Part 84

"Even Laura can do more for him than I. She knows people on papers. Take him to see Laura." He was backing out of the doorway.

"It was you," she said, "that he wanted to see. I promised him."

Her face, haggard, restless with the quivering of her agonized nerves, was as a wild book for him to read. He was sorry for her torture. He lingered.

"I'd go and speak to Brodrick to-morrow, only he loathes the sight of me, and I can't blame him, poor devil."

"It's no matter," she said. "I'll write to Jane Holland."

"Do. She'll get him work on Brodrick's paper."

He went away, meditating on Nina and her medical, surgical poet. She would have to write to Jinny now. But she wouldn't take him to see her. She was determined to keep him to herself. That was why none of them had seen anything of Nina for six months. There was (he came back to it again) something very murky about Nina. And Nina, with her murkiness, was manifestly in love with this spiritual, this mystical young man. So amazing was the part set her in the mortal comedy. He would give a good deal to know what Prothero thought of Nina.

Prothero could have told him that he thought of Nina as he thought of his own youth.

He was of her mother's race and from her country of the Marches. He knew more about Nina than Tanqueray had ever known. He knew the Lemprieres, a family of untamed hereditary wildness. He knew Nina as the survival of a hereditary doom, a tragedy untiring, relentless, repeated year after year and foreseen with a terrible certainty. He knew that it had left her with her bare genius, her temperament and her nerves.

It was of all things most improbable that he should be here in London, lodged in one room, with only the bare boards of it between him and Nina Lempriere.

The improbability of it struck Nina as she went to and fro in the inner room, preparing their supper.

There had been no acquaintance between her and young Prothero, the medical student. If their ways met it was only by accident, at long intervals, and always, she remembered, out of doors, on her mountains. They used to pass each other with eyes unseeing, fixed in their own dream. That was fifteen years ago. In all that time she had not seen him.

He had drawn her now by his shyness, his horror of other people, his perfect satisfaction in their solitary communion. Virgin from his wild places, he had told her that she was the only woman he was not afraid of. He had attached himself to her manifestly, persistently, with the fidelity of a wild thing won by sheer absence of pursuit. She had let him come and go, violently aware of him, but seeming unaware. He would sit for hours in her room, reading while she wrote, forgetting that up-stairs his fire was dying in the grate.

He had embraced Poverty like a saint. He regarded it as the blessed state of every man who desired to obey his own genius at all costs. He was all right, he said. He had lived on rice in the jungle. He could live on rice at a pinch now. And he could publish his poems if he got work on the papers. On this point Nina found him engagingly, innocently open to suggestion. She had suggested a series of articles on the problem of the East. He had written the articles, but in such a style and in such a spirit that no editor had as yet dared to publish them.

It was possible that he would have a chance with Brodrick who was braver than other editors. Brodrick was his one chance.

She would have suggested his meeting Brodrick, but that the way to Brodrick lay through Jane Holland. She remembered that the gods had thrust Jane Holland between her and George Tanqueray; and she was determined that they should put no woman between her and Owen Prothero. She had taken possession of him and she meant to keep him to herself. The supreme, irresistible temptation was to keep him to herself. It dominated her desire to serve his interests. But she had not refused him when he owned, shyly, that he would like to see George Tanqueray, the only living writer, he maintained, who had any passion for truth, any sweep, any clearness of vision.

It was Tanqueray, with that passion, that diabolical lucidity, that vision of his, who had made her realize the baseness of her secrecy. She had no right to keep Owen to herself. He was too valuable.

His innocence had given a sting to her remorse. He had remained so completely satisfied with what she had done for him, so wholly unaware of having been kept obscure when celebrity was possible. Things came, he seemed to say, or they didn't come. If you were wise you waited.

With his invincible patience he was waiting now, in her room up-stairs, standing before the bookcase with his back to the door. He stood absolutely still, his head and shoulders bowed over the book he was manifestly not reading. In this attitude he had an air of masterly indifference to time, of not caring how long he waited, being habituated to extravagant expenditure of moments and of days. Absorbed in some inward and invisible act, he was unaware of Nina as she entered.

She called him to the supper she had made ready for him. He swung round, returning as it were from an immense distance, and followed her.

He was hungry, and she had a fierce maternal joy in seeing him eat. It was after supper that they talked, as they sat by the window in the outer room, looking at the river, a river of night, lamp-starred.

Nina began it. "Owen," she said, "how did George Tanqueray strike you?"

He paused before he spoke. "I think," he said, "I never in my life saw anybody more on the look-out. It's terrible, that prowling genius, always ready to spring."

"I know," she said, "he sees everything."

"No, Nina, he doesn't. He's a man whose genius has made away with one half of his capacity for seeing. That's his curse! If your eyes are incessantly looking out they lose the power of looking in."

"And yet, he's the only really great psychologist we've got. He and Jane Holland."

"Yes, as they go, your psychologists. Tanqueray sees so much inside other people that he can't see inside himself. What's worse, I shouldn't think he'd see far inside the people who really touch him. It comes of perpetually looking away."

"You don't know him. How can you tell?"