Part 51

And yet he was for the first time in his life earning his living. Edith would like that. He had known all along that his idle life had been a constant grief to her. No, she would not reproach him; she never did reproach him. No doubt she would be glad that he was at work. But, oh, the humiliation of the whole thing! At one moment he was eager to see her, and the next the rattling train seemed to move too fast, and he welcomed every wayside stop that delayed his arrival. But even the Long Island trains arrive some time, and all too soon the cars slowed up at the familiar little station, and Jack got out.

“Quite a stranger in these parts, Mr. Delancy,” was the easy salutation of the station-keeper.

“Yes. I've been away. All right down here?”

“Right as a trivet. Hot summer, though. Calculate it's goin' to be a warm fall--generally is.”

It was near sunset. When the train had moved on, and its pounding on the rails became a distant roar and then was lost altogether, the country silence so impressed Jack, as he walked along the road towards the sea, that he became distinctly conscious of the sound of his own footsteps. He stopped and listened. Yes, there were other sounds--the twitter of birds in the bushes by the roadside, the hum of insects, and the faint rhythmical murmur of lapsing waves on the shore.

And now the house came in view--first the big roof, and then the latticed windows, the balconies, where there were pots of flowers, and then the long veranda with its hammocks and climbing vines. There was a pink tone in the distant water answering to the flush in the sky, and away to the west the sand-dune that made out into the Sound was a point of light.

But the house! Jack's steps were again arrested. The level last rays of the disappearing sun flashed upon the window-panes so that they glowed like painted windows illuminated from within, with a reddish lustre, and the roofs and the brown sides of the building, painted by those great masters in color, the sun and the sea-wind, in that moment were like burnished gold. Involuntarily Jack exclaimed:

“It is the Golden House!”

He made his way through the little fore yard. No one was about. The veranda was deserted. There was Edith's work-basket; there were the baby's playthings. The door stood open, and as he approached it he heard singing--not singing, either, but a fitful sort of recitation, with the occasional notes of an accompaniment struck as if in absence of mind. The tune he knew, and as he passed through the first room towards the sitting-room that looked on the sea he caught a line:

“Wely, wely, but love is bonny, for a little while--when it is new.”

It was an old English ballad, the ballad of the “Cockle-shells,” that Edith used to sing often in the old days, when its note of melancholy seemed best to express her happiness. It was only that line, and the voice seemed to break, and there was silence.

He stole along and looked in. There was Edith, seated, her head bowed on her hands, at the piano.

In an instant, before she could turn to the sound of his quick footsteps, he was at her side, kneeling, his head bowed in the folds of her dress.

“Edith! I've been such a fool!”

She turned, slid from her seat, and was kneeling also, with her arms thrown about his neck.

“Oh, Jack! You've come. Thank God! Thank God!”

And presently they stood, and his arms were still around her, and she was looking up into his face, with her hands on his shoulders, and saying “You've come to stay.”

“Yes, dear, forever.”

XXIV

The whole landscape was golden, the sea was silver, on that October morning. It was the brilliant decline of the year. Edith stood with Jack on the veranda. He had his grip-sack in hand and was equipped for town. Both were silent in the entrancing scene.

The birds, twittering in the fruit-trees and over the vines, had the air of an orchestra, the concerts of the season over, gathering their instruments and about to depart. One could detect in the lapse of the waves along the shore the note of weariness preceding the change into the fretfulness and the tumult of tempests. In the soft ripening of the season there was peace and hope, but it was the hope of another day. The curtain was falling on this.

Was life beginning, then, or ending? If life only could change and renew itself like the seasons, with the perpetually recurring springs! But youth comes only once, and thereafter the man gathers the fruit of it, sweet or bitter.

Jack was not given to moralizing, but perhaps a subtle suggestion of this came to him in the thought that an enterprise, a new enterprise, might have seemed easier in May, when the forces of nature were with him, than in October. There was something, at least, that fell in with his mood, a mood of acquiescence in failure, in this closing season of the year, when he stood empty-handed in the harvest-time.

“Edith,” he said, as they paced down the walk which was flaming with scarlet and crimson borders, and turned to look at the peaceful brown house, “I hate to go.”

“But you are not going,” said Edith, brightly. “I feel all the time as if you were just coming back. Jack, do you know,” and she put her hand on his shoulder, “this is the sweetest home in the world now!”

“It is the only one, dear;” and Jack made the statement with a humorous sense of its truth. “Well, there's the train, and I'm off with the other clerks.”

“Clerk, indeed!” cried Edith, putting up her face to his; “you are going to be a Merchant Prince, Jack, that is what you are going to be.”

On the train there was an atmosphere of business. Jack felt that he was not going to the New York that he knew--not to his New York, but to a city of traffic; down into the streets of commercial enterprise, not at all to the metropolis of leisure, of pleasure, to the world of clubs and drawing-rooms and elegant loiterings and the rivalries of society life. That was all ended. Jack was hurrying to catch the down-town car for the dingy office of Fletcher & Co. at an hour fixed.