Part 26

It was within this week that the Black Swan returned to port. On the fourth day after the accident to his ankle Constans managed to hobble to one of his posts of observation, and he discovered immediately that the galley was lying at her accustomed pier. It was vexatious! to have Quinton Edge return at this precise time. Annoying! that this fair field should be closed before he had had a chance to explore it. Well, it was fortune, and he must accept it; he was all the more eager now to make a second call at Arcadia House.

It was a dull, thawy afternoon when Constans found himself standing again before the closed door that bore the name of the inhospitable Mr. Richard van Duyne. He had brought with him a rope ladder, provided with grappling-hooks, and the mere scaling of the barrier should not present any great difficulty. It would be well, however, to reconnoitre a little further before he attempted it.

Following the wall down to the river, he saw that it was continued to the very edge of the water, where it joined a solidly constructed sea-wall. There were the remains of a wooden pier running out from the end of the street proper, and Constans adventured upon its worm-eaten timbers, intent on obtaining a more extended view of this singular domain of Arcadia House.

A large and somewhat imposing structure it was, albeit of a curiously composite order of architecture.

Originally, it must have been a villa of the true Dutch type built of stuccoed brick, with many-gabled roof and small-paned, deeply embrasured windows. A subsequent proprietor had enlarged its ground-plan, added an upper story, and changed the roof to one of flat pitch crowned by a hideous cupola. Still a third meddler had tried to make it over into a colonial homestead by painting the stucco white and joining on an enormous columned porch. The final result could hardly have been otherwise than an artistic monstrosity, yet the old house had acquired that certain unanalyzable dignity which time confers, and the gentle fingers of the years had softened down insistent angles and smoothed out unlovely curves. It was a house with a soul, for men had lived and died, rejoiced and suffered within its walls.

A house--and such a house!--set in its own garden amid the incongruous surroundings of tenement buildings and malodorous gas-works. How to account for it, what theory could be invented to reconcile facts so discordant? In reality, the explanation was simple enough; as between the house and its environment, the former had all the rights of prior possession. In the early days of the settlement of the city the banks of the Lesser river had been a favorite place of residence for well-to-do burghers and merchants. But foot by foot the muddy tide of trade and utilitarianism had risen about these green water-side Edens; one by one their quiet-loving owners had been forced farther afield.

Yet now and then the standard of rebellion had been raised; here and there might be found a Dutchman as stiff-necked as the fate that he defied. His father and his father's father had lived here upon the Lesser river, and nothing short of a cataclysm of nature should avail to budge him. The commissioners might cut up his cabbage-patch into building sites and reduce his garden to the limits of a city block, but they could not touch his beloved Arcadia House, with its white-porticoed piazza that gave upon the swirl and toss of the river--a delectable spot on a hot June morning. Let them lower their accursed streets to their thrice-accursed grade; it would but leave him high and dry in his green-embowered island, secure of contamination to his fruit trees from unspeakable gas and sewer pipes. A ten-foot brick wall, with its top set with broken bottles, would defend his quinces and apricots from the incursion of the street Arabs, and wind and sky were as free as ever. Yes, he would hold his own against these vandals of commercialism, while one brick of Arcadia House remained upon another. So, let us fancy, quoth Mynheer van Duyne away back in anno Domini 1803, and when he died in 1850 or thereabouts, the estate, having but a moderate value as city property goes, was allowed to remain in statu quo; the heirs had ground-rents enough and to spare without it, and Arcadia House might be considered a proper memorial of the ancient state and dignity of the Van Duynes. But this is getting to be pure conjecture; let us return to Constans and the facts as he saw them.

The main house stood close to the river, there being but a strip of lawn between the piazza and the top of the sea-wall. On the left, as Constans faced, an enclosed vestibule led to a secondary structure, which probably contained the domestic offices and servants' quarters. Still farther on, and under the same continuous albeit slightly lower roof-line, were the stables and cattle barns, the wood and other storehouses forming the extreme left wing. In its day, Arcadia House had been an eminently respectable and comfortable dwelling, and even now it presented a tolerably good appearance; certainly it might be called habitable. Constans, straining his eyes, for the afternoon was advancing, thought he saw smoke ascending from one of the chimneys, and this incited him to an actual invasion of the premises.

He chose the southwestern corner of the block as being farthest removed from the range of the house windows. A lucky throw made the grapples fast, and it took but an instant to run up the rungs. There was no one in sight, so Constans, shifting the ladder to the inner side, made the descent quite at his ease, and found himself in a little plantation of spruce-trees.

The evergreens grew so thickly together that he had some difficulty in forcing his way through them. Breaking free at last, he stepped out into the open, and stood vis-à-vis with a girl who had been advancing, as it were, to meet him. Constans knew instantly that this could be none other than Mad Scarlett's daughter, and there, indeed, were the proofs--the red-gold hair and the tawny eyes, just as Elena had described them in her message and Ulick in his endless lover's rhapsodies.

She stood mute and wide-eyed before him, the color in her cheeks coming and going like a flickering candle. Constans naturally concluded that his appearance had frightened her. He retreated a step or two; he tried to think of something to say that would reassure her. Perhaps he might use Ulick's name by way of introduction. He ended by blurting out:

"Don't be afraid; I will go whenever you say."

Her lips formed rather than uttered the warning, "Sh!" She listened intently for a moment or two, but there was only the distant dripping of water to be heard, the air being extraordinarily still and windless.

"Come!" she panted, and, clutching at her skirts, led the way to a thatched pavilion some eighty yards distant, a storehouse, perhaps, or a building once used as a farm office. Constans tried to question, to protest, but for the moment his will was as flax in the flame of her resolution; he yielded and ran obediently at her side.

Arrived at the little house, the girl pushed him bodily through the doorway and entered herself, turning quickly to slip into place the oaken bar that secured the door from the inside. Constans swelled with indignation at this singular treatment. He was a man grown, not a truant child to be led away by the ear for punishment. Yet she would not abate one jot of her first advantage, and his anger melted under the quiet serenity of her gaze; in spite of himself he let her have the first word.

"Did you think I was afraid for myself?" she asked, with a slow smile that made Constans's cheeks burn. "You see, I remembered that Fangs and Blazer are generally out by this time, a full hour before dark."

"Fangs and Blazer?"

"The dogs, I mean. They will track a man even over this half-melted snow, and old Kurt has trained them to short work with trespassers. You did not know that?"

"No," answered Constans, simply. "But then it would not have made any difference."

"You mean that you are not afraid?"

He had to be honest. "I'm not sure about that, but still I should have come."

The girl's eyes swept him approvingly.

"Of course," she said, well pleased, for a woman delights in placing her own valuation upon the courage of which a man speaks diffidently.

"I am Esmay," she announced, and paused a little doubtfully.

"I know," assented Constans.

"Then you do remember? Even the bracelet with the carbuncles, and how you would not make up because I was a girl and knew no better?"

"It was a very foolish affair from beginning to end," said Constans, loftily, intent upon disguising his embarrassment.

"Of course I knew you at once," she went on, meditatively. "You were so awkward in your ridiculous priest robes that morning in the temple of the Shining One. How Nanna and I did laugh!"