"T-t-t. It would have saved a day," she said, "if he'd sent this direct to you instead of to Miss Ranger. Why couldn't he when he knew we were so rushed?"
"Why, indeed?" he thought.
"There must have been more corrections," he said.
"She can't have typed them in the time," said Gertrude. She was examining the inner cover. "Besides, she has sent it on unopened."
"Excellent Miss Ranger!"
He said it with a certain levity. But even as he said it his brain accepted the inference she forced on it. If Tanqueray had not sent his manuscript to Camden Town for corrections, he had sent it there for another reason. The parcel was registered. There was no letter inside it.
Brodrick's hand trembled as he turned over the pages of the manuscript. Gertrude's eyes were fixed upon its trembling.
A few savage ink-scratches in Tanqueray's handwriting told where Miss Ranger had blundered; otherwise the manuscript was clean. Tanqueray had at last satisfied his passion for perfection.
All this Brodrick's brain took in while his eyes, feverish and intent, searched the blank spaces of the manuscript. He knew what he was looking for. It would be there, on the wide margin left for her, that he would find the evidence that his wife and Tanqueray were together. He knew the signs of her. Not a manuscript of Tanqueray's, not one of his last great books, but bore them, the queer, delicate, nervous pencil-markings that Tanqueray, with all his furious erasures, left untouched. Sometimes (Brodrick had noticed) he would enclose them in a sort of holy circle of red ink, to show that they were not for incorporation in the text. But it was not in him to destroy a word that she had written.
But he could find no trace of her. He merely made out some humble queryings of Miss Ranger, automatically erased.
The manuscript was in three Parts. As he laid down each, Gertrude put forth a quiet hand and drew it to herself. He was too much preoccupied to notice how minutely and with what intent and passionate anxiety she examined it.
He was arranging the manuscript in order. Gertrude was absorbed in Part Three. He had reached out for it when he remembered that the original draft of Part Two had contained a passage as to which he had endeavoured to exercise an ancient editorial right. He looked to see whether Tanqueray had removed it.
He had not. The passage stood, naked and immense, tremendous as some monument of primeval nature, alone in literature, simple, superb, immortal; irremovable by any prayer. Brodrick looked at it now with a clearer vision. He acknowledged its grandeur and bowed his head to the power that was Tanqueray. Had he not been first to recognize it? It was as if his suspicion of the man urged him to a larger justice towards the writer.
He turned to Gertrude. "There are no alterations to be made, thank heaven----"
"How about this?"
She slid the manuscript under his arm; her finger pointed to the margin. He saw nothing.
"What?" He spoke with some irritation.
"This."
She turned up the lamp so that the light fell full upon the page. He bent closer. On the margin, so blurred as to be almost indecipherable, he saw his wife's sign, a square of delicate script. To a careless reader it might have seemed to have been written with a light pencil and to have been meant to stand. Examined closely it revealed the firm strokes of a heavy lead obliterated with india-rubber. Gertrude's finger slid away and left him free to turn the pages. There were several of these marks in the same handwriting, each one deliberately erased. The manuscript had been in his wife's hand within the last three days; for three days certainly Tanqueray had been in Chagford, and for three weeks for all Brodrick knew.
There was no reason why he should not be there, no reason why they should not be together. Then why these pitiable attempts at concealment, at the covering of the tracks?
And yet, after all, they had not covered them. They had only betrayed the fact that they had tried. Had they? And which of them? Tanqueray in the matter of obliteration would at any rate have been aware of the utter inadequacy of india-rubber. To dash at a thing like india-rubber was more the sudden, futile inspiration of a woman made frantic by her terror of detection.
It was clear that Jane had not wanted him to know that Tanqueray was at Chagford. She had not told him. Why had she not told him? She knew of the plight they were in at the office, of the hue and cry after the unappearing manuscript.
So his brain worked, with a savage independence. He seemed to himself two men, a man with a brain that worked, following a lucid argument to an obscure conclusion, and a man who looked on and watched its working without attaching the least importance to it. It was as if this man knew all the time what the other did not know. He had his own light, his own secret. He had never thought about it before (his secret), still less had he talked about it. Thinking about it was a kind of profanity; talking would have been inconceivable sacrilege. It was self-evident as the existence of God to the soul that loves him; a secret only in that it was profounder than appearances, in that it stood by the denial of appearances, so that, if appearances were against it, what of that?
He was thinking about it now, obscurely, without images, barely with words, as if it had been indeed a thing occult and metaphysical.
Thinking about it--that meant, of course, that he had for a moment doubted it? It was coming back to him now, clothed with the mortal pathos of its imperfection. She was dearer to him--unspeakably dearer, for his doubt.
The man with the brain approached slowly and unwillingly the conclusion that now emerged, monstrous and abominable, from the obscurity. If that be so, he said, she is deliberately deceiving me.
And he who watched, he with the illuminating, incommunicable secret, smiled as he watched, in scorn and pity. Scorn of the slow and ugly movements of the intellect, and pity for a creature so mean as to employ them.
In the silence that he kept he had not heard the deep breathing of the woman at his side. Now he was aware of it and her.
The Creators · The Wunder Library — complete classics, free to read, with narration.