After his first start not a muscle of his face moved, but his eyes began slowly to search through the crowd as if for some one, and, seeing that, she understood. With a hand to her throat she groped her way blindly out of the crush, then made for the rear, but her knees forsook her and she paused, leaning against the wall. It never occurred to her that she might escape.
She knew without looking when he came toward her. He spoke in an emotionless tone, saying, "Come!" and she followed, half swooning--followed him up the stairs to the curtained boxes that ran round the gallery.
When they were alone, she faced him, managing to utter: "So! You--are John Daniels! They said you were dead."
She expected some violence--death, perhaps, but he only looked at her silently with an expression she could not read. She felt she must scream. She swayed, her eyes were filmed with terror.
"Well! Why don't you do it, McGill? Why don't you--?" she cried, hysterically.
"Where is Barclay?" he inquired.
"He's here--somewhere. We came three weeks ago--We--I didn't know--"
He saw that she was not the woman he had known: she was frail, broken; her fluttering hands were thin and bloodless; she had no spirit.
"So! He's got you working, eh? You're one of these--rustlers!"
"I had to do something. All I know is stage work."
"This ain't stage work!"
She nodded wearily. "He made me go the--limit."
"Made you! Did you get a divorce?"
"N-no!"
Daniels cursed so harshly that she flinched, although she had long since grown accustomed to profanity. Then he turned away, but, reading murder in his face, she seized him with fingers that were like claws.
"Wait! Don't do that!"
"You love him, don't you?"
"No, no! But--he's bad now, and--and probably drunk. He'll kill you, McGill. He's bad, I tell you--tough--don't you understand? He's bad, and he's made me bad, too, that's why I'm here. He's not worth it, McGill; neither am I!"
"You can't stay in Arcadia, neither of you. I got out of Ophir and let you alone, but this is my town; I can't leave it."
"We'll go," she cried, wringing her hands; "anyhow, I'll go, if you'll help me. But I'll need help--Oh, God! Yes, I'll need help! You don't know--You and he can settle things afterward."
"You want to leave him?"
"I've tried to break away, I've been trying ever since that first day in Ophir, but he won't let me. I kept trying--until I learned better; now I'm afraid. He's broken me, Dan, but you'll help me to leave him, won't you?"
After a time the husband answered, more to himself than to her: "I guess I'm even with you, anyhow. You've gone to hell, hand in hand with him. I won't interfere--not that way. I s'pose he beats you?"
She nodded, and saw his bearded face twitch. "Yes, and he'll make me like these other women--you understand? I've fought until I'm tired, worn out. I'm in a trap, McGill, and--I'm afraid--afraid for the little soul I have left."
"You sprung the trap," he told her, bitterly.
But his wife had seen a way to freedom and clutched at it with desperate persistence.
"Listen! I want to talk to you. Come with me for a minute."
"Come? Why?"
The Crimson Gardenia and Other Tales of Adventure · The Wunder Library — complete classics, free to read, with narration.