Part 17

2.--Our journey to-day has been long, but delightfully diversified, and abounding in classical beauty and interest. I scarce know what to say, now that I open my little book to record my own sensations: they are so many, so various, so painful, so delicious--my senses and my imagination have been so enchanted, my heart so very heavy--where shall I begin?

In some of the scenes of to-day--at Terracina, particularly, there was beauty beyond what I ever beheld or imagined: the scenery of Switzerland is of a different character, and on a different scale: it is beyond comparison grander, more gigantic, more overpowering, but it is not so poetical. Switzerland is not Italy--is not the enchanting south. This soft balmy air, these myrtles, orange-groves, palm-trees; these cloudless skies, this bright blue sea, and sunny hills, all breathe of an enchanted land; "a land of Faery."

Between Velletri and Terracina the road runs in one undeviating line through the Pontine Marshes. The accounts we have of the baneful effects of the malaria here, and the absolute solitude, (not a human face or a human habitation intervening from one post-house to another,) invest the wild landscape with a frightful and peculiar character of desolation. As for the mere exterior of the country, I have seen more wretched and sterile looking spots, (in France, for instance,) but none that so affected the imagination and the spirits. On leaving the Pontine Marshes, we came almost suddenly upon the sunny and luxuriant region near Terracina: here was the ancient city of Anxur; and the gothic ruins of the castle of Theodoric, which frown on the steep above, are contrasted with the delicate and Grecian proportions of the temple below. All the country round is famed in classic and poetic lore. The Promontory (once poetically the island) of Circe is still the Monte Circello: here was the region of the Lestrygons, and the scene of part of the AEneid and Odyssey; and Corinne has superadded romantic and charming associations quite as delightful, and quite as true.

Antiquarians, who, like politicians, "seem to see the things that are not," have placed all along this road, the sites of many a celebrated town and fane--"making hue and cry after many a city which has run away, and by certain marks and tokens pursuing to find it:" as some old author says so quaintly. At every hundred yards, fragments of masonry are seen by the road-side; portions of brickwork, sometimes traced at the bottom of a dry ditch, or incorporated into a fence; sometimes peeping above the myrtle bushes on the wild hills, where the green lizards lie basking and glittering on them in thousands, and the stupid ferocious buffalo, with his fierce red eyes, rubs his hide and glares upon us as we pass. No--not the grandest monuments of Rome--not the Coliseum itself, in all its decaying magnificence, ever inspired me with such profound emotions as did those nameless, shapeless vestiges of the dwellings of man, starting up like memorial tombs in the midst of this savage but luxuriant wilderness. Of the beautiful cities which rose along this lovely coast, the colonies of elegant and polished Greece--one after another swallowed up by the "insatiate maw" of ancient Rome, nothing remains--their sites, their very names have passed away and perished. We might as well hunt after a forgotten dream.

Vain was the chief's, the sage's pride, They had no POET, and they died! In vain they toil'd, in vain they bled, They had no POET--and are dead.

I write this a Gaeta--a name famous in the poetical, the classical, the military story of Italy, from the day of AEneas, from whom it received its appellation, down to the annals of the late war. On the site of our inn, (the Albergo di Cicerone,) stood Cicero's Formian Villa; and in an adjoining grove he was murdered in his litter by the satellites of the Triumviri, as he attempted to escape. I stood to-night on a little terrace, which hung over an orange grove, and enjoyed a scene which I would paint, if words were forms, and hues, and sounds--not else. A beautiful bay, enclosed by the Mola di Gaeta, on one side, and the Promontory of Misenum on the other: the sky studded with stars and reflected in a sea as blue as itself--and so glassy and unruffled, it seemed to slumber in the moonlight: now and then the murmur of a wave, not hoarsely breaking on rock and shingles, but kissing the turfy shore, where oranges and myrtles grew down to the water edge. These, and the remembrances connected with all, and a mind to think, and a heart to feel, and thoughts both of pain and pleasure mingling to render the effect more deep and touching.--Why should I write this? O surely I need not fear that I shall forget!

LINES WRITTEN AT MOLA DI GAETA, NEAR THE RUINS OF CICERO'S FORMIAN VILLA.

We wandered through bright climes, and drank the beams Of southern suns: Elysian scenes we view'd, Such as we picture oft in those day dreams That haunt the fancy in her wildest mood. Upon the sea-heat vestiges we stood, Where Cicero dwelt, and watch'd the latest gleams Of rosy light steal o'er the azure flood: And memory conjur'd up most glowing themes, Filling the expanded heart, till it forgot Its own peculiar grief!--O! if the dead Yet haunt our earth, around this hallow'd spot, Hovers sweet Tully's spirit, since it fled The Roman Forum--Forum now no more! Though cold and silent be the sands we tread, Still burns the "eloquent air," and to the shore There rolls no wave, and through the orange shade There sighs no breath, which doth not speak of him, THE FATHER OF HIS COUNTRY: and though dim Her day of empire--and her laurel crown Torn and defaced, and soiled with blood and tears, And her imperial eagles trampled down-- Still with a queen-like grace, Italia wears Her garland of bright names,--her coronal of stars, (Radiant memorials of departed worth!) That shed a glory round her pensive brow, And make her still the worship of the earth!

Naples. Sunday 3rd.--We left Gaeta early. If the scene was so beautiful in the evening--how bright, how lovely it was this morning! The sun had not long risen; and a soft purple mist hung over part of the sea; while to the north and west the land and water sparkled and glowed in the living light. Some little fishing boats which had just put off, rocked upon the glassy sea, which lent them a gentle motion, though itself appeared all mirror-like and motionless. The orange and lemon trees in full foliage literally bent over the water; and it was so warm at half past eight that I felt their shade a relief.

After leaving Gaeta, the first place of note is or was Minturnum, where Marius was taken, concealed in the marshes near it. The marshes remain, the city has disappeared. Capua is still a large town; but it certainly does not keep up its ancient fame for luxury and good cheer: for we found it extremely difficult to procure any thing to eat. The next town is Avversa, a name unknown, I believe, in the classical history of Italy: it was founded, if I remember rightly, by the Norman knights. Near this place is or was the convent where Queen Joanna strangled her husband Andrea, with a silken cord of her own weaving. So says the story: non lo credo io.

From Avversa to Naples the country is not interesting; but fertile and rich beyond description: an endless succession of vineyards and orange groves. At length we reached Naples; all tired and in a particularly sober and serious mood: we remembered it was the Sabbath, and had forgotten that it was the first day of the Carnival; and great was our amazement at the scene which met us on our arrival--

I looked, I stared, I smiled, I laughed: and all The weight of sadness was in wonder lost.

The whole city seemed one vast puppet-show; and the noisy gaiety of the crowded streets almost stunned me. One of the first objects we encountered was a barouche full of Turks and Sultanas, driven by an old woman in a tawdry court dress as coachman; while a merry-andrew and a harlequin capered behind as footmen. Owing to the immense size of the city, and the difficulty of making our way through the motley throng of masks, beggars, lazzaroni, eating-stalls, carts and carriages, we were nearly three hours traversing the streets before we reached our inn on the Chiaja.

I feel tired and over-excited: I have been standing on my balcony looking out upon the moonlit bay, and listening to the mingled shouts, the laughter, the music all around me; and thinking--till I feel in no mood to write.

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7.--Last night we visited the theatre of San Carlo. It did not strike me as equal to the Scala at Milan. The form is not so fine, the extent of the stage is, or appeared to be, less; but there is infinitely more gilding and ornament; the mirrors and lights, the sky-blue draperies produce a splendid effect, and the coup-d'oeil is, on the whole, more gay, more theatre-like. It was crowded in every part, and many of the audience were in dominos and fancy dresses: a few were masked. Rossini's Barbiere di Seviglia, which contains, I think more melody than all his other operas put together, (the Tancredi perhaps excepted,) was most enchantingly sung, and as admirably acted; and the beautiful classical ballet of "Niobe and her Children," would have appeared nothing short of perfection, had I not seen the Didone Abbandonata at Milan. But they have no actress here like the graceful, the expressive Pallerini; nor any actor equal to the AEneas of the Scala.

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The Austrians, who are paramount here, allow masks only twice a week, Sundays and Thursdays. The people seem determined to indemnify themselves for this restriction on their pleasures by every allowed excess during the two days of merriment, which their despotic conquerors have spared them. I am told by M** and S**, our Italian friends, that the Carnival is now fallen off from its wild spirit of fanciful gaiety; that it is stupid, dull, tasteless, in comparison to what it was formerly, owing to the severity of the Austrian police. I know nothing about the propriety of the measures which have been resorted to for curbing the excesses of the Carnival: I think if people will run away instead of fighting for their national rights, they must be content to suffer accordingly--but I meddle not with politics, and with all my heart abhor them. Whatever the gaities of the Carnival may have been formerly, it is scarce possible to conceive a more fantastic, a more picturesque, a more laughable scene than the Strada di Toledo exhibited to-day; the whole city seemed to wear "one universal grin;" and such an incessant fire of sugar-plums (or what seemed such) was carried on, and with such eagerness and mimic fury, that when our carriage came out of the conflict, we all looked as if a sack of flour had been shaken over us. The implements used in this ridiculous warfare, are, for common purposes, little balls of plaster of Paris and flour, made to resemble small comfits: friends and acquaintances pelted each other with real confetti, and those of the most delicious and expensive kinds. A double file of carriages moved in a contrary direction along the Corso; a space in the middle and on each side being left for horsemen and pedestrians, and the most exact order was maintained by the guards and police; so that if by chance a carriage lost its place in the line it was impossible to recover it, and it was immediately obliged to leave the street, and re-enter by one of the extremities. Besides the warfare carried on below, the balconies on each side were crowded with people in gay or grotesque dresses, who had sacks of bon-bons before them, from which they showered vollies upon those beneath, or aimed across the street at each other: some of them filled their handkerchiefs, and then dexterously loosening the corners, and taking a certain aim, flung a volley at once. This was like a cannon loaded with grape-shot, and never failed to do the most terrific execution.

Among the splendid and fanciful equipages of the masqueraders, was one, containing the Duke of Monteleone's family, in the form of a ship, richly ornamented, and drawn by six horses mounted by masks for postilions. The fore part of the vessel contained the Duke's party, dressed in various gay costumes, as Tartar warriors and Indian queens. In the stern were the servants and attendants, travestied in the most grotesque and ludicrous style. This magnificent and unwieldly car had by some chance lost its place in the procession, and vainly endeavoured to whip in; as it is a point of honour among the charioteers not to yield the pas. Our coachman, however, was ordered (though most unwilling) to draw up and make way for it; and this little civility was acknowledged, not only by a profusion of bows, but by such a shower of delicious sugar plums, that the seats of our carriage were literally covered with them, and some of the gentlemen flung into our laps elegant little baskets, fastened with ribbons, and filled with exquisite sweetmeats. I could not enter into all this with much spirit; "non son io quel ch'un tempo fui:" but I was an amused, though a quiet spectator; and sometimes saw much more than those who were actually engaged in the battle. I observed that to-day our carriage became an object of attention, and a favourite point of attack to several parties on foot, and in carriages; and I was at no loss to discover the reason. I had with me a lovely girl, whose truly English style of beauty, her brilliant bloom, heightened by her eager animation, her lips dimpled with a thousand smiles, and her whole countenance radiant with glee and mischievous archness, made her an object of admiration, which the English expressed by a fixed stare, and the Italians by sympathetic smiles, nods, and all the usual superlatives of delight. Among our most potent and malignant adversaries, was a troop of elegant masks in a long open carriage, the form of which was totally concealed by the boughs of laurel, and wreaths of artificial flowers, with which it was covered. It was drawn by six fine horses, fancifully caparisoned, ornamented with plumes of feathers, and led by grotesque masks. In the carriage stood twelve persons in black silk dominos, black hats, and black masks; with plumes of crimson feathers, and rich crimson sashes. They were armed with small painted targets and tin tubes, from which they shot vollies of confetti, in such quantities, and with such dexterous aim, that we were almost overwhelmed whenever we passed them. It was in vain we returned the compliment; our small shot rattled on their masks, or bounded from their shields, producing only shouts of laughter at our expense.

A favourite style of mask here, is the dress of an English sailor, straw hats, blue jackets, white trowsers, and very white masks with pink cheeks: we saw hundreds in this whimsical costume.

13.--On driving home rather late this evening, and leaving the noise, the crowds, the confusion and festive folly of the Strada di Toledo, we came suddenly upon a scene, which, from its beauty, no less than by the force of contrast, strongly impressed my imagination. The shore was silent, and almost solitary: the bay as smooth as a mirror, and as still as a frozen lake; the sky, the sea, the mountains round were all of the same hue, a soft grey tinged with violet, except where the sunset had left a narrow crimson streak along the edge of the sea. There was not a breeze, not the slightest breath of air, and a single vessel, a frigate with all its white sails crowded, lay motionless as a monument on the bosom of the waters, in which it was reflected as in a mirror. I have seen the bay more splendidly beautiful; but I never saw so peculiar, so lovely a picture. It lasted but a short time: the transparent purple veil became a dusky pall, and night and shadow gradually enveloped the whole.

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How I love these resplendent skies and blue seas! Nature here seems to celebrate a continual Festa, and to be for ever decked out in holiday costume! A drive along the "sempre beata Mergellina" to the extremity of the Promontory of Pausilippo is positive enchantment: thence we looked over a landscape of such splendid and unequalled interest! the shores of Baia, where Cicero, Horace, Virgil, Pliny, Mecaenas, lived; the white towers of Puzzuoli and the Islands of Ischia, Procida, and Nisida. There was the Sybil's Cave, Lake Acheron, and the fabled Lethe; there the sepulchre of Misenus, who defied the Triton; and the scene of the whole sixth book of the AEneid, which I am now reading in Annibal Caro's translation: there Agrippina mourned Germanicus; and there her daughter fell a victim to her monster of a son. At our feet lay the lovely little Island of Nisida, the spot on which Brutus and Portia parted for the last time before the battle of Philippi.

To the south of the bay the scenery is not less magnificent, and scarcely less dear to memory: Naples, rising from the sea like an amphitheatre of white palaces, and towers, and glittering domes: beyond, Mount Vesuvius, with the smoke curling from its summits like a silver cloud, and forming the only speck upon the intense blue sky; along its base Portici, Annunziata, Torre del Greco, glitter in the sun; every white building--almost every window in every building, distinct to the eye at the distance of several miles: farther on, and perched like white nests on the mountainous promontory, lie Castel a Mare, and Sorrento, the birth-place of Tasso, and his asylum when the injuries of his cold-hearted persecutors had stung him to madness, and drove him here for refuge to the arms of his sister. Yet, farther on, Capua rises from the sea, a beautiful object in itself, but from which the fancy gladly turns to dwell again upon the snowy buildings of Sorrento.

"O de la liberte vieille et sainte patrie! Terre autrefois feconde en sublimes vertus! Sous d'indignes Cesars maintenant asservie Ton empire est tombe! tes heros ne sont plus! Mais dans son sein l'ame aggrandie Croit sur leurs monumens respirer leur genie, Comme on respire encore dans un temple aboli La Majeste du Dieu dont il etait rempli."

DE LA MARTINE.

THE SONG OF THE SYREN PARTHENOPE.

A RHAPSODY,