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Part 164

The Girl Philippa · Robert W. (Robert William) Chambers — chapter 164 of 184 · ~800 words · public domain

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"What!"

Asticot shrugged:

"Que voulez-vous! C'est la vie! Also, M'sieu' should trouble himself to recollect that I had not become honest and God-fearing under the merciless blows of M'sieu'. I was still full of evil in those days, alas! not yet sufficiently remote----"

"Go on," said Warner, controlling his laughter.

"M'sieu', we got the safe door open, Squelette and I, but found no opportunity to rummage. Then we were sent here, M'sieu' knows the rest--the bombardment and all.... So last night I went back to the cabaret--or what remains of it--four walls and a heap of brick. The fire was out. The cabaret was ruined, but the cafe had not been destroyed.

"And now, M'sieu', comes a real vein of luck. And what do you suppose! Face to face in the dark I came upon a pioupiou on guard as I crawl through the cafe door.

"And I thought his bayonet was in my bowels, M'sieu', when he turned his breast torch on me. One makes short work of looters--not that I can rightly be called that. No! But still I thought: 'Dieu! Je claque! C'est fini!' When, 'Tiens!' exclaims my soldier. 'C'est mon vieux co'pain! What dost thou do here, Asticot, smelling around these ruins?'

"M'sieu', I look, I expel a cry of joy, I embrace a friend! It is One Eye--my comrade in the Battalion of Biribi! I am within the lines of a Battalion of Africa!"

He licked his lips furtively, and leered at Warner.

"Voyez-vous, M'sieu', when old friends meet an affair is quickly arranged. I file away at full speed; I gain the cellar, I flash the safe, I pull some old sacks under me and sit down at my leisure. It was most comfortable.

"Can M'sieu' see the tableau? Me, Asticot, seated before the open safe of Wildresse, who has wronged me and my country, leisurely revenging myself by knocking off the necks of his wine bottles and refreshing myself while I examine the contents of the traitor's safe!"

He smirked, doubtless picturing to himself his recent exploit, with himself, Asticot, as the heroic center of a deed which evidently gave him exquisite satisfaction.

He reached for the sack on the floor, squatted down on the rug in front of Warner's chair, untied the sack, and drew from it bundle after bundle of papers.

"His!" he remarked. "All private. I think, M'sieu', that a few of these will do away with any necessity for ceremony when we catch Wildresse."

He passed the packages of papers to Warner, who laid them on the table, looking very serious.

What Asticot did not extract from the sack he had already removed and hidden in the straw under his blanket in the harness room--a bag of Russian gold coins and a bag of French silver money.

Now, however, he produced a pillowcase. There were old, rusty stains on it, and in the corner of it a heraldic device embroidered.

Asticot deftly untied it and dumped out of it upon the floor a strange assortment of things--toys, and picture books in French, articles of clothing, ribbons, tiny slippers, the crumpled frocks and stockings of a little girl, and fragments of a little cloak of blue silk edged with swansdown, and a little hat to match.

"What in the world----" began Warner, when Asticot opened one of the picture books and silently displayed the name written there--"Philippa."

"M'sieu', because you are fond of M'amzelle, when I discovered her name in these books I brought everything as I found it--tied up in this pillowcase--toys, clothing, all, just as I discovered it in the safe--thinking perhaps to please M'sieu', who is so kind to me----"

"You did right! What are those things--photographs? Give them to me----"

"M'sieu', they are the pictures of a little child. To me they resemble M'amzelle Philippa."

Warner examined the half-dozen photographs in amazement. They were more or less faded, not sufficiently to prevent his recognizing in them the child that Philippa had once been. He was absolutely certain that these photographs represented Philippa somewhere between the ages of five and seven.

One by one he studied them, then turned them over. On every one was written "Philippa," and the age, "four," "five," "six," on the several pictures. All were written in the same flowing feminine handwriting. The name of the photographer was the same on every picture, except on that one where the age "six" was written. That photograph had been taken in the city of Sofia in Bulgaria. The others bore the name of a photographer in the French city of Tours.

Asticot, squatting on the floor cross-legged, watched him in silence.

Finally Warner said:

"Thank you, Asticot. You have behaved with intelligence. I double your wages."

"M'sieu' is contented with his Asticot, grateful and devoted?"

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