"I didn't escape. I couldn't. I couldn't catch cholera, or plague, or sleeping sickness. I couldn't catch anything."
"You tried?"
"Oh, yes, I gave myself a chance. That was only fair. But it was no use. I couldn't even get frightened."
"Owen--some people would say you were morbid."
"No, they wouldn't. They'd say I was mad. They will say it when I've published those poems."
"Did you mind my showing them to George Tanqueray?"
"No. But it's no use. Nobody knows my name."
"May I show them to Jane Holland?"
"Show them to any one you like. It'll be no use either."
"Owen--does it never occur to you that any human being can be of use?"
"No." He considered the point. "No, I can't say it ever does."
He stood before her, wrapped in his dream, removed from her, utterly forgetful.
She had her moment of pain in contemplating him. He saw it in her face, and as it were came back to her.
"Don't imagine," he said, "that I don't know what you've done. Now that I do know you."
She turned, almost in anger. "I've done nothing. You don't know me." She added, "I am going to write to Jane Holland."
When he had left her she sat a long while by the window, brooding on the thing that had happened to her a second time.
She had fallen in love; fallen with the fatality of the Lemprieres, and with the fine precipitate sweep of her own genius. And she had let herself go, with the recklessness of a woman unaware of her genius for loving, with the superb innocence, too, of all spontaneous forces. Owen's nature had disarmed her of all subterfuges, all ordinary defences of her sex. They were absurd in dealing with a creature so remote and disembodied.
She knew that in his way, his remote and disembodied way, he cared for her. She knew that in whatever place he held her she was alone there. She was the only woman for whom as yet he had cared. His way was not Tanqueray's way. It was a way that kept her safe. She had sworn that there were to be no more George Tanquerays; and there were none. She had done with that.
Not but that she was afraid of Owen. She had taken possession of him in fear, a secret, unallowed possession, a holding with hands invisible, intangible. For she had wisdom, the sad wisdom of the frustrate; it, and the insight of her genius, told her that Owen would not endure a tie less spiritual than friendship. She knew George Tanqueray's opinion of her. He was justified.
But though she sacrificed so far to spirit, it was her flesh and blood that shrank from the possible communion of Owen Prothero and Jane Holland. For Jinny, as Tanqueray said, had a way with her; and she knew Jinny's way. Jinny would take Owen Prothero from her as she had taken George, not deliberately, not because she wanted to, but because she was Jinny and had a way. Besides, Jane could do for him what she with her bare genius could not do, and that thought was insupportable to Nina. Yesterday she had been everything to him. Tomorrow Jane would be as much, or more.
And there were other women. They would be as ready as she to take possession. They would claim his friendship, and more than she had claimed, as the reward of having recognized him. There was no reason why she should give Owen up, and hand him over to them. And this was what she would do if she wrote that letter to Jane Holland.
She rose, and went to her desk and wrote it.
XXII
Jane answered at once. If Nina would bring Prothero to Kensington on Friday at four o'clock he would meet Hugh Brodrick.
But Prothero refused to be taken anywhere. He would not go hanging about women's drawing-rooms. It was the sort of thing, he said, that did you harm. He wanted to hold on to what he'd got. It was tricky; it came and went; it was all he could do to hold on to it; and if he got mixed up with women he was done for. Of course he was profoundly grateful.
Nina assured Jane that Mr. Prothero was profoundly grateful. But he was, she said, a youth of an untamable shyness. He was happy in an Indian jungle or an African swamp, but civilized interiors seemed to sadden him. She therefore proposed that Tanqueray, who had the manuscript, should read it to an audience, chosen with absolute discretion. Two or three people, not a horrid crowd. For the poems, she warned her fairly, were all about God; and nowadays people didn't care about God. Owen Prothero didn't seem to care much about anything else. It was bound, she said, to handicap him.
Jane consented. After all, the poems were the thing. For audience she proposed Hugh Brodrick, Caro Bickersteth, Laura, and Arnott Nicholson. Dear Nicky, who really was an angel, could appreciate people who were very far from appreciating him. He knew a multitude of little men on papers, men who write you up if they take a fancy to you and go about singing your praises everywhere. Nicky himself, if strongly moved to it, might sing. Nicky was a good idea, and there was Laura who also wrote for the papers.
The reading was fixed for Friday at four o'clock. Tanqueray, who detested readings, had overcome his repugnance for Prothero's sake. His letter to Jane was one fiery eulogy of the poet. Brodrick and the others had accepted the unique invitation, Laura Gunning provisionally. She would come like a shot, if she could get off, she said, but things were going badly at the moment.
The Creators · The Wunder Library — complete classics, free to read, with narration.