Part 39

"She is so splendid and competent, Aunt Cilla. Mills says so. Everybody says it. Things are easy for her that would be hard for other people."

"I wonder what she thinks of you?"

Dulcie, drawing off her gloves, meditated.

"I fancy she likes me. I know I love her, but not so much as I love Mills."

Fifteen years ago Dulcie would have died rather than admit her love for a married man. But since then she had seen life through the eyes of a worldly-minded old husband, and it had made a difference.

At dinner that night Dulcie was exquisite in orchid tulle with a string of pearls that hung to her knees. Her hair was like ripe corn, waved and parted on the side with a girlish knot behind. Her skin was as fresh as a baby's. Mary was in black net. She had been very busy helping the cook, and she had had little time to spend on her hair. She looked ten years older than Dulcie, and her mind was absolutely on the dinner. The dinner was really very good. Mills had been extremely anxious about it. He had called up Mary from down-town to tell her that he was bringing home fresh asparagus. He wanted it served as an extra course with Hollandaise sauce. Mary protested, but gave in. It was the Hollandaise sauce that had kept her from curling her hair.

There were orchids for a centerpiece--in harmony with Dulcie's gown. In fact, the whole dinner seemed keyed up to Dulcie. The guests were for the most part literary folk, to whom Mills wanted to display his Egeria. After dinner Dulcie sang for them. She had set to music the words of one of Mills' poems, and she was much applauded.

After everybody had gone Mary went to bed with a headache. She was glad that it was Saturday, for Sunday promised a rest. She decided to send the children over to her mother and to have a quiet day with Mills. She wouldn't even go to church in the morning. There was an afternoon service; perhaps she and Mills might go together.

But Mills had other plans. He walked as far as the church door with Mary, and left her there. Mary wasn't sorry to be left; her headache had returned, and she was glad to sit alone in the peaceful dimness. But the pain proved finally too much for her, so she slipped out quietly and went home.

Clouds had risen, and she hurried before the shower. It was a real April shower, wind with a rush and a silver downpour. Mary, coming into the dark living-room, threw herself on the couch in a far corner and drew a rug over her. The couch was backed up against a table which held a lamp and a row of books. Mary had a certain feeling of content in the way the furniture seemed to shut her in. There was no sound but the splashing of rain against the windows.

She fell asleep at last, and waked to find that Mills and Dulcie had come in. No lights were on; the room was in twilight dimness.

Mills had met Dulcie at her front door. "How dear of you to come," she had told him.

He had spoken of his desertion of Mary. "But this day was made for you, Dulcie."

They had walked on together, not heeding where they went, and when the storm had caught them they were nearer Mills' house than Dulcie's and so he had taken her there. They had entered the apparently empty room.

"Mary is still at church. Come and dry your little feet by my fire, Dulcie." Mills knelt and fanned the flame.

Mary, coming slowly back from her dreams, heard this and other things, and at last Dulcie's voice in protest:

"Dear, we must think of Mary."

"Poor Mary!"

Now the thing that Mary hated more than anything else in the whole world was pity. Through all the shock of the astounding revelation that Mills and Dulcie cared for each other came the sting of their sympathy. She sat up, a shadow among the shadows.

"I mustn't stay, Mills," Dulcie was declaring.

"Why not?"

"I feel like a--thief--"

"Nonsense, we are only taking our own, Dulcie. We should have taken it years ago. Loving you I should never have married Mary."

"I had a conscience then, Mills, and you had promised."

"But now you see it differently, Dulcie?"

"Perhaps."

Mills was on his knees beside Dulcie's chair, kissing her hands. The fire lighted them. It was like a play, with Mary a forlorn spectator in the blackness of the pit.

"Let me go now, Mills."