two cardinals. Thus they rode back to Rome, the Borgias very gay, the man in the mask plodding along beside them.

They came to the Rione de Ponte, where their ways were to separate, and there, opposite the palace of the Cardinal Vice-Chancellor, Gandia drew rein. He announced to the others that he went no farther with them, summoned a single groom to attend him, and bade the remainder return to the Vatican and await him there.

There was a last jest and a laugh from Cesare as the cavalcade went on towards the papal palace. Then Gandia turned to the man in the mask, bade him get up on the crupper of his horse, and so rode slowly off in the direction of the Giudecca, the single attendant he had retained trotting beside his stirrup.

Giovanni directed his brother-in-law, not to the main entrance of the house, but to the garden gate, which opened upon a narrow alley. Here they dismounted, flinging the reins to the groom, who was bidden to wait. Giovanni produced a key, unlocked the door, and ushered the Duke into the gloom of the garden. A stone staircase ran up to the loggia on the mezzanine, and by this way was Gandia now conducted, treading softly. His guide went ahead. He had provided himself with yet another key, and so unlocked the door from the loggia which opened upon the ante-room of Madonna Antonia. He held the door for the Duke, who hesitated, seeing all in darkness.

“In,” Giovanni bade him. “Tread softly. Madonna waits for you.”

Recklessly, then, that unsuspecting fellow stepped into the trap.

Giovanni followed, closed the door, and locked it. The Duke, standing with quickened pulses in that impenetrable blackness, found himself suddenly embraced, not at all after the fond fashion he was expecting. A wrestler's arms enlaced his body, a sinewy leg coiled itself snake-wise about one of his own, pulling it from under him. As he crashed down under the weight of his unseen opponent, a great voice boomed out:

“Lord of Mirandola! To me! Help! Thieves!”

Suddenly a door opened. Light flooded the gloom, and the writhing Duke beheld a white vision of the girl whose beauty had been the lure that had drawn him into this peril which, as yet, he scarcely understood. But looking up into the face of the man who grappled with him, the man who held him there supine under his weight, he began at last to understand, or, at least, to suspect, for the face he saw, unmasked now, leering at him with hate unspeakable through the cloud of golden hair that half met across it, was the face of Giovanni Sforza, Lord of Pesaro, whom his family had so cruelly wronged. Giovanni Sforza's was the voice that now fiercely announced his doom.

“You and yours have made me a thing of scorn and laughter. Yourself have laughed at me. Go laugh in hell!”

A blade flashed up in Giovanni's hand. Gandia threw up an arm to fend his breast, and the blade buried itself in the muscles. He screamed with pain and terror. The other laughed with hate and triumph, and stabbed again, this time in the shoulder.

Antonia, from the threshold, watching in bewilderment and panic, sent a piercing scream to ring through the house, and then the voice of Giovanni, fierce yet exultant, called aloud:

“Pico! Pico! Lord of Mirandola! Look to your daughter!”

Came steps and voice, more light, flooding now the chamber, and through the mists gathering before his eyes the first-born of the house of Borgia beheld hurrying men, half dressed, with weapons in their hands. But whether they came to kill or to save, they came too late: Ten times Giovanni's blade had stabbed the Duke, yet, hindered by the Duke's struggles and by the effort of holding him there, he had been unable to find his heart, wherefore, as those others entered now, he slashed his victim across the throat, and so made an end.

He rose, covered with blood, so ghastly and terrific that Pico, thinking him wounded, ran to him. But Giovanni reassured him with a laugh, and pointed with his dripping dagger.

“The blood is his--foul Borgia blood!”

At the name Pico started, and there was a movement as of fear from the three grooms who followed him. The Count looked down at that splendid, blood-spattered figure lying there so still, its sightless eyes staring up at the frescoed ceiling, so brave and so pitiful in his gold-broidered suit of white satin, with the richly jewelled girdle carrying gloves and purse and a jewelled dagger that had been so useless in that extremity.

“Gandia” he cried; and looked at Giovanni with round eyes of fear and amazement. “How came he here?”

“How?”

With bloody hand Giovanni pointed to the open door of Antonia's chamber.

“That was the lure, my lord. Taking the air outside, I saw him slinking hither, and took him for a thief, as, indeed, he was--a thief of honour, like all his kind. I followed, and--there he lies.”