Part 41

Half-clad men, women, and children fled screaming before the assassins, until they were checked by the chains that everywhere had been placed across the streets. Some sought the river, hoping to find a way of escape. But with Satanic foresight, the boats usually moored there had been conveyed to the other side. Thus some hundreds of Huguenots were brought to bay, and done to death under the very eyes of the King who had unleashed this horror. Doors were crashed open, flames rose to heaven, men and women were shot down under the palace wall, bodies were flung from windows, and on every side--in the words of D'Aubigne--the blood now flowed, seeking the river.

The King watched a while, screams and curses pouring from his lips to be lost in the horrible uproar. He turned, perhaps to upbraid his mother and his brother, but found that they were no longer at his side. Behind him in the room a page was crouching, watching him with a white, horrified face.

Suddenly the King laughed--it was the fierce, hysterical laugh of a madman. His eyes fell on the arquebuses flanking the picture of the Mother of Mercy. He took one of them down, then caught the boy by the collar of his doublet and dragged him forward to the window.

“Hither, and load for me!” he bade him, between peals of his terrible laughter. Then he levelled the weapon across the sill of the window. “Parpaillots! Parpaillots!” he screamed. “Kill! Kill!” and he discharged the arquebus into a fleeing group of Huguenots.

Five days later, the King--who by now had thrown the blame of the whole affair, with its slaughter of some two thousand Huguenots, upon the Guises and their hatred of Coligny--rode out to Montfaucon to behold the decapitated body of the Admiral, which hung from the gallows in chains. A courtier of a poor but obtrusive wit leaned towards him.

“The Admiral becomes noisome, I think,” he said.

The King's green eyes considered him, his lips curling grimly.

“The body of a dead enemy always smells sweet,” he said.

VI. THE NIGHT OF WITCHCRAFT--Louis XIV and Madame De Montespan

If you scrape the rubbish-heap of servile, coeval flattery that usually smothers the personality of a monarch, you will discover a few kings who have been truly great; many who have achieved greatness because they were wisely content to serve as masks for the great intellects of their time; and, for the rest, some bad kings, some foolish kings, and some ridiculous kings. But in all that royal gallery of history you will hardly find a more truly absurd figure than that of the resplendent Roi Soleil, the Grand Monarque, the Fourteenth Louis of France.

I am not aware that he has ever been laughed at; certainly never to the extent which he deserves. The flatterers of his day, inevitable products of his reign, did their work so thoroughly that even in secret they do not appear to have dared to utter--possibly they did not even dare to think--the truth about him. Their work survives, and when you have assessed the monstrous flattery at its true worth, swept it aside and come down to the real facts of his life, you make the discovery that the proudest title their sycophancy could bestow and his own fatuity accept--Le Roi Soleil, the Sun-King--makes him what indeed he is: a king of opera bouffe. There is about him at times something almost reminiscent of the Court buffoons of a century before, who puffed themselves out with mock pride, and aped a sort of sovereignty to excite laughter; with this difference, however, that in his own case it was not intended to be amusing.

A heartless voluptuary of mediocre intelligence, he contrived to wrap himself in what Saint-Simon has called a “terrible majesty.” He was obsessed by the idea of the dignity, almost the divinity--of kingship. I cannot believe that he conceived himself human. He appears to have held that being king was very like being God, and he duped the world by ceremonials of etiquette that were very nearly sacramental. We find him burdening the most simple and personal acts of everyday life with a succession of rites of an amazing complexity. Thus, when he rose in the morning, princes of the blood and the first gentlemen of France were in attendance: one to present to him his stockings, another to proffer on bended knee the royal garters, a third to perform the ceremony of handing him his wig, and so on until the toilette of his plump, not unhandsome person was complete. You miss the incense, you feel that some noble thurifer should have fumigated him at each stage. Perhaps he never thought of it.

The evil fruits of his reign--evil, that is to say, from the point of view of his order, which was swept away as so much anachronistic rubbish--did not come until a hundred years later. In his own day France was great, and this not because but in spite of him. After all, he was not the absolute ruler he conceived himself. There were such capable men as Colbert and Louvois at the King's side'; there was the great genius of France which manifests itself when and as it will, whatever the regime--and there was Madame de Montespan to whose influence not a little of Louis's glory may be ascribed, since the most splendid years of his reign were those between 1668 and 1678 when she was maitresse en titre and more than Queen of France. The women played a great part at the Court of Louis XIV, and those upon whom he turned his dark eyes were in the main as wax under the solar rays of the Sun-King. But Madame de Montespan had discovered the secret of reversing matters, so that in her hands it was the King who became as wax for her modelling. It is with this secret--a page of the secret history of France that we are here concerned.

Francoises Athenais de Tonnay-Charente had come to Court in 1660 as a maid of honour to the Queen. Of a wit and grace to match her superb beauty, she was also of a perfervid piety, a daily communicant, a model of virtue to all maids of honour. This until the Devil tempted her. When that happened, she did not merely eat an apple; she devoured an entire orchard. Pride and ambition brought about her downfall. She shared the universal jealousy of which Louise de la Valliere was a victim, and coveted the honours and the splendour by which that unfortunate favourite was surrounded.

Not even her marriage with the Marquis de Montespan some three years after her coming to Court sufficed to overcome the longings born of her covetousness and ambition. And then, when the Sun-King looked with favour upon her opulent charms, when at last she saw the object of her ambition within reach, that husband of hers went very near to wrecking everything by his unreasonable behaviour. This preposterous marquis had the effrontery to dispute his wife with Jupiter, was so purblind as not to appreciate the honour the Sun-King proposed to do him.

In putting it thus, I but make myself the mouthpiece of the Court.

When Montespan began to make trouble by railing furiously against the friendship of the King for his wife, his behaviour so amazed the King's cousin, Mademoiselle de Montpensier, that she called him “an extravagant and extraordinary man.” To his face she told him that he must be mad to behave in this fashion; and so incredibly distorted were his views, that he did not at all agree with her. He provoked scenes with the King, in which he quoted Scripture, made opposite allusions to King David which were in the very worst taste, and even ventured to suggest that the Sun-King might have to reckon with the judgment of God. If he escaped a lettre de cachet and a dungeon in the Bastille, it can only have been because the King feared the further spread of a scandal injurious to the sacrosanctity of his royal dignity.

The Marchioness fumed in private and sneered in public. When Mademoiselle de Montpensier suggested that for his safety's sake she should control her husband's antics, she expressed her bitterness.

“He and my parrot,” she said, “amuse the Court to my shame.”

In the end, finding that neither by upbraiding the King nor by beating his wife could he prevail, Monsieur de Montespan resigned himself after his own fashion. He went into widower's mourning, dressed his servants in black, and came ostentatiously to Court in a mourning coach to take ceremonious leave of his friends. It was an affair that profoundly irritated the Sun-King, and very nearly made him ridiculous.

Thereafter Montespan abandoned his wife to the King. He withdrew first to his country seat, and, later, from France, having received more than a hint that Louis was intending to settle his score with him. By that time Madame de Montespan was firmly established as maitresse en titre, and in January of 1669 she gave birth to the Duke of Maine, the first of the seven children she was to bear the King. Parliament was to legitimize them all, declaring them royal children of France, and the country was to provide titles, dignities, and royal rent-rolls for them and their heirs forever. Do you wonder that there was a revolution a century later, and that the people, grown weary of the parasitic anachronism of royalty, should have risen to throw off the intolerable burden it imposed upon them?

The splendour of Madame de Montespan in those days was something the like of which had never been seen at the Court of France. On her estate of Clagny, near Versailles, stood now a magnificent chateau. Louis had begun by building a country villa, which satisfied her not at all.

“That,” she told him, “might do very well for an opera-girl”; whereupon the infatuated monarch had no alternative but to command its demolition, and call in the famous architect, Mansard, to erect in its place an ultraroyal residence.

At Versailles itself, whilst the long-suffering Queen had to be content with ten rooms on the second floor, Madame de Montespan was installed in twice that number on the first; and whilst a simple page sufficed to carry the Queen's train at Court, nothing less than the wife of a marshal of France must perform the same office for the favourite. She kept royal state as few queens have ever kept it. She was assigned a troop of royal bodyguards for escort, and when she travelled there was a never-ending train to follow her six-horse coach, and officers of State came to receive her with royal honours wherever she passed.

In her immeasurable pride she became a tyrant, even over the King himself.

“Thunderous and triumphant,” Madame de Sevigne describes her in those days when the Sun-King was her utter and almost timid slave.

But constancy is not a Jovian virtue. Jupiter grew restless, and then, shaking off all restraint, plunged into inconstancy of the most scandalous and flagrant kind. It is doubtful if the history of royal amours, with all its fecundity, can furnish a parallel. Within a few months, Madame de Soubise, Mademoiselle de Rochefort-Theobon, Madame de Louvigny, Madame de Ludres, and some lesser ones passed in rapid succession through the furnace of the Sun-King's affection--which is to say, through the royal bed--and at last the Court was amazed to see the Widow Scarron, who had been appointed governess to Madame de Montespan's royal children, empanoplied in a dignity and ceremony that left no doubt on the score of her true position at Court.

And so, after seven years of absolute sway in which homage had been paid her almost in awe by noble and simple alike, Madame de Montespan, neglected now by Louis, moved amid reflections of that neglect, with arrogantly smiling lips and desperate rage in her heart. She sneered openly at the royal lack of taste, allowed her barbed wit to make offensive sport with the ladies who supplanted her; yet, ravaged by jealousy, she feared for herself the fate which through her had overtaken La Valliere.