“It is kinder close,” said the old lady, with a smile. “The worst is, my feet hurt me so I can't stir out. But the neighbors is real kind. The little boy next room goes over to the shop and fetches my pantaloons and takes 'em back. I can get along if it don't come slack again.”
Sitting all day by that dim window, half the night stitching by a kerosene lamp; lying for six hours on that narrow couch! How to account for this old soul's Christian resignation and cheerfulness! “For,” said the doctor, “she has seen better days; she has moved in high society; her husband, who died twenty years ago, was a policeman. What the old lady is doing is fighting for her independence. She has only one fear--the almshouse.”
It was with such scenes as these in her eyes that Edith went to her dressing-room to make her toilet for the Henderson dinner.
It was the first time they had dined with the Hendersons. It was Jack's doings. “Certainly, if you wish it,” Edith had said when the invitation came. The unmentioned fact was that Jack had taken a little flier in Oshkosh, and a hint from Henderson one evening at the Union, when the venture looked squally, had let him out of a heavy loss into a small profit, and Jack felt grateful.
“I wonder how Henderson came to do it?” Jack was querying, as he and old Fairfax sipped their five-o'clock “Manhattan.”
“Oh, Henderson likes to do a good-natured thing still, now and then. Do you know his wife?”
“No. Who was she?”
“Why, old Eschelle's daughter, Carmen; of course you wouldn't know; that was ten years ago. There was a good deal of talk about it at the time.”
“How?”
“Some said they'd been good friends before Mrs. Henderson's death.”
“Then Carmen, as you call her, wasn't the first?”
“No, but she was an easy second. She's a social climber; bound to get there from the start.”
“Is she pretty?”
“Devilish. She's a little thing. I saw her once at Homburg, on the promenade with her mother.
“The kind of sweet blonde, I said to myself, that would mix a man up in a duel before he knew where he was.”
“She must be interesting.”
“She was always clever, and she knows enough to play a straight game and when to propitiate. I'll bet a five she tells Henderson whom to be good to when the chance offers.”
“Then her influence on him is good?”
“My dear sir, she gets what she wants, and Henderson is going to the... well, look at the lines in his face. I've known Henderson since he came fresh into the Street. He'd rarely knife a friend when his first wife was living. Now, when you see the old frank smile on his face, it's put on.”
It was half-past eight when Mr. Henderson with Mrs. Delancy on his arm led the way to the diningroom. The procession was closed by Mrs. Henderson and Mr. Delancy. The Van Dams were there, and Mrs. Chesney and the Chesney girls, and Miss Tavish, who sat on Jack's right, but the rest of the guests were unknown to Jack, except by name. There was a strong dash of the Street in the mixture, and although the Street was tabooed in the talk, there was such an emanation of aggressive prosperity at the table that Jack said afterwards that he felt as if he had been at a meeting of the board.
If Jack had known the house ten years ago, he would have noticed certain subtle changes in it, rather in the atmosphere than in many alterations. The newness and the glitter of cost had worn off. It might still be called a palace, but the city had now a dozen handsomer houses, and Carmen's idea, as she expressed it, was to make this more like a home. She had made it like herself. There were pictures on the walls that would not have hung there in the late Mrs. Henderson's time; and the prevailing air was that of refined sensuousness. Life, she said, was her idea, life in its utmost expression, untrammeled, and yes, a little Greek. Freedom was perhaps the word, and yet her latest notion was simplicity. The dinner was simple. Her dress was exceedingly simple, save that it had in it somewhere a touch of audacity, revealing in a flash of invitation the hidden nature of the woman. She knew herself better than any one knew her, except Henderson, and even he was forced to laugh when she travestied Browning in saying that she had one soul-side to face the world with, one to show the man she loved, and she declared he was downright coarse when on going out of the door he muttered, “But it needn't be the seamy side.” The reported remark of some one who had seen her at church that she looked like a nun made her smile, but she broke into a silvery laugh when she head Van Dam's comment on it, “Yes, a devil of a nun.”
The library was as cozy as ever, but did not appear to be used much as a library. Henderson, indeed, had no time to add to his collection or enjoy it. Most of the books strewn on the tables were French novels or such American tales as had the cachet of social riskiness. But Carmen liked the room above all others. She enjoyed her cigarette there, and had a fancy for pouring her five-o'clock tea in its shelter. Books which had all sorts of things in them gave somehow an unconventional atmosphere to the place, and one could say things there that one couldn't say in a drawing-room.
Henderson himself, it must be confessed, had grown stout in the ten years, and puffy under the eyes. There were lines of irritation in his face and lines of weariness. He had not kept the freshness of youth so well as Carmen, perhaps because of his New England conscience. To his guest he was courteous, seemed to be making an effort to be so, and listened with well-assumed interest to the story of her day's pilgrimage. At length he said, with a smile, “Life seems to interest you, Mrs. Delancy.”
“Yes, indeed,” said Edith, looking up brightly; “doesn't it you?”
“Why, yes; not life exactly, but things, doing things--conflict.”
“Yes, I can understand that. There is so much to be done for everybody.”
Henderson looked amused. “You know in the city the gospel is that everybody is to be done.”
“Well,” said Edith, not to be diverted, “but, Mr. Henderson, what is it all for--this conflict? Perhaps, however, you are fighting the devil?”
The Golden House · The Wunder Library — complete classics, free to read, with narration.