“I have a right to it,” he responded with vehemence. “This Princess Tartaroff is a subject of the Empress of Russia, my mistress, who watches over and protects all her subjects with maternal tenderness.”
“That good, tender empress!” exclaimed Corilla, with an ambiguous smile. “But in order properly to watch and preserve all her children and subjects, she should keep them in her own country. Take this Princess Tartaroff with you to Russia, and then she will be safe from our Italian daggers. Take her with you; that will be the best way!”
“You, then, very heartily hate this poor little princess?” asked Alexis, laughing.
“Yes,” said she, after a short reflection, “I hate her. And would you know why, signor? Not for her beauty, not for her youth, but for her talents! And she has great talents! Ah, there was a time when I hated her, although I knew her not. But now, now it is different. I now not only hate, but fear her! For she can rival me, not only in love, but in fame! Ah, you should have seen her on that evening! She was like a swan to look at, and her song was like the dying strains of the swan. And all shouted applause, and all the women wept; indeed, I myself wept, not from emotion, but with rage, with bitterness, for they had forgotten me--forgotten, for this new poetess; they overwhelmed her with flatteries, leaving me alone and unnoticed! And yet you ask me if I hate her!”
Quite involuntarily had she suffered herself to be carried away by her own vehemence, her inward glowing rage. With secret pleasure Count Orloff read in her features that this was no comedy which she thus improvised, but was truth and reality.
“If you so think and feel,” said he, “then we may soon understand each other, signora. A real hatred is of as much value as a real love; indeed, often of much greater. One can more safely confide in hatred, as it is more enduring. I will therefore confide in you, signora, if you will swear to me to betray no word of what I shall tell you.”
“I swear it!” was Corilla’s response.
“Listen, then! This Princess Tartaroff is an imposter; no princely blood flows in her veins, and if she gives herself out to be a princess, it is because she therewith connects plans of high-treason. More I need not say to you, except that my illustrious empress has charged me to bring this fraudulent princess to her at St. Petersburg, that she may there receive her punishment! This I have sworn to do, and must redeem my promise to transport her from here, without exciting attention, and without subjecting her to any personal injury. Do you now comprehend why I come?”
“I comprehend,” said Corilla. “An empress would avenge herself, and therefore a poor poetess must forego her own little private revenge! But how, if I should not believe a word of this long story; if I should consider it a fable invented by you to assure the safety of your princess?”
“That you may be compelled to believe it, listen further to me.”
And Alexis Orloff spoke long and zealously to her, affording her a glance into his most secret intrigues, into his finely-matured plans, while Corilla followed him with intense expectation and warmly-glowing cheeks.
“I comprehend it all, all!” said she, when Alexis had finally ended; “it is a deep and at the same time an infernal plan--a plan which must excite the envy and respect of Satan himself!”
“And yourself?” laughingly asked Alexis.
“Oh, I,” said she--“I belong, perhaps, to the family of devils, and therefore take pleasure in aiding you! You need a negotiator who has a wide conscience and an eloquent tongue! I can furnish you with such a one. Ah, that will make a droll story. Said you not that the singer Carlo watched this golden treasure like a dragon? Well, it shall be his brother who shall contend with this dragon. His own brother--will not that be pleasant, count?”
“And are you sure of him?” asked Count Orloff. “How if his brother should win him from us?”
“Have no anxiety; this Carlo Ribas is so virtuous that he hates no one so much as his brother Joseph, merely because he passed some years in the galleys for forgery. He is now free, and has secretly come here. As he was aware that I knew his brother, he came to beg me for my countenance and support. I will send him to you.”
“And you will also not forget my request, that you will in all societies speak of the great love which the Empress Catharine cherishes for her near relation, the Princess Tartaroff?”
“I will not forget it. In your hands, count, I lay my revenge--you will free me from this rival?”
“That will I,” said he, with an inhuman laugh. “And when the work is completed, and you have faithfully stood by me, then, signora, you may be sure of the gratitude of the empress. Catharine is the exalted protectress of the muses, and in the fulness of her grace she will not forget the poetess Corilla. You may expect an imperial reward.”
“And I shall gratefully receive it,” said Corilla, with a smile. “A poetess is always poor and in want of assistance. The muses lavish upon their votaries all joys but those of wealth.”
“Ah!” exclaimed Corilla, when the count had left her, “I shall in the end obtain all I desire. I shall not only be crowned with fame, but blessed with wealth, which is a blessing almost equal to that of fame! Money has already founded many a reputation, but not always has fame attracted money to itself! I shall be rich as well as famous!”
“That you already are!” exclaimed the Cardinal Francesco Albani, who unremarked had just entered the room.
“I am not,” said she, with vehemence, “for they refuse me the prize of fame! Have you been with the pope, your eminence, and what did he say?”
“I come directly from him.”
“Well, and what says he?”
“What he always says to me--no!”
Corilla stamped her feet violently, and her eyes flashed lightnings.
“How beautiful you are now!” tenderly remarked the cardinal, throwing an arm around her.
The Daughter of an Empress · The Wunder Library — complete classics, free to read, with narration.