"Constantly happy as King, may Charles X. be constantly happy as father!
"May his paternal glances always see about him, shining with a brilliancy that nothing can change, this family so precious, the ornament of his court, the charm of his life, the future of France!
"This illustrious Dauphin, the terror of the genius of evil, the swift avenger of the majesty of kings, conquering hero and peace-maker!
"This magnanimous Princess, the living image of celestial charity, the visible Providence of the unfortunate, the model of heroism as of virtue!
"This admirable mother of the Child of Miracle, who restored hope to the dismayed nation, astonished it by her courage and captivates it by her goodness!
"This tender scion of the first branch of the lilies, the object, before his birth, of so many desires, and now of so many hopes."
The Prince of the Church, amid general emotion, thus closed his discourse:--
"May it be, O Lord! thy protecting will, that if the excess of ills has surpassed our presentiments and our fear, the reality of good may, in its turn, surpass our hopes and our desires.
"Condescend that the lasting succor of Thy grace may guide in an unbroken progress of prosperity and lead to happiness without vicissitude or end, our King, Thy adorer, and his people, who, under his laws, shall be more than ever religious and faithful."
After the sermon, the Archbishop celebrated the Te Deum, to which Charles X. listened standing. Then after having kissed the altar and a reliquary in which was a piece of the true cross, the sovereign returned to his apartments in the Archbishop's palace.
Thus passed the eve of the consecration. The same day M. de Chateaubriand wrote:--
"Rheims, Saturday, the eve of the consecration. I saw the King enter. I saw pass the gilded coaches of the monarch who, a little while ago, had not a horse to mount; I saw rolling by, carriages full of courtiers who had not known how to defend their master. This herd went to the church to sing the Te Deum, and I went to visit a Roman ruin, and to walk alone in an elm grove called the Bois d'Amour. I heard from afar the jubilation of the bells; I contemplated the towers of the Cathedral, secular witnesses of this ceremony always the same and yet so different in history, time, ideas, morals, usages, and customs. The monarchy perished, and for a long time the Cathedral was changed to a stable. Does Charles X., when he sees it again to-day, recall that he saw Louis XVI. receive anointment in the same place where he in his turn is to receive it? Will he believe that a consecration shelters him from misfortune? There is no longer a hand with virtue enough to cure the king's evil, no ampulla with holy power sufficient to render kings inviolable."
Such was the disposition of the great writer, always content with himself, discontented with others. The crowd of royalists, far from showing themselves sceptical and morose, as he was, was about to attend the ceremony of the morrow in a wholly different mood. It had long been ready with its enthusiasm, and awaited with impatience mingled with respect the dawn of the day about to rise.
XIV
THE CORONATION
Sunday, the 29th of May, 1825, the city of Rheims presented, even before sunrise, an extraordinary animation. From four o'clock in the morning vehicles were circulating in the streets, and an hour after people with tickets were directing their steps toward the Cathedral, the men in uniform or court dress, the women in full dress. The sky was clear and the weather cool.
Let us listen to an eye-witness, the Count d'Haussonville, the future member of the French Academy:--
"Need I say that the competition had been ardent among women of the highest rank to obtain access to the galleries of the Cathedral, which, not having been reserved for the dignitaries, could receive a small number of happy chosen ones? Such was the eagerness of this feminine battalion to mount to the assault of the places whence they could see and be seen, that at six o'clock in the morning when I presented myself at the Gothic porch built of wood before the Cathedral, I found them already there and under arms. They were in court dress, with trains, all wearing, according to etiquette, uniform coiffures of lace passed through the hair (what they called barbes), and which fell about their necks and shoulders, conscientiously decolletes. For a cool May morning it was rather a light costume; they were shivering with cold. In vain they showed their tickets, and recited, in order to gain entrance, their titles and their rank; the grenadier of the royal guard, charged with maintaining order until the hour of the opening of the doors, marched unmoved before these pretty beggars, among whom I remember to have remarked the Countess of Choiseul, her sister, the Marchioness of Crillon, the Countess of Bourbon-Bosset, etc. He had his orders from his chief to let no one enter, and no one did."
Finally the doors were opened. At a quarter after six all the galleries were filled. The foreign sovereigns were represented by especial ambassadors: the King of Spain by the Duke of Villa-Hermosa, the Emperor of Austria by Prince Esterhazy, the King of England by the Duke of Northumberland, the Emperor of Russia by the Prince Wolkonski, the King of Prussia by General de Zastrow. These various personages were objects of curiosity to the crowd, as was Sidi-Mahmoud, ambassador of the Bey of Tunis. The rich toilets and dazzling jewels of the ladies of the court were admired; all eyes were fixed on the gallery where were the Dauphiness, the Duchess of Berry, and the Duchess and Mademoiselle d'Orleans, all four resplendent with diamonds. The spectacle was magnificent. An array of marvels attracted attention. Behind the altar the sacred vessels in gold, of antique form, the crown in diamonds surmounted by the famous stone, the "Regent," the other attributes of royalty on a cushion of velvet embroidered with fleurs-de-lis; on the front of the altar the royal mantle, open, not less than twenty-four feet in length; on the altar of green-veined marble, superb candelabra in gold; on the centre of the cross of the church, suspended from the ceiling above the choir and the prie-dieu of the King, an immense canopy of crimson velvet, sown with golden fleurs-de-lis; at the back of the choir, toward the nave, about one hundred and fifty feet from the portal, the gigantic jube with its staircase of thirty steps; upon this the throne; all around a swarm of standards, those of the five companies of the King's body-guard, and the flag of his foot-guards, borne by the superior officers; on the two sides of the stairway, ranged en Echelon, the flags and standards of the regiments of the guard and of the line in camp under the walls of Rheims; a splendor of light, banishing all regret for the sun, from candelabra at the entrance of the choir, from chandeliers in the galleries, from chandeliers full of candles suspended from the ceiling, from tapers on the columns.
The Cardinals de Clermont-Tonnerre and de La Fare, preceded by the metropolitan chapter, came to seek the King in his apartment in the palace. The Grand Preceptor knocked at the door of the royal chamber; the Grand Chamberlain said in a loud voice:--
"What do you seek?" The Cardinal de Clermont-Tonnerre responded:--
"Charles X., whom God has given us for King."
Then the ushers opened the doors of the chamber. The two cardinals entered and saluted the sovereign, who rose from his chair, bowed, and received the holy water. The Cardinal de Clermont-Tonnerre recited a prayer. The cortege was formed, and in the following order traversed the great covered gallery which had been built along the right side of the Cathedral:--
The metropolitan chapter; the King's foot-guards; the band; the heralds-at-arms; the king-at-arms; the aides de ceremonies; the Grand Master of Ceremonies, Marquis de Dreux-Breze; the four knights of the Order of the Holy Spirit, who were to carry the offerings, viz. the Duke de Vauguyon the wine in a golden vase, the Duke of Rochefoucauld the pain d'argent, the Duke of Luxembourg the pain d'or, the Duke of Gramont the ewers filled with silver medals; the King's pages on the flanks; the Marshal Moncey, Duke of Conegliano, charged with the functions of constable, holding in his hand his naked sword; the Duke of Mortemart, captain-colonel of the foot-guards in ordinary to the King; the Marshal Victor Duke of Bellune, major-general of the royal guard; the Marshal Marquis de Lauriston, the Count de Cosse, and the Duke de Polignac, named by the King to bear his train in the church; then, with his two attendant cardinals, de Clermont-Tonnerre and de La Fare, one at his right, the other at his left, the King.
There was a movement of curiosity, attention, and respect. Charles X. had entered the Cathedral. The moment his foot crossed the threshold, Cardinal de La Fare pronounced a prayer:--
"O God, who knowest that the human race cannot subsist by its own virtue, grant Thy succor to Charles, Thy servant, whom Thou hast put at the head of Thy people, that he may himself succor and protect those subject to him."
Here, then, is Charles X. in that basilica where fifty years before, Sunday, June 11, 1775, he assisted at the coronation of his brother Louis XVI. Then he was seventeen. Ah! what would have been his surprise had it been foretold to him by what strange and horrible series of gloomy and bloody dramas he should himself come to be crowned in this Cathedral of Rheims! What a contrast between the religious pomps of June 11, 1775, and the sacrilegious scaffolds of January 21 and October 16, 1793! What a difference between the royal mantle of the sovereign and the humble costume of the captive of the Temple, between the resplendent toilet of the Queen of France and Navarre and the patched gown of the prisoner of the Conciergerie! What a road travelled between the hosannas of the priests and the insults of the Furies of the Guillotine! What reflections might one make who had been present at both the ceremonies! How much must such an one have been moved were he the King himself, the brother of Louis XVI., Charles X.! But the 29th of May, 1825, all hearts inclined to confidence and joy. Peoples forget quickly, and there were but few to call up sinister memories. The sovereign appeared in his first costume, a camisole of white satin, with a cap rich with diamonds, surmounted by black and white plumes. Despite his sixty-seven years, Charles X. had a fine presence, a slender form, a manner almost youthful. State costumes became him perfectly. He wore them with the elegance of the men of the old court.
Let us listen again to Count d'Haussonville:--
The Duchess of Berry and the Court of Charles X · The Wunder Library — complete classics, free to read, with narration.