Part 8

"Distinguished cheaters, prating mountebanks, And many such libertines of sin." --Comedy of Errors.

Do you remember the other lines from this source, in which the poet speaks of "This pernicious slave," who "forsooth took on him as a conjurer, and, gazing in mine eyes, feeling my pulse, and with no face, as't were, outfacing me, cried out I was possessed." This is not the stern, grave doctor in "Macbeth," who did not pretend to "raze out the written troubles of the brain," but said, "Therein the patient must minister unto himself." There is no depreciation of the healing art in Shakespeare's painting of Lear's physician, as there is of the "caitiff wretch" of an apothecary, who sold poison to Romeo in a very different way to that in which the physician in Cymbeline supplied a deadly drug to the Queen. "I beseech your grace," says he, speaking in solemn earnestness, "without offence (my conscience bids me ask) wherefore you have commanded of me these most poisonous compounds." In "All's well that Ends Well," you will recognize the foregoing descriptions of medicinal delusions in the interview between Helena and the King, who says, we "may not be so credulous of cure, when our most learned doctors leave us, and the congregated college have concluded that labouring art can never ransom Nature from her maid estate, I say we must not so stain our judgment, or corrupt our hope, to prostitute our past-cure malady to empirics." In this play both "Galen and Paracelsus" are mentioned, and their names then represented rival schools of medicine.

How smartly and merrily Shakespeare wrote of such cures as Greatrake professed to effect, we see in Henry VI., where Simpcox, supposed to be miraculously cured of blindness, is asked to and does describe what he sees, "If thou hadst been born blind, thou might'st as well have known all our names as thus to name the several colours we do wear."

In the "Merry Wives of Windsor" we have "Master Caius that calls himself doctor of physic," and is called by Dame Quickly a "fool and physician." The two were in Shakespeare's time very commonly combined, and often, as we have shown, very strangely. Dr. Caius was a real name borne by a learned gentleman who was physician to Queen Elizabeth. In Cymbeline the name of the physician is Cornelius. This again was the name of a real physician, who, in the sixteenth century, gained great reputation in Europe chiefly by restoring Charles V. to health after a tediously long illness. We may presume that Shakespeare was familiar with the fact.

Amongst the doctors of our poet's time it was a common custom to throw up cases when they believed them hopeless. Shakespeare's Sempronius says, "His friends, like physicians, thrice gave him o'er," and Lord Bacon in his work on "The Advancement of Learning," says of Physicians, "In the enquiry of diseases, they do abandon the cures of many, some as in their nature incurable, and others as past the period of cure, so that Sylla triumvirs never prescribed so many men to die as they do by their ignorant edicts." We have spoken of the sword-salve cure for wounds. Of dealers in poison who visited fairs and market-places, and attracted crowds by the aid of a stage fool, we get a glimpse in "Hamlet," where Laertes says:--

"I bought an unction of a mountebank, So mortal, that but dip a knife in it, Where it draws blood, no cataplasm so rare Collected from all simples that have virtue, Under the moon can save the thing from death."

There is a hit at doctors who gave others remedies they had not enough faith in to adopt for themselves:--

"Thou speak'st like a physician, Helicarnus: Who minister'st a potion unto me That thou would'st tremble to receive thyself." --Pericles.

In the same play the true physician receives full appreciation. Cerimon says of himself:--

"'Tis known, I ever Have studied physic, through which secret art, By turning o'er authorities, I have Together with my practice, made familiar To me, and to my aid, the blest infusions That dwell in vegitives, in metals, stones. And I can speake of the disturbances That nature works, and of her cures; which doth give me A more content in course of true delight Than to be thirsty after tottering honour, Or tie my treasure up in silken bags, To please the fool, and death."

And one of the two listening gentlemen adds:--

"Your honour has through Ephesus pour'd forth Your charity, and hundreds call themselves Your creatures, who by you have been restored."

And Pericles, with his supposed dead wife in his arms, turning to Cerimon, who has saved her from the grave, says:--

"Reverend Sir, The gods can have no mortal officer More like a god than you."

And Gower, speaking the concluding lines of the play, adds:--

"In reverend Cerimon there well appears The worth that learned charity aye wears."

"Cerimon: I hold it ever Virtue and cunning (wisdom) were endowment greater Than nobleness and riches...."

There was, perhaps, when Shakespeare wrote the above lines, some thought of the Elizabethan nobleman, Edmund, Earl of Derby, who "was famous for chirurgerie, bone-setting, and hospitalite," as Ward says in his Diary; of the Marquis of Dorchester, who in his time was a Fellow of the College of Surgeons; or of the poet's son-in-law, Dr. Hall, a gentleman who resided in Stratford-on-Avon, in a fine old half timber house still standing, and known as Hall's Croft. To his wife, the poet's elder daughter, Shakespeare bequeathed his house and grounds, which Dr. Hall occupied when he died. His grave is near that of his glorious father-in-law, and on it is the following inscription:--

"HERE LYETH Y{E} BODY OF JOHN HALL, GENT: HE MARR: SVSANNA Y{E} DAUGHTER AND CO HEIRE OF WILL. SHAKESPEARE, GENT. HEE DECEASED NOVE{R} 25 A{O} 1635 AGED 60.

Hallius hic situs est medica celeberrimus arte Expectans regni gaudia laeta Dei Dignus erat meritis qui Nestora vinceret annis, In terris omnes, sed rapit aequa dies; Ne tumulo, quid desit adest fidissima conjux Et vitae Comitem nunc quoque mortis habet."

Dickens' Doctors.

BY THOMAS FROST.

Dickens, it must be admitted by even the greatest admirers of his inimitable genius, among whom the writer of this paper must be counted, was not successful in his delineations of the medical profession. Though his most humorous as well as his most pathetic pictures of human life are drawn from the humbler walks in the pilgrimage of humanity, he has given us some good touches of his skill in his presentments of other professions, and notably of lawyers and lawyers' clerks. Nothing in fiction can excel his legal characters in, for instance, "Bleak House,"--his Mr. Tulkinghorn, Mr. Guppy, the clerk, and Mr. Snagsby, the law stationer. But a life-like doctor cannot be found in his works, and the nearest approaches to such a description are the merest sketches.

The most strongly marked of these are Dr. Parker Peps and Mr. Pilkins, the two members of the faculty who officiate at the closing scene in the life of Mrs. Dombey, in which a sense of humour, with difficulty suppressed by the author, mingles with the touching sadness of the death. Dr. Parker Peps, "one of the Court physicians, and a man of immense reputation for assisting at the increase of great families," is introduced "walking up and down the drawing-room with his hands behind him, to the unspeakable admiration of the family surgeon, who had regularly puffed the case for the last six weeks among all his friends and acquaintances as one to which he was in hourly expectation, day and night, of being summoned in conjunction with Dr. Parker Peps." But in this little interlude, the two actors in which do not appear again, the obsequiousness of Mr. Pilkins to the Court physician, and the manner in which the latter, with assumed obliviousness, substitutes "her grace, the duchess" or "her ladyship" for Mrs. Dombey, verge on caricature, a tendency Dickens seems to have had at all times some difficulty in resisting.

Of Dr. Slammer also we have only a sketch, and that of the slightest character. Though he is described as "one of the most popular personages in his own circle," we gather from the incidents in which he appears only that he was very irascible. As we read of his furious jealousy of Jingle, and the interrupted duel with Winkle, who had received his challenge to the former by mistake, we wonder at the circle in which this "little fat man, with a ring of upright black hair round his head, and an extensive bald plain on the top of it," was one of the most popular personages. Harold Skimpole, we are told, had been educated for the medical profession; but his training seems to have left no traces of it upon his character or his conversation. He prefers to dabble in literature and music for his own amusement, and look to his friends for the means of living, too prosaic an occupation for himself.

One of the best, but not quite the best, of the medical characters in Dickens' novels, is Allan Woodcourt, who "had gone out a poor ship's surgeon, and had come home nothing better,"--the young man hastily called in when the death of Nemo is discovered, in conjunction with "a testy medical man, brought from his dinner, with a broad snuffy upper lip, and a broad Scotch tongue." Allan Woodcourt has the kindness of heart which characterises the profession, and exemplifies it very pleasingly in the scene with the brickmaker's wife, and with poor Jo, the forlorn waif who is kept continually moving on by the police. How tenderly, too, he deals with Richard Carstone, the weak-minded victim of the long-drawn Chancery suit. And his head is as sound as his heart is soft. "You," says Richard to him, "can pursue your art for its own sake, and can put your hand to the plough and never turn; and can strike a purpose out of anything." What a world of difference we see in this briefly sketched trait to the want of earnestness of purpose and steadfastness of pursuit in the character of young Carstone!

Even stronger testimony to the good qualities of Allan Woodcourt is borne by Mr. Jarndyce. Allan, says that gentleman, is "a man whose hopes and aims may sometimes lie (as most men's sometimes do, I dare say) above the ordinary level, but to whom the ordinary level will be high enough after all, if it should prove to be a way of usefulness and good service leading to no other. All generous spirits are ambitious, I suppose; but the ambition that calmly trusts itself to such a road, instead of spasmodically trying to fly over it, is the kind I care for. It is Woodcourt's kind." The love passages of this estimable young man with the equally estimable Esther Summerson, one of Dickens' most charming presentments of English maidenhood, are very pleasing, and none of them more so than one which occurs towards the close of the story.

There is another medical character in one of the Christmas stories which, good as it is, might have been made better but for the extent to which the exigencies of space limited the author in the development of character in that class of stories. I mean Dr. Jeddler, the genial but mistaken father of Grace and Marion, in "The Battle of Life." The doctor is "a great philosopher, and the heart and mystery of his philosophy was to look upon the world as a gigantic practical joke; as something too absurd to be considered seriously by any practical man. His system of belief had been in the beginning part and parcel of the battle ground on which he lived." He is not of the cynical school, but a modern Democritus, whose inclination to laugh at everything on the surface of the ocean of life was irresistible, while there was nothing in the conditions of his existence to suggest anything that was beneath. When he hears his daughters conversing about their lovers, "his reflections as he looked after them, and heard the purport of their discourse, were limited at first to certain merry meditations on the folly of all loves and likings, and the idle imposition practised on themselves by young people who believe for a moment that there could be anything serious in such bubbles, and were always deceived--always."