The False Assumptions of "democracy" is a public-domain classic of politics by Anthony M. Ludovici.
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INDEX 217
12, Wilton Crescent, London, S.W. 1. May 1st, 1921.
Dear Mr. Ludovici,--
Thank you very much for letting me see the proofs of your book. It seems to me to be written at a very opportune moment, and to suggest a line of thought which could be followed with great advantage.
In these days of “propaganda,” when our fine old language is being wrested every hour of the day in speeches, pamphlets and leaflets, to illustrate the views of political parties, it is more than ever important that we should have a clear understanding of the true meaning of words.
Nor is the vague use of phrases confined to the pioneer of political causes. Our very war memorials are utilised to inform us that the brave fellows whose honour they commemorate died for “freedom.” If that were true, they indeed died in vain. Nothing can be further from even the most elementary conception of freedom than the present condition of society in these islands. But the pious and devout people who wrote those inscriptions are possibly not to blame.
Long before the war the nation had been so content to be governed by phrases that [p. viii] we were actually asked to enlist for such phrases as “The rights of small nations,” “Self-determination,” and the like, whereas in very truth we were forced to fight to save our own skins.
Your suggestions open up so many considerations that I cannot explore them all. But your proposition that the quality of our institutions may, after all, be sounder than the quality of the men who have failed to work them, seems especially worthy of notice. If your book serves to direct attention to the wisdom of our ancestors, it will be a great benefit to the public.
Yours very truly, Willoughby de Broke.
The Great War has left the world, and particularly poor old battered Europe, with many a high ideal shattered and many a respected principle destroyed. Not only the beliefs of our grandfathers, but also the convictions of our fathers, seem now old-fashioned and no longer seaworthy. Certainly an old era is dead; but has a new era been born? A new era suggests new ideals, new leading principles; it suggests a breastful of new and stout convictions. Have we of this dawning era any new ideals or principles? Have we any new and stout convictions?
It seems as if we had been plunged into this new world unclothed. True enough, millions have doffed their khaki; but the citizen clothing they have donned in exchange--is it all make-believe, all eye-wash? Are we really naked?
At all events, before we can possibly tell where we are, or how we stand, the most necessary preliminary step would seem to be a general stock-taking of our ideals, principles and convictions--a re-definition of the big words that once led us, and of the great phrases with which we were once inspired. Only then, only when this re-definition shall have been accomplished, does it seem possible that we shall be able to [p. x] clothe ourselves in the ideology of our new and brightly illuminated age.
This book is a modest attempt at this spade work of re-definition. It does not pretend to be either exhaustive or expert. It takes up just a few of the old words and phrases, and by re-examining them in the new light, hopes rather to point the way than to cover the whole distance to the destination.
Alarming sounds fill the air. There are wars and rumours of wars wherever you turn. Indeed, there are rumours abroad and at home of the worst kind of war, the cruellest and most devastating kind of war--civil war. Can it be possible that a good deal of this threat of civil war arises from the very need which this book undertakes however imperfectly to supply? Can it be possible that revolution and even Bolshevism may arise out of this need for a re-definition of terms?
At all events, even if this need is only a small contributory cause, it is serious enough and cannot be lightly passed over. It is for fear lest this need may be something more serious than a small contributory cause, that the author has suggested the remedy of re-definition outlined both in precept and example in this book. If his pioneer effort, however limited in range, may lead others to produce more thorough examples of his method, he will consider that his pains have been more than adequately repaid.
Anthony M. Ludovici. London, August, 1921.
INTRODUCTION.
THE CONFUSION OF LANGUAGE AND ITS RELATION TO REVOLUTION.
“Babble, babble; our old England may go down in babble at last.” Tennyson (Locksley Hall--Sixty Years After).
Nothing on earth leads more certainly to disunion than a division of tongues. When it became necessary to disperse the iniquitous builders of the Tower of Babel, we know the expedient to which the Lord resorted, and how effective it proved to be. But whereas unity is a desirable condition, and a common tongue is one of the most potent means of realising it, people not infrequently forget that a common tongue presupposes a common uniform culture. It depends upon a common view of human life and the world. This common culture provides the frame, so to speak, to the design of life, in which every word of a language fits like a piece of mosaic. Remove the frame, disturb the arrangement, and the odd pieces of mosaic fall all about you and lose their significance and their necessary association. They can be used only as--missiles.
Whatever weight the usual arguments against the Middle Ages may possess, at least this is plain, that in mediæval times a common culture prevailed among the leading nations of Europe. Indeed, if we wished to sum up the effect of the Middle Ages in one sentence, we could not express ourselves more clearly than by saying, that in those days the leaders of men attempted to convert Europe into a single nation. This effort, though only partially successful, at least led to the magnificent result that most men, of what nation soever, understood one another--understood one another particularly in their use of abstract or general terms. For that is the test. In the end the names of things remain. The words representing common objects are usually as permanent as those objects themselves. Fashion may destroy the object and thus render the word obsolete; but for hundreds of years none will dispute the proper connotation of the word “chair,” “table,” “basket,” for instance; while in the realm of abstract and general terms such severe fluctuations may have taken place as to make the same word mean something different to each generation.
Now the supreme importance of abstract or general terms lies in the fact that they are the words with which we guide our lives, mark out our goals and direct our effort. It is therefore urgently necessary that they should stand for very precise ideas, and that as the current coinage of speech they should mean the same things to all men of the same group, body, or nation.
As opposed to the effort of the Middle Ages, however, the effort of this Age, or the Muddle Age, seems to be directed towards turning every nation into a Europe--into a unit, that is to say, without unity. And this lack of unity is nowhere more acute and more apparent than in the realm of abstract or general terms. People of the same nation, nowadays, no longer speak the same language. They no longer mean the same things, or convey the same ideas, when they speak of Happiness, Beauty, Order, Right, Freedom, Liberty, Justice, etc. The frame has gone. The common culture has been replaced by a congeries of pseudo-cultures, all in active conflict. The consequence is that the all-important words of this class have fallen out of place in the design of life; they have no unifying whole in which they can find a stable position, they are at a loose end, so to speak, and they can be used not as intelligent missives, but only as missiles between isolated groups and parties that are doomed to eternal conflict.
A word at a loose end, however, is a word devoid of definite associations and therefore of meaning. Can a word devoid of meaning be used as a missile? Certainly it can, provided that it be given, despite its loss of an intellectual appeal, sufficient motive power to provoke an emotion. But of this anon.
There can be no doubt that we have reached a condition in modern Europe, in which each nation is, as it were, a complex of nations--a complex in which the majority of the most important words (the abstract and general terms) not only mean different things to different groups and coteries, but also convey no precise meaning whatsoever to anybody. This, however, constitutes a state of complete confusion, and therefore a very grave danger. Just as one cannot help appearing stupid when one is trying and failing to understand a foreign tongue, one really is stupid when one cannot understand one’s own tongue.
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