Part 68

On the night of their arrival there the refectory of the monastery was transfigured to accommodate the numerous noble and very jovial company assembled there to sup. The long, stone-flagged room, lofty and with windows set very high, normally so bare and austere, was hung now with tapestries, and the floor strewn with rushes that were mingled with lemon verbena and other aromatic herbs. Along the lateral walls and across the end of the room that faced the double doors were set the stone tables of the Spartan monks, on a shallow dais that raised them above the level of the floor. These tables were gay now with the gleam of crystal and the glitter of gold and silver plate. Along one side of them, their backs to the walls, sat the ladies and nobles of the Court. The vaulted ceiling was rudely frescoed to represent the open heavens--the work of a brother whose brush was more devout than cunning--and there was the inevitable cenacolo above the Abbot's table at the upper end of the room.

At this table sat the royal party, the broad-shouldered Andreas of Hungary, slightly asprawl, his golden mane somewhat tumbled now, for he was drinking deeply in accordance with his barbarian habit; ever and anon he would fling down a bone or a piece of meat to the liver-coloured hounds that crouched expectant on the rushes of the floor.

They had hunted that day in the neighbourhood of Capua, and Andreas had acquitted himself well, and was in high good-humour, giving now little thought to the sinister things that Charles of Durazzo had lately whispered, laughing and jesting with the traitor Morcone at his side. Behind him in close attendance stood his servant Pace, once a creature of Durazzo's. The Queen sat on his right, making but poor pretence to eat; her lovely young face was of a ghostly pallor, her dark eyes were wide and staring. Among the guests were the black-browed Evoli and his brother-in-law, Terlizzi; Bertrand of Artois and his father; Melazzo, that other creature of Charles's, and Filippa the Catanese, handsome and arrogant, but oddly silent to-night.

But Charles of Durazzo was not of the company. It is not for the player, himself, to become a piece upon the board.

He had caught a whisper that the thing he had so slyly prompted to Bertrand d'Artois was to be done here at Aversa, and so Charles had remained at Naples. He had discovered very opportunely that his wife was ailing, and he developed such concern for her that he could not bring himself to leave her side. He had excused himself to Andreas with a thousand regrets, since what he most desired was to enjoy with him the cool, clean air of Aversa and the pleasures of the chase; and he had presented the young King at parting with the best of all his falcons in earnest of affection and disappointment.

The night wore on, and at last, at a sign from the Queen, the ladies rose and departed to their beds. The men settled down again. The cellarers redoubled their activities, the flagons circulated more briskly, and the noise they made must have disturbed the monks entrenched in their cells against these earthly vanities. The laughter of Andreas grew louder and more vacuous, and when at last he heaved himself up at midnight and departed to bed, that he might take some rest against the morrow's hunt, he staggered a little in his walk.

But there were other hunters there whose impatience could not keep until the morrow, whose game was to be run to death that very night. They waited--Bertrand d'Artois, Robert of Cabane, the Counts of Terlizzi and Morcone, Melazzo and Andreas's body servant Pace--until all those who lay at Aversa were deep in slumber. Then at two o'clock in the morning they made their stealthy way to the loggia on the third floor, a long colonnaded gallery above the Abbot's garden. They paused a moment before the Queen's door which opened upon this gallery, then crept on to that of the King's room at the other end. It was Pace who rapped sharply on the panels thrice before he was answered by a sleepy growl from the other side.

“It is I--Pace--my lord,” he announced. “A courier has arrived from Naples, from Friar Robert, with instant messages.”

From within there was a noisy yawn, a rustle, the sound of an overturning stool, and, lastly, the rasp of a bolt being withdrawn. The door opened, and in the faint light of the dawning day Andreas appeared, drawing a furlined robe about his body, which was naked of all but a shirt.

He saw no one but Pace. The others had drawn aside into the shadows. Unsuspecting, he stepped forth.

“Where is this messenger?”

The door through which he had come slammed suddenly behind him, and he turned to see Melazzo in the act of bolting it with a dagger to prevent any one from following that way--for the room had another door opening upon the inner corridor.

Instead, Melazzo might have employed his dagger to stab Andreas behind, and so have made an instant end. But it happened to be known that Andreas wore an amulet--a ring that his mother had given him--which rendered him invulnerable to steel or poison. And such was the credulity of his age, such the blind faith of those men in the miraculous power of that charm, that none of them so much as attempted to test it with a dagger. It was for the same reason that no recourse was had to the still easier method of disposing of him by poison. Accepting the amulet at its legendary value, the conspirators had resolved that he must be strangled.

As he turned now they leapt upon him, and, taking him unawares, bore him to the ground before he could realize what was happening. Here they grappled with him, and he with them. He was endowed with the strength of a young bull, and he made full use of it. He rose, beating them off, to be borne down again, bellowing the while for help. He smote out blindly, and stretched Morcone half senseless with a blow of his great fist.

Seeing how difficult he proved to strangle, they must have cursed that amulet of his. He struggled to his knees again, then to his feet, and, at last, with bleeding face, leaving tufts of his fair hair in their murderous hands, he broke through and went bounding down the loggia, screaming as he ran, until he came to his wife's door. Against that he hurled himself, calling her.

“Giovanna! Giovanna! For the love of God crucified! Open! Open! I am being murdered!”

From within came no answer--utter silence.

“Giovanna! Giovanna!” He beat frenziedly upon the door.

Still no answer, which yet was answer enough.

The stranglers, momentarily discomfited, scared, too, lest his cries should rouse the convent, had stood hesitating after he broke from them. But now Bertrand d'Artois, realizing that too much had been done already to admit of the business being left unfinished, sprang upon him suddenly again. Locked in each other's arms, those wrestlers swayed and panted in the loggia for a moment, then with a crash went down, Bertrand on top, Andreas striking his head against the stone floor as he fell. The Queen's lover pinned him there, kneeling upon his breast.

“The rope!” he panted to the others who came up.

One of them threw him a coil of purple silk interwrought with gold thread, in which a running noose had been tied. Bertrand slipped it over Andreas's head, drew it taut, and held it so, despite the man's desperate, convulsive struggles. The others came to his assistance. Amongst them they lifted the writhing victim to the parapet of the loggia, and flung him over; whilst Bertrand, Cabane, and Pace bore upon the rope, arresting his fall, and keeping him suspended there until he should be dead. Melazzo and Morcone came to assist them, and it was then that Cabane observed that Terlizzi held aloof, as if filled with horror.

Peremptorily he called to him:

“Hither, and lend a hand! The rope is long enough to afford you a grip. We want accomplices, not witnesses, Lord Count.”

Terlizzi obeyed, and then the ensuing silence was broken suddenly by screams from the floor below the screams of a woman who slept in the room immediately underneath, who had awakened to behold in the grey light of the breaking day the figure of a man kicking and writhing at a rope's end before her window.

Yet a moment the startled stranglers kept their grip of the rope until the struggles at the end of it had ceased; then they loosed their hold and let the body go plunging down into the Abbot's garden. Thereafter they scattered and fled, for people were stirring now in the convent, aroused by the screams of the woman.

Thrice, so the story runs, came the monks to the Queen's door to knock and demand her orders for the disposal of the body of her husband without receiving any answer to their question. It remained still unanswered when later in the day she departed from Aversa in a closed litter, and returned to Naples escorted by a company of lances, and for lack of instructions the monks left the body in the Abbot's garden, where it had fallen, until Charles of Durazzo came to remove it two days later.

Ostentatiously he bore to Naples the murdered Prince--whose death he had so subtly inspired--and in the cathedral before the Hungarians, whom he had assembled, and in the presence of a vast concourse of the people, he solemnly swore over the body vengeance upon the murderers.