Part 5

“That confounded Couture has such a habit of anticipating dividends, that he is anticipating the end of my tale. Where was I? Oh! Beaudenord came back. When he took up his abode on the Quai Malaquais, it came to pass that a thousand francs over and above his needs was altogether insufficient to keep up his share of a box at the Italiens and the Opera properly. When he lost twenty-five or thirty louis at play at one swoop, naturally he paid; when he won, he spent the money; so should we if we were fools enough to be drawn into a bet. Beaudenord, feeling pinched with his eighteen thousand francs, saw the necessity of creating what we to-day call a balance in hand. It was a great notion of his ‘not to get too deep.’ He took counsel of his sometime guardian. ‘The funds are now at par, my dear boy,’ quoth d’Aiglemont; ‘sell out. I have sold mine and my wife’s. Nucingen has all my capital, and is giving me six per cent; do likewise, you will have one per cent the more upon your capital, and with that you will be quite comfortable.’

“In three days’ time our Godefroid was comfortable. His increase of income exactly supplied his superfluities; his material happiness was complete.

“Suppose that it were possible to read the minds of all the young men in Paris at one glance (as, it appears, will be done at the Day of Judgment with all the millions upon millions that have groveled in all spheres, and worn all uniforms or the uniform of nature), and to ask them whether happiness at six-and-twenty is or is not made up of the following items--to wit, to own a saddle-horse and a tilbury, or a cab, with a fresh, rosy-faced Toby Joby Paddy no bigger than your fist, and to hire an unimpeachable brougham for twelve francs an evening; to appear elegantly arrayed, agreeably to the laws that regulate a man’s clothes, at eight o’clock, at noon, four o’clock in the afternoon, and in the evening; to be well received at every embassy, and to cull the short-lived flowers of superficial, cosmopolitan friendships; to be not insufferably handsome, to carry your head, your coat, and your name well; to inhabit a charming little entresol after the pattern of the rooms just described on the Quai Malaquais; to be able to ask a party of friends to dine at the Rocher de Cancale without a previous consultation with your trousers’ pocket; never to be pulled up in any rational project by the words, ‘And the money?’ and finally, to be able to renew at pleasure the pink rosettes that adorn the ears of three thoroughbreds and the lining of your hat?

“To such inquiry any ordinary young man (and we ourselves that are not ordinary men) would reply that the happiness is incomplete; that it is like the Madeleine without the altar; that a man must love and be loved, or love without return, or be loved without loving, or love at cross purposes. Now for happiness as a mental condition.

“In January 1823, after Godefroid de Beaudenord had set foot in the various social circles which it pleased him to enter, and knew his way about in them, and felt himself secure amid these joys, he saw the necessity of a sunshade--the advantage of having a great lady to complain of, instead of chewing the stems of roses bought for fivepence apiece of Mme. Prevost, after the manner of the callow youngsters that chirp and cackle in the lobbies of the Opera, like chickens in a coop. In short, he resolved to centre his ideas, his sentiments, his affections upon a woman, one woman?--LA PHAMME! Ah!....

“At first he conceived the preposterous notion of an unhappy passion, and gyrated for a while about his fair cousin, Mme. d’Aiglemont, not perceiving that she had already danced the waltz in Faust with a diplomatist. The year ‘25 went by, spent in tentatives, in futile flirtations, and an unsuccessful quest. The loving object of which he was in search did not appear. Passion is extremely rare; and in our time as many barriers have been raised against passion in social life as barricades in the streets. In truth, my brothers, the ‘improper’ is gaining upon us, I tell you!

“As we may incur reproach for following on the heels of portrait painters, auctioneers, and fashionable dressmakers, I will not inflict any description upon you of her in whom Godefroid recognized the female of his species. Age, nineteen; height, four feet eleven inches; fair hair, eyebrows idem, blue eyes, forehead neither high nor low, curved nose, little mouth, short turned-up chin, oval face; distinguishing signs--none. Such was the description on the passport of the beloved object. You will not ask more than the police, or their worships the mayors, of all the towns and communes of France, the gendarmes and the rest of the powers that be? In other respects--I give you my word for it--she was a rough sketch of a Venus dei Medici.

“The first time that Godefroid went to one of the balls for which Mme. de Nucingen enjoyed a certain not undeserved reputation, he caught a glimpse of his future lady-love in a quadrille, and was set marveling by that height of four feet eleven inches. The fair hair rippled in a shower of curls about the little girlish head, she looked as fresh as a naiad peeping out through the crystal pane of her stream to take a look at the spring flowers. (This is quite in the modern style, strings of phrases as endless as the macaroni on the table a while ago.) On that ‘eyebrows idem’ (no offence to the prefect of police) Parny, that writer of light and playful verse, would have hung half-a-dozen couplets, comparing them very agreeably to Cupid’s bow, at the same time bidding us to observe that the dart was beneath; the said dart, however, was neither very potent nor very penetrating, for as yet it was controlled by the namby-pamby sweetness of a Mlle. de la Valliere as depicted on fire-screens, at the moment when she solemnizes her betrothal in the sight of heaven, any solemnization before the registrar being quite out to the question.

“You know the effect of fair hair and blue eyes in the soft, voluptuous decorous dance? Such a girl does not knock audaciously at your heart, like the dark-haired damsels that seem to say after the fashion of Spanish beggars, ‘Your money or your life; give me five francs or take my contempt!’ These insolent and somewhat dangerous beauties may find favor in the sight of many men, but to my thinking the blonde that has the good fortune to look extremely tender and yielding, while foregoing none of her rights to scold, to tease, to use unmeasured language, to be jealous without grounds, to do anything, in short, that makes woman adorable,--the fair-haired girl, I say, will always be more sure to marry than the ardent brunette. Firewood is dear, you see.

“Isaure, white as an Alsacienne (she first saw the light at Strasbourg, and spoke German with a slight and very agreeable French accent), danced to admiration. Her feet, omitted on the passport, though they really might have found a place there under the heading Distinguishing Signs, were remarkable for their small size, and for that particular something which old-fashioned dancing masters used to call flic-flac, a something that put you in mind of Mlle. Mars’ agreeable delivery, for all the Muses are sisters, and the dancer and poet alike have their feet upon the earth. Isaure’s feet spoke lightly and swiftly with a clearness and precision which augured well for things of the heart. ‘Elle a duc flic-flac,’ was old Marcel’s highest word of praise, and old Marcel was the dancing master that deserved the epithet of ‘the Great.’ People used to say ‘the Great Marcel,’ as they said ‘Frederick the Great,’ and in Frederick’s time.”

“Did Marcel compose any ballets?” inquired Finot.

“Yes, something in the style of Les Quatre Elements and L’Europe galante.”

“What times they were, when great nobles dressed the dancers!” said Finot.

“Improper!” said Bixiou. “Isaure did not raise herself on the tips of her toes, she stayed on the ground, she swayed in the dance without jerks, and neither more nor less voluptuously than a young lady ought to do. There was a profound philosophy in Marcel’s remark that every age and condition had its dance; a married woman should not dance like a young girl, nor a little jackanapes like a capitalist, nor a soldier like a page; he even went so far as to say that the infantry ought not to dance like the cavalry, and from this point he proceeded to classify the world at large. All these fine distinctions seem very far away.”

“Ah!” said Blondet, “you have set your finger on a great calamity. If Marcel had been properly understood, there would have been no French Revolution.”

“It had been Godefroid’s privilege to run over Europe,” resumed Bixiou, “nor had he neglected his opportunities of making a thorough comparative study of European dancing. Perhaps but for profound diligence in the pursuit of what is usually held to be useless knowledge, he would never have fallen in love with this young lady; as it was, out of the three hundred guests that crowded the handsome rooms in the Rue Saint-Lazare, he alone comprehended the unpublished romance revealed by a garrulous quadrille. People certainly noticed Isaure d’Aldrigger’s dancing; but in this present century the cry is ‘Skim lightly over the surface, do not lean your weight on it;’ so one said (he was a notary’s clerk), ‘There is a girl that dances uncommonly well;’ another (a lady in a turban), ‘There is a young lady that dances enchantingly;’ and a third (a woman of thirty), ‘That little thing is not dancing badly.’--But to return to the great Marcel, let us parody his best known saying with, ‘How much there is in an avant-deux.’”

“And let us get on a little faster,” said Blondet; “you are maundering.”

“Isaure,” continued Bixiou, looking askance at Blondet, “wore a simple white crepe dress with green ribbons; she had a camellia in her hair, a camellia at her waist, another camellia at her skirt-hem, and a camellia----”

“Come, now! here comes Sancho’s three hundred goats.”

“Therein lies all literature, dear boy. Clarissa is a masterpiece, there are fourteen volumes of her, and the most wooden-headed playwright would give you the whole of Clarissa in a single act. So long as I amuse you, what have you to complain of? That costume was positively lovely. Don’t you like camillias? Would you rather have dahlias? No? Very good, chestnuts then, here’s for you.” (And probably Bixiou flung a chestnut across the table, for we heard something drop on a plate.)

“I was wrong, I acknowledge it. Go on,” said Blondet.

“I resume. ‘Pretty enough to marry, isn’t she?’ said Rastignac, coming up to Godefroid de Beaudenord, and indicating the little one with the spotless white camellias, every petal intact.

“Rastignac being an intimate friend, Godefroid answered in a low voice, ‘Well, so I was thinking. I was saying to myself that instead of enjoying my happiness with fear and trembling at every moment; instead of taking a world of trouble to whisper a word in an inattentive ear, of looking over the house at the Italiens to see if some one wears a red flower or a white in her hair, or watching along the Corso for a gloved hand on a carriage door, as we used to do at Milan; instead of snatching a mouthful of baba like a lackey finishing off a bottle behind a door, or wearing out one’s wits with giving and receiving letters like a postman--letters that consist not of a mere couple of tender lines, but expand to five folio volumes to-day and contract to a couple of sheets to-morrow (a tiresome practice); instead of dragging along over the ruts and dodging behind hedges--it would be better to give way to the adorable passion that Jean-Jacques Rousseau envied, to fall frankly in love with a girl like Isaure, with a view to making her my wife, if upon exchange of sentiments our hearts respond to each other; to be Werther, in short, with a happy ending.’

“‘Which is a common weakness,’ returned Rastignac without laughing. ‘Possibly in your place I might plunge into the unspeakable delights of that ascetic course; it possesses the merits of novelty and originality, and it is not very expensive. Your Monna Lisa is sweet, but inane as music for the ballet; I give you warning.’

“Rastignac made this last remark in a way which set Beaudenord thinking that his friend had his own motives for disenchanting him; Beaudenord had not been a diplomatist for nothing; he fancied that Rastignac wanted to cut him out. If a man mistakes his vocation, the false start none the less influences him for the rest of his life. Godefroid was so evidently smitten with Mlle. Isaure d’Aldrigger, that Rastignac went off to a tall girl chatting in the card-room.--‘Malvina,’ he said, lowering his voice, ‘your sister has just netted a fish worth eighteen thousand francs a year. He has a name, a manner, and a certain position in the world; keep an eye on them; be careful to gain Isaure’s confidence; and if they philander, do not let her send word to him unless you have seen it first----’

“Towards two o’clock in the morning, Isaure was standing beside a diminutive Shepherdess of the Alps, a little woman of forty, coquettish as a Zerlina. A footman announced that ‘Mme. la Baronne’s carriage stops the way,’ and Godefroid forthwith saw his beautiful maiden out of a German song draw her fantastical mother into the cloakroom, whither Malvina followed them; and (boy that he was) he must needs go to discover into what pot of preserves the infant Joby had fallen, and had the pleasure of watching Isaure and Malvina coaxing that sparkling person, their mamma, into her pelisse, with all the little tender precautions required for a night journey in Paris. Of course, the girls on their side watched Beaudenord out of the corners of their eyes, as well-taught kittens watch a mouse, without seeming to see it at all. With a certain satisfaction Beaudenord noted the bearing, manner, and appearance, of the tall well-gloved Alsacien servant in livery who brought three pairs of fur-lined overshoes for his mistresses.

“Never were two sisters more unlike than Isaure and Malvina. Malvina the elder was tall and dark-haired, Isaure was short and fair, and her features were finely and delicately cut, while her sister’s were vigorous and striking. Isaure was one of those women who reign like queens through their weakness, such a woman as a schoolboy would feel it incumbent upon him to protect; Malvina was the Andalouse of Musset’s poem. As the sisters stood together, Isaure looked like a miniature beside a portrait in oils.

“‘She is rich!’ exclaimed Godefroid, going back to Rastignac in the ballroom.