wunder · Library

Part 34

The Garden, You, and I · Mabel Osgood Wright — chapter 34 of 40 · ~2,415 words · public domain

Read in the Wunder reader — free

Be sure of your seed. Not long ago it was necessary to import it direct, but not now. You may buy from the oldest of American seed houses fifty varieties of carnations and picotees, in separate packets, for three dollars, or twenty-five sorts for one dollar and seventy-five cents, or twelve (enough for a novice) for one dollar, the same being undoubtedly English or Holland grown, while a good English house asks five shillings, or a dollar and a quarter, for a single packet of mixed varieties!

Moral--it is not necessary that "made in England" should be stamped upon flower seeds to prove them of English origin!

If you can spare hotbed room, the seeds may be sown in April, like the early Margarets, and transplanted into some inconspicuous part of the vegetable garden, where the soil is deep and firm and there is a free circulation of air (not between tall peas and sweet corn), as for the first summer these pinks have no ornamental value, other than the pleasurable spectacle made by a healthy plant of any kind, by virtue of its future promise. Before frost or not later than the second week in October the pinks should be put in long, narrow boxes or pots sufficiently large to hold all the roots comfortably, but with little space to spare, watered, and partly shaded, until they have recovered themselves, when they should be set in the lightest part of the cold pit. During the winter months they should have only enough water to keep the earth from going to dust, and as much light and air as possible without absolutely freezing hard, after the manner of treating lemon verbenas, geraniums, and wall-flowers.

By the middle of April they may be planted in the bed where they are to bloom, and all the further care they need will be judicious watering and the careful staking of the flower stalks if they are weak and the buds top-heavy,--and by the way, as to the staking of flowers in general, a word with you later on.

In the greenhouse, pinks are liable to many ailments, and several of these follow them out-of-doors, three having given me some trouble, the most fatal being of a fungoid order, due usually to unhealthy root conditions or an excess of moisture.

Rust is one of these, its Latin name being too long for the simple vocabulary of The Garden, You, and I. It first shows itself in a brown spot that seems to have worked out from the inner part of the leaf. Sometimes it can be conquered by snipping the infected leaves, but if it seizes an entire bed, the necessary evil of spraying with Bordeaux mixture must be resorted to, as in the case of fungus-spotted hollyhocks.

Thrip, the little transparent, whitish fly, will sometimes bother border carnations in the same way as it does roses. If the flowers are only in bud, I sprinkle them with my brass rose-atomizer and powder slightly with helebore. But if the flowers are open, sprinkling and shaking alone may be resorted to. For the several kinds of underground worms that trouble pinks, of which the wireworm is the chief, I have found a liberal use of unslaked lime and bone-dust in the preparation of the soil before planting the best preventive.

Other ailments have appeared only occasionally. Sometimes an apparently healthy, full-grown plant will suddenly wither away, or else swell up close to the ground and finally burst so that the sap leaks out and it dies like a punctured or girdled tree. The first trouble may come from the too close contact of fresh manure, which should be kept away from the main roots of carnations, as from contact with lily bulbs.

As to the swelling called gout, there is no cure, so do not temporize. Pull up the plant at once and disinfect the spot with unslaked lime and sulphur.

Thus, Mary Penrose, may you have either pinks in your garden or a garden of pinks, whichever way you may care to develop your idea. "A deal of trouble?" Y-e-s; but then only think of the flowers that crown the work, and you might spend an equal amount of time in pricking cloth with a steel splinter and embroidering something, in the often taken-in-vain name of decorative art, that in the end is only an elaborated rag--without even the bone and the hank of hair!

XVI

THE FRAME OF THE PICTURE

VINES AND SHRUBS

(Mary Penrose to Barbara Campbell)

Woodridge, September 10. Your chronicle of the Pink Family found me by myself in camp, dreaming away as vigorously as if it was a necessary and practical occupation. After all, are we sure that it is not, in a way, both of these? This season my dreams of night have been so long that they have lingered into the things of day and vice versa, and yet neither the one nor the other have whispered of idleness, but the endless hope of work.

Bart's third instalment of vacation ends to-morrow, though we shall continue to sleep out of doors so long as good weather lasts; the remaining ten days we are saving until October, when the final transplanting of trees and shrubs is to be made; and in addition to those for the knoll we have marked some shapely dogwoods, hornbeams, and tulip trees for grouping in other parts of the home acres. There are also to be had for the digging good bushes of the early pink and clammy white azalea, mountain-laurel, several of the blueberry tribe, that have white flowers in summer and glorious crimson foliage in autumn, white-flowered elder, button-bush, groundsel tree, witchhazel, bayberry, the shining-leaved sumach, the white meadow-sweet, and pink steeplebush, besides a number of cornels and viburnums suitable for shrubberies. As I glance over the list of what the river and quarry woods have yielded us, it is like reading from the catalogue of a general dealer in hardy plants, and yet I suppose hundreds of people have as much almost at their doors, if they did but know it.

The commercial side of a matter of this kind is not the one upon which to dwell the most, except upon the principle of the old black woman who said, "Chillun, count yer marcies arter every spell o' pain!" and to-day, in assaying our mercies and the various advantages of our garden vacation, I computed that the trees, shrubs, ferns, herbaceous wild flowers, and vines (yes, we have included vines, of which I must tell you), if bought of the most reasonable of dealers, would have cost us at least three hundred dollars, without express or freight charges.

The reason for my being by myself at this particular moment is that Bart, mounted on solemn Romeo, has taken the Infant, astride her diminutive pony, by a long leader, for a long-promised ride up the river road, the same being the finale of the celebration of his birthday, that began shortly after daylight. The Infant, in order to be early enough to give him the first of his thirty-three kisses, came the night before, and though she has camped out with us at intervals all summer, the novelty has not worn off. She has a happy family of pets that, without being caged or in any way coerced or confined, linger about the old barn, seem to watch for her coming, and expect their daily rations, even though they do not care to be handled.

Punch and Judy, the gray squirrels of the dovecote, perch upon her shoulders and pry into the pockets of her overalls for nuts or kernels of corn, all the while keeping a bright eye upon Reddy, the setter pup, who, though he lies ever so sedately, nose between paws, they well know is not to be trusted. While as for birds, all the season we have had chipping-sparrows, catbirds, robins, and even a wood-thrush, leader of the twilight orchestra, all of whom the little witch has tempted in turn by a bark saucer spread with leaves and various grains and small fruits, from strawberries to mulberries, for which she has had a daily hunt through the Opal Farm land the season through.

Toward the English sparrow she positively declines to harden her heart, in spite of my having repeated the story of its encroachments and crimes. She listens and merely shakes her head, saying, "We 'vited them to come, didn't we, mother? When we 'vites people, we always feed 'em; 'sides, they're the only ones'll let me put them in my pocket," which is perfectly true, for having learned this warm abiding-place of much oats and cracked corn, they follow her in a flock, and a few confiding spirits allow themselves to be handled.

At the birthday dinner party, arranged by the Infant, a number of these guests were present. We must have looked a motley crew, in whose company Old King Cole himself would have been embarrassed, for Bart wore a wreath of pink asters, while a gigantic sunflower made my head-dress, and the cake, made and garnished with red and white peppermints, an American and an Irish flag, by Anastasia, was mounted firmly upon a miscellaneous mass of flowers, with a superstructure of small yellow tomatoes, parsley, young carrots, and beets, the colour of these vegetables having caught the Infant's eye.

The pony, Ginger, had a basket of second-crop clover flowers provided for him; Reddy some corned-beef hash, his favourite dish, coaxed from Anastasia; while for Punch, Judy, and as many of their children as would venture down from the rafters, the Infant had compounded a wonderful salad of mixed nuts and corn. As the Infant ordained that "the childrens shan't tum in 'til d'sert," we had the substantial part of our meal in peace; but the candles were no sooner blown out and the cake cut than Ginger left his clover to nibble the young carrots, the squirrels got into the nut dish bodily and began sorting over the nuts to find those they liked best, with such vigour that the others flew in our faces, and Reddy fell off the box upon which the Infant had balanced him with difficulty, nearly carrying the table-cloth with him, while at this moment, the feast becoming decidedly crumby, we were surrounded by the entire flock of English sparrows!

* * * * *

Now this is not at all what I started to tell you; quite the contrary. Please forgive this domestic excursion into the land of maternal pride and happenings. What I meant to write of was my conviction, that came through sitting on the hay rafters and looking down upon the garden, that as a beautiful painting is improved by proper framing, so should the garden be enclosed at different points by frames, to focus the eye upon some central object.

Though the greater part of the garden is as yet only planned and merely enough set out in each part to fix special boundaries, as in the case of the rose bed, I realize that as a whole it is too open and lacks perspective. You see it all at once; there are no breaks. No matter in what corner scarlet salvia and vermilion nasturtiums may be planted, they are sure to get in range with the pink verbenas and magenta phlox in a teeth-on-edge way.

From other viewpoints the result is no better. Looking from the piazza that skirts two sides of the house, where we usually spend much time, three portions of the garden are in sight at once, and all on different planes, without proper separating frames; the rose garden is near at hand, the old borders leading to the sundial being at right angles with it. At the right, the lower end of the knoll and the gap with its bed of heliotrope are prominent, while between, at a third distance, is the proposed location of the white-birch screen, the old wall rockery, etc. The rockery and rose garden are in their proper relation, but the other portions should be given perspective by framing, and the result of my day-dreams is that this, according to nature, should be done by the grouping of shrubs and the drapery of vines.

I now for the first time fully understand the uses of the pergola in landscape gardening, the open sides of which form a series of vine-draped frames. I had always before thought it a stiff and artificial sort of arrangement, as well as the tall clipped yews, laurel trees in tubs, and marble vases and columns that are parts of the usual framework of the more formal gardens. And while these things would be decidedly out of place in gardens of our class, and at best could only be indulged in via white-painted wooden imitations, the woman who is her own gardener may exercise endless skill in bringing about equally good results with the rustic material at hand and by following wild nature, who, after all, is the first model.

I think I hear Evan laughing at my preachment concerning his special art, but the comprehension of it has all come through looking at the natural landscape effects that have happened at Opal Farm owing to the fact that the hand of man has there been stayed these many years. On either side of the rough bars leading between our boundary wall and the meadow stands a dead cedar tree, from which the dry, moss-covered branches have been broken by the loads of hay that used to be gathered up at random and carted out this way. Wild birds doubtless used these branches as perches of vantage from which they might view the country, both during feeding excursions and in migration, and thus have sown the seed of their provender, for lo and behold, around the old trees have grown vines of wild grapes, with flowers that perfume the entire meadow in June. Here the woody, spiral-climbing waxwork holds aloft its clusters of berries that look like bunches of miniature lemons until on being ripe they open and show the coral fruit; Virginia creeper of the five-pointed fingers, clinging tendrils, glorious autumn colour, and spreading clusters of purple blackberries, and wild white clematis, the "traveller's joy" of moist roadside copses, all blending together and stretching out hands, until this season being undisturbed, they have clasped to form a natural arch of surpassing beauty.

← Previous chapterAll chaptersNext chapter →

The Garden, You, and I · The Wunder Library — complete classics, free to read, with narration.

© 2026 Wunder Learning LLC · Terms & Privacy