Part 16

VII

One evening Daniel entered the house and met Herr Carovius. But he was so absorbed in thought that he passed by without noticing him. Carovius looked at him angrily, and walked back to the hall to see where the young man was going. When he heard him ring the bell on the second floor, an uneasy expression came over his face. He rubbed his chin with his left hand.

“The idea of passing by me as though I were a block of wood,” murmured Carovius spitefully. “Just wait, young man, I’ll make you pay for that.”

Instead of leaving the house as he had wished, Carovius went into his apartment, lighted a candle, and tripped hastily through three rooms, in which there were old cabinets and trunks filled with books and music scores. There was also a piano in one. He then took a key from his pocket, and unlocked a fourth room, which had closed shades and was in fact otherwise quite oddly arranged.

He went to a table which reached almost the full length of the room, picked up a piece of white paper, sat down, and wrote with red ink: “Daniel Nothafft. Musician. Two months in jail.”

He then covered the paper with mucilage, pasted it on a wooden box which looked like a miniature sentry-house, and nailed a lid on the box, using tacks that were lying ready for this purpose.

There were at least five dozen such boxes on the long table, the majority of which had names attached to them and had been nailed up.

The closed room Herr Carovius called his court chamber. What he did in it he termed the regulation of his affairs with humanity, and the collection of little wooden cells he called his jail. Every individual who had offended, hurt, humiliated, or defrauded him was assigned such a keep in which he was obliged to languish, figuratively, until his time, determined by a formal sentence, was up.

Nor was this all. In the middle section of the table there were a number of diminutive sand heaps, about thirty in all, and on each one was a small wooden cross and on each cross was a name. That was Herr Carovius’s cemetery, and those who were figuratively buried there were, so far as he was concerned, dead, even though they were still going about their earthly affairs as lively and cheerful as ever. They were people whose mundane careers were finished, as he saw it, and under each of their accounts, reckoned exclusively in sins, he had drawn a heavy line. They were such people as Richard Wagner and his champions, the local stationer to whom he had advanced some money years ago and who entered a plea of bankruptcy a few months later, the authors of bad books that were widely read, or of books which he loathed without having read them, as, for instance, those of Zola.

There were still a third noteworthy section of the table, and that was the so-called Academy. This consisted of a plot of ground, surrounded by an iron fence, and divided up into twelve or fifteen square fields, each of which was painted in fresh green. In the middle of each field there was a wooden peg about two inches high, and to the middle of each peg there was attached a name-plate. From the tops of some of these pegs little banners of green cloth fluttered in the breeze.

The fact is, Herr Carovius had a weakness for association with aristocrats. In his heart of hearts he admired the manners of the aristocracy, their indifference and self-complacency, their irrefragable traditions and their noiseless and harmonious behaviour. To the pegs of the Academy he had affixed the names of some of the best families he had known; among others, those of the Tuchers, the Hallers, the Humbsers, the Kramer-Kleets, and the Auffenbergs. Whenever he had succeeded in making the personal acquaintance of the members of any of these families, he went straightway to the Academy and hoisted the appropriate flag.

But, despite all his effort, he had never in the course of time been able to run up more than three flags, and these only for a brief period and without any marked success. Some one had recognised him on the street or spoken to him at the concert, and that was all. The Academy looked, in contradistinction to the jail and the cemetery, quite deserted. Finally he was able to hoist the Auffenberg banner. Herr Carovius felt that the Academy had a great future.

VIII

Kropotkin the painter had once upon a time received an order to make a copy of a Holbein for Baron Siegmund von Auffenberg. He never finished the picture, owing to lack of ability; but he had become acquainted with Baron Eberhard, and years later, having met him quite accidentally, took him to the Paradise, where the infamous brethren were then in the habit of gathering.

Eberhard’s appearance at the Paradise was short-lived; he disappeared in fact as quickly as he had appeared. But this brief space was sufficient for Herr Carovius to become intimately acquainted with him.

The first time he sat at the same table with him he was noticeably excited. His face shone with a mild spiritual glow. His voice was sweet and gentle, his remarks of an unusually agreeable moderation.

He turned the conversation to a discussion of the superiorities of birth, and lauded the distinction of the hereditary classes. He said it was from them only that the people could acquire civic virtue. The brethren scorned his point of view. Herr Carovius came back at them with an annihilating jest.

During the rendition of this hallelujah-solo in praise of the nobility, Eberhard von Auffenberg intrenched himself behind a sullen silence. And though Carovius used every available opportunity from then on to flatter the young nobleman in his cunning, crafty way, he failed. The most he could do was to inspire Eberhard to lift his thrush-bearded chin in the air and make some sarcastic remark. Fawn as he might, Carovius was stumped at every turn.

One night, however, the two enjoyed each other’s company on the way home. That is, Carovius never left Eberhard’s side. Annoyed at the failure of his former tactics, he thought he would try his luck in another way: he ridiculed the arrogance of a certain caste which affected to attach less importance to a man like himself than to some jackanapes whose handkerchief was adorned with an embroidered crown.

“What are you, any way, what is your vocation?” asked Eberhard von Auffenberg.

“I don’t do anything,” replied Carovius.

“Nothing at all? That is quite agreeable.”

“Oh, I do work a little at music,” added Herr Carovius, entirely pleased at the curiosity of the Baron.

“Now, you see, that is after all something,” said the Baron. “I for my part am as unmusical as a shot-gun. And if you do not do anything but interest yourself in music, you must have a great deal of money.”

Herr Carovius turned away. The positive dread of being taken for a rich man wrestled with the vain desire to make the young Baron feel that he really was somebody. “I have a little,” he remarked with a titter, “a little.”

“Very well; if you will loan me ten thousand marks, it will give me great pleasure to make you a present of the crown on my handkerchief,” said Eberhard von Auffenberg.

Herr Carovius stopped stock still, and opened his mouth and his eyes: “Baron, you are taking the liberty of jesting with me.” But when Eberhard indicated that he was quite serious, Carovius continued, blank amazement forcing his voice to its highest pitch: “But my dear Sir, your father has an income of half a million. A mere income! The tax receipts show it.”

“Well, I am not talking about my father,” said Eberhard coldly, and once more threw his chin in the air. “It is evidently a part of your heraldic prejudices to feel that you can coax the income of my father into my own pockets.”