Part 17

The soft baritone of the Cardinal intoned a single phrase in the suspended silence. The censer took up the note in its delicate clink clink, as it swung to and fro in the hands of a fair-haired child. Then the organ, pausing an instant in a deep, mellow, long-drawn note, burst suddenly into a magnificent strain, and the choir sang forth, "Kyrie Eleison, Christe Eleison." One voice, flute-like, piercing, sweet, rang high over the rest. Sister Josepha heard and trembled, as she buried her face in her hands, and let her tears fall, like other beads, through her rosary.

It was when the final word of the service had been intoned, the last peal of the exit march had died away, that she looked up meekly, to encounter a pair of youthful brown eyes gazing pityingly upon her. That was all she remembered for a moment, that the eyes were youthful and handsome and tender. Later, she saw that they were placed in a rather beautiful boyish face, surmounted by waves of brown hair, curling and soft, and that the head was set on a pair of shoulders decked in military uniform. Then the brown eyes marched away with the rest of the rear guard, and the white-bonneted sisters filed out the side door, through the narrow court, back into the brown convent.

That night Sister Josepha tossed more than usual on her hard bed, and clasped her fingers often in prayer to quell the wickedness in her heart. Turn where she would, pray as she might, there was ever a pair of tender, pitying brown eyes, haunting her persistently. The squeaky organ at vespers intoned the clank of military accoutrements to her ears, the white bonnets of the sisters about her faded into mists of curling brown hair. Briefly, Sister Josepha was in love.

The days went on pretty much as before, save for the one little heart that beat rebelliously now and then, though it tried so hard to be submissive. There was the morning work in the refectory, the stupid little girls to teach sewing, and the insatiable lamps that were so greedy for oil. And always the tender, boyish brown eyes, that looked so sorrowfully at the fragile, beautiful little sister, haunting, following, pleading.

Perchance, had Sister Josepha been in the world, the eyes would have been an incident. But in this home of self-repression and retrospection, it was a life-story. The eyes had gone their way, doubtless forgetting the little sister they pitied; but the little sister?

The days glided into weeks, the weeks into months. Thoughts of escape had come to Sister Josepha, to flee into the world, to merge in the great city where recognition was impossible, and, working her way like the rest of humanity, perchance encounter the eyes again.

It was all planned and ready. She would wait until some morning when the little band of black-robed sisters wended their way to mass at the Cathedral. When it was time to file out the side-door into the courtway, she would linger at prayers, then slip out another door, and unseen glide up Chartres Street to Canal, and once there, mingle in the throng that filled the wide thoroughfare. Beyond this first plan she could think no further.

Penniless, garbed, and shaven though she would be, other difficulties never presented themselves to her. She would rely on the mercies of the world to help her escape from this torturing life of inertia. It seemed easy now that the first step of decision had been taken.

The Saturday night before the final day had come, and she lay feverishly nervous in her narrow little bed, wondering with wide-eyed fear at the morrow. Pale-eyed Sister Dominica and Sister Francesca were whispering together in the dark silence, and Sister Josepha's ears pricked up as she heard her name.

"She is not well, poor child," said Francesca. "I fear the life is too confining."

"It is best for her," was the reply. "You know, sister, how hard it would be for her in the world, with no name but Camille, no friends, and her beauty; and then--"

Sister Josepha heard no more, for her heart beating tumultuously in her bosom drowned the rest. Like the rush of the bitter salt tide over a drowning man clinging to a spar, came the complete submerging of her hopes of another life. No name but Camille, that was true; no nationality, for she could never tell from whom or whence she came; no friends, and a beauty that not even an ungainly bonnet and shaven head could hide. In a flash she realised the deception of the life she would lead, and the cruel self-torture of wonder at her own identity. Already, as if in anticipation of the world's questionings, she was asking herself, "Who am I? What am I?"

The next morning the sisters du Sacre Coeur filed into the Cathedral at High Mass, and bent devout knees at the general confession. "Confiteor Deo omnipotenti," murmured the priest; and tremblingly one little sister followed the words, "Je confesse a Dieu, tout puissant--que j'ai beaucoup peche par pensees--c'est ma faute--c'est ma faute--c'est ma tres grande faute."

The organ pealed forth as mass ended, the throng slowly filed out, and the sisters paced through the courtway back into the brown convent walls. One paused at the entrance, and gazed with swift longing eyes in the direction of narrow, squalid Chartres Street, then, with a gulping sob, followed the rest, and vanished behind the heavy door.

THE PRALINE WOMAN

The praline woman sits by the side of the Archbishop's quaint little old chapel on Royal Street, and slowly waves her latanier fan over the pink and brown wares.

"Pralines, pralines. Ah, ma'amzelle, you buy? S'il vous plait, ma'amzelle, ces pralines, dey be fine, ver' fresh.

"Mais non, maman, you are not sure?

"Sho', chile, ma bebe, ma petite, she put dese up hissef. He's hans' so small, ma'amzelle, lak you's, mais brune. She put dese up dis morn'. You tak' none? No husban' fo' you den!

"Ah, ma petite, you tak'? Cinq sous, bebe, may le bon Dieu keep you good!

"Mais oui, madame, I know you etranger. You don' look lak dese New Orleans peop'. You lak' dose Yankee dat come down 'fo' de war."

Ding-dong, ding-dong, ding-dong, chimes the Cathedral bell across Jackson Square, and the praline woman crosses herself.

"Hail, Mary, full of grace--

"Pralines, madame? You buy lak' dat? Dix sous, madame, an' one lil' piece fo' lagniappe fo' madame's lil' bebe. Ah, c'est bon!

"Pralines, pralines, so fresh, so fine! M'sieu would lak' some fo' he's lil' gal' at home? Mais non, what's dat you say? She's daid! Ah, m'sieu, 'tis my lil' gal what died long year ago. Misere, misere!

"Here come dat lazy Indien squaw. What she good fo', anyhow? She jes' sit lak dat in de French Market an' sell her file, an' sleep, sleep, sleep, lak' so in he's blanket. Hey, dere, you, Tonita, how goes you' beezness?

"Pralines, pralines! Holy Father, you give me dat blessin' sho'? Tak' one, I know you lak dat w'ite one. It tas' good, I know, bien.

"Pralines, madame? I lak' you' face. What fo' you wear black? You' lil' boy daid? You tak' one, jes' see how it tas'. I had one lil' boy once, he jes' grow 'twell he's big lak' dis, den one day he tak' sick an' die. Oh, madame, it mos' brek my po' heart. I burn candle in St. Rocque, I say my beads, I sprinkle holy water roun' he's bed; he jes' lay so, he's eyes turn up, he say 'Maman, maman,' den he die! Madame, you tak' one. Non, non, no l'argent, you tak' one fo' my lil' boy's sake.