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Part 14

The Goodness of St. Rocque, and Other Stories · Alice Moore Dunbar-Nelson — chapter 14 of 21 · ~1,514 words · public domain

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Down Bourbon Street and on Toulouse and St. Peter Streets there are quaint little old-world places where one may be disguised effectually for a tiny consideration. Thither, guided by the shapely Mephisto and guarded by the team of jockeys and ballet girls, tripped Flo. Into one of the lowest-ceiled, dingiest, and most ancient-looking of these shops they stepped.

"A disguise for the demoiselle," announced Mephisto to the woman who met them. She was small and wizened and old, with yellow, flabby jaws, a neck like the throat of an alligator, and straight, white hair that stood from her head uncannily stiff.

"But the demoiselle wishes to appear a boy, un petit garcon?" she inquired, gazing eagerly at Flo's long, slender frame. Her voice was old and thin, like the high quavering of an imperfect tuning-fork, and her eyes were sharp as talons in their grasping glance.

"Mademoiselle does not wish such a costume," gruffly responded Mephisto.

"Ma foi, there is no other," said the ancient, shrugging her shoulders. "But one is left now; mademoiselle would make a fine troubadour."

"Flo," said Mephisto, "it's a dare-devil scheme, try it; no one will ever know it but us, and we'll die before we tell. Besides, we must; it's late, and you couldn't find your crowd."

And that was why you might have seen a Mephisto and a slender troubadour of lovely form, with mandolin flung across his shoulder, followed by a bevy of jockeys and ballet girls, laughing and singing as they swept down Rampart Street.

When the flash and glare and brilliancy of Canal Street have palled upon the tired eye, when it is yet too soon to go home to such a prosaic thing as dinner, and one still wishes for novelty, then it is wise to go into the lower districts. There is fantasy and fancy and grotesqueness run wild in the costuming and the behaviour of the maskers. Such dances and whoops and leaps as these hideous Indians and devils do indulge in; such wild curvetings and long walks! In the open squares, where whole groups do congregate, it is wonderfully amusing. Then, too, there is a ball in every available hall, a delirious ball, where one may dance all day for ten cents; dance and grow mad for joy, and never know who were your companions, and be yourself unknown. And in the exhilaration of the day, one walks miles and miles, and dances and skips, and the fatigue is never felt.

In Washington Square, away down where Royal Street empties its stream of children great and small into the broad channel of Elysian Fields Avenue, there was a perfect Indian pow-wow. With a little imagination one might have willed away the vision of the surrounding houses, and fancied one's self again in the forest, where the natives were holding a sacred riot. The square was filled with spectators, masked and un-masked. It was amusing to watch these mimic Red-men, they seemed so fierce and earnest.

Suddenly one chief touched another on the elbow. "See that Mephisto and troubadour over there?" he whispered huskily.

"Yes; who are they?"

"I don't know the devil," responded the other, quietly, "but I'd know that other form anywhere. It's Leon, see? I know those white hands like a woman's and that restless head. Ha!"

"But there may be a mistake."

"No. I'd know that one anywhere; I feel it is he. I'll pay him now. Ah, sweetheart, you've waited long, but you shall feast now!" He was caressing something long and lithe and glittering beneath his blanket.

In a masked dance it is easy to give a death-blow between the shoulders. Two crowds meet and laugh and shout and mingle almost inextricably, and if a shriek of pain should arise, it is not noticed in the din, and when they part, if one should stagger and fall bleeding to the ground, can any one tell who has given the blow? There is nothing but an unknown stiletto on the ground, the crowd has dispersed, and masks tell no tales anyway. There is murder, but by whom? for what? Quien sabe?

And that is how it happened on Carnival night, in the last mad moments of Rex's reign, a broken-hearted mother sat gazing wide-eyed and mute at a horrible something that lay across the bed. Outside the long sweet march music of many bands floated in as if in mockery, and the flash of rockets and Bengal lights illumined the dead, white face of the girl troubadour.

LITTLE MISS SOPHIE

When Miss Sophie knew consciousness again, the long, faint, swelling notes of the organ were dying away in distant echoes through the great arches of the silent church, and she was alone, crouching in a little, forsaken black heap at the altar of the Virgin. The twinkling tapers shone pityingly upon her, the beneficent smile of the white-robed Madonna seemed to whisper comfort. A long gust of chill air swept up the aisles, and Miss Sophie shivered not from cold, but from nervousness.

But darkness was falling, and soon the lights would be lowered, and the great massive doors would be closed; so, gathering her thin little cape about her frail shoulders, Miss Sophie hurried out, and along the brilliant noisy streets home.

It was a wretched, lonely little room, where the cracks let the boisterous wind whistle through, and the smoky, grimy walls looked cheerless and unhomelike. A miserable little room in a miserable little cottage in one of the squalid streets of the Third District that nature and the city fathers seemed to have forgotten.

As bare and comfortless as the room was Miss Sophie's life. She rented these four walls from an unkempt little Creole woman, whose progeny seemed like the promised offspring of Abraham. She scarcely kept the flickering life in her pale little body by the unceasing toil of a pair of bony hands, stitching, stitching, ceaselessly, wearingly, on the bands and pockets of trousers. It was her bread, this monotonous, unending work; and though whole days and nights constant labour brought but the most meagre recompense, it was her only hope of life.

She sat before the little charcoal brazier and warmed her transparent, needle-pricked fingers, thinking meanwhile of the strange events of the day. She had been up town to carry the great, black bundle of coarse pants and vests to the factory and to receive her small pittance, and on the way home stopped in at the Jesuit Church to say her little prayer at the altar of the calm white Virgin. There had been a wondrous burst of music from the great organ as she knelt there, an overpowering perfume of many flowers, the glittering dazzle of many lights, and the dainty frou-frou made by the silken skirts of wedding guests. So Miss Sophie stayed to the wedding; for what feminine heart, be it ever so old and seared, does not delight in one? And why should not a poor little Creole old maid be interested too?

Then the wedding party had filed in solemnly, to the rolling, swelling tones of the organ. Important-looking groomsmen; dainty, fluffy, white-robed maids; stately, satin-robed, illusion-veiled bride, and happy groom. She leaned forward to catch a better glimpse of their faces. "Ah!"--

Those near the Virgin's altar who heard a faint sigh and rustle on the steps glanced curiously as they saw a slight black-robed figure clutch the railing and lean her head against it. Miss Sophie had fainted.

"I must have been hungry," she mused over the charcoal fire in her little room, "I must have been hungry;" and she smiled a wan smile, and busied herself getting her evening meal of coffee and bread and ham.

If one were given to pity, the first thought that would rush to one's lips at sight of Miss Sophie would have been, "Poor little woman!" She had come among the bareness and sordidness of this neighbourhood five years ago, robed in crape, and crying with great sobs that seemed to shake the vitality out of her. Perfectly silent, too, she was about her former life; but for all that, Michel, the quartee grocer at the corner, and Madame Laurent, who kept the rabbe shop opposite, had fixed it all up between them, of her sad history and past glories. Not that they knew; but then Michel must invent something when the neighbours came to him as their fountain-head of wisdom.

One morning little Miss Sophie opened wide her dingy windows to catch the early freshness of the autumn wind as it whistled through the yellow-leafed trees. It was one of those calm, blue-misted, balmy, November days that New Orleans can have when all the rest of the country is fur-wrapped. Miss Sophie pulled her machine to the window, where the sweet, damp wind could whisk among her black locks.

Whirr, whirr, went the machine, ticking fast and lightly over the belts of the rough jeans pants. Whirr, whirr, yes, and Miss Sophie was actually humming a tune! She felt strangely light to-day.

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