And yet there was no more assiduous devotee of experience than George Tanqueray. He repudiated with furious contempt any charge of inspiration. There was no such thing as inspiration. There was instinct, and there was eyesight. The rest was all infernal torment and labour in the sweat of your brow. All this Tanqueray believed sincerely.
It would have been hard to find a creature so subtle and at the same time so unsophisticated as he.
For five years his genius, his temperament and his poverty had combined to keep him in a half-savage virgin solitude. Men had penetrated it, among them one or two distinguished in his own profession. But as for their women, the wives and daughters of the distinguished, he had shrunk perceptibly from their advances. He condemned their manner as a shade too patronizing to his proud obscurity. And now, at two-and-thirty, of three women whom he really knew, he only really cared for one, Jane Holland.
He had further escaped the social round by shifting his abode incessantly, flying from the town to the country, and from the country back to the town, driven from each haunt, he declared, by people, persistent, insufferable people.
For the last week he had been what he called settled at Hampstead. The charm of Hampstead was that nobody whom he knew lived there.
He had chosen the house because it stood at a corner, in a road too steep for traffic. He had chosen his rooms because they looked on to a green slope with a row of willows at the bottom and a row of willows at the top, and because, beyond the willows, he could see the line of a low hill, pure and sharp against the sky. At sunset the grass of his slope turned to a more piercing green and its patches of brown earth to purple. He looked at the sublime procession of his willows and reminded himself with ecstasy that there was not a soul in Hampstead whom he knew. And that suburb appeared to him an enchanted place where at last he had found peace. He would stay there for ever, in those two rooms.
Here, on the morning after he had dined with Jane Holland, he sat down to write. And he wrote, but with a fury that destroyed more than it created. In those days Tanqueray could never count upon his genius. The thing would stay with him peaceably for months at a time; but it never let him know the precise moment of its arrival or departure. At times it seemed the one certainty in an otherwise dubious world, at other times it was a creature of unmistakably feminine caprice. He courted it, and it avoided him. He let it go, and it came back to him, caressing and tormenting him, compelling his embrace. There were days when it pursued and captured him, and then it had wings that swept him divinely to its end. There were days when he had to go out and find it, and lure the winged thing back to him. Once caught, it was unswerving in its operations.
But Tanqueray had no lower power he could fall back upon when his genius failed him. And apparently it had failed him now. In forty-eight hours he had accomplished nothing.
At the end of the forty-ninth hour wasted, he drew his pen through what he had written and sank into a depth as yet unknown to him. His genius had before now appeared to him as an insane hallucination. But still he had cared for it supremely. Now, the horrible thing was that he did not care. His genius was of all things that which interested him least. He was possessed by one trouble and by one want, the more devastating because it was aimless and obscure.
That came of dining with Jane Holland.
He was not in love with Jane. On the contrary, he was very angry with her for wanting him to be in love with her when he could not be. And he was angry with himself for wanting to be in love with her when he could not be, when his heart (by which the psychologist meant his senses) was not in it.
But wherever his heart was, his thoughts, when he let them go, were always running upon Jane. They ran on her now. He conceived of her more than ever as the unfit. "She's too damnably clever," he kept saying to himself, "too damnably clever." And he took up her last book just to see again how damnably clever she was.
In an instant he was at her feet. She wasn't clever when she wrote that. What a genius she had, what a burning, flashing, laughing genius. It matched his own; it rose to it, giving him flame for flame. Almost as clear-eyed it was, and tenderer hearted. Reading Jane Holland, Tanqueray became depressed or exalted according to his mood. He was now depressed.
But he could not leave her. In spirit he remained at her feet. He bowed himself in the dust. "I couldn't have done it," he said, "to save my life. I shall never do anything like that."
He wrote and told her so. But he did not go to see her, as he would have done six weeks ago.
And then he began wondering how she conceived these things if she did not feel them. "I don't believe," he said, "that she doesn't feel. She's like me." Too like him to be altogether fit.
So he found confusion in his judgment and mystery in his vision of her, while his heart made and unmade her image ten times a day.
He went out and tramped the lanes and fields for miles beyond Hampstead. He lay stretched out there on his green slopes, trying not to think about Jane. For all this exercise fatigued him, and made it impossible for him to think of anything else. And when he got back into his room its solitude was intolerable. For ten days he had not spoken to any woman but his landlady. Every morning, before he sat down to write, he had to struggle with his terror of Mrs. Eldred. It was growing on him like a nervous malady.
An ordinary man would have said of Mrs. Eldred that she was rather a large woman. To Tanqueray, in his malady, she appeared immense. The appeal of her immensity was not merely to the eye. It fascinated and demoralized the imagination. Tanqueray's imagination was sane when it was at work, handling the stuff of life; it saw all things unexaggerated, unabridged. But the power went wild when he turned it out to play. It played with Mrs. Eldred's proportions till it became tormented with visions of shapeless and ungovernable size. He saw her figure looming in the doorway, brooding over his table and his bed, rolling through space to inconceivable confines which it burst. For though this mass moved slowly, it was never still. When it stood it quivered. Worse than anything, when it spoke it wheezed.
He had gathered from Mrs. Eldred that her conversation (if you could call it conversation) was the foredoomed beginning of his day. He braced himself to it every morning, but at last his nerves gave way, and he forgot himself so far as to implore her for God's sake not to talk to him.
The large woman replied placably that if he would leave everything to her, it would not be necessary for her to talk.
He left everything. At the end of the week his peace was charged to him at a figure which surprised him by its moderation.
Still he was haunted by one abominable fear, the fear of being ill, frightfully ill, and dying in some vast portion of her arms. Under the obsession of this thought he passed whole hours sitting at his desk, bowed forward, with his face hidden in his hands.
He was roused from it one evening by a sound that came from the other end of the room, somewhere near the sideboard. It startled him, because, being unaccompanied by any wheezing, it could not have proceeded from Mrs. Eldred. It was, indeed, one of those small voices that come from things diminutive and young. It seemed to be trying to tell him that dinner was ready. He looked round over his shoulder to see what kind of creature it was that could thus introduce itself without his knowledge.
It was young, young almost to excess. He judged it to be about two- or three-and-twenty. At his approach it drew as close as possible to the sideboard. It had the air of cultivating assiduously the art of self-effacement, for its face, when looked at, achieved an expression of inimitable remoteness.
He now perceived that the creature was not only young but most adorably feminine. He smiled, simply to reassure it.
"How on earth did you get in without my hearing you?"
"I was told to be very quiet, sir. And not to speak."
The Creators · The Wunder Library — complete classics, free to read, with narration.