The Confessions of a Caricaturist, Vol. 2 is a public-domain classic of literature and fiction by Harry Furniss.
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THE ARTISTIC JOKE.
The First Idea--How it was Made--"Fire!"--I am a Somnambulist--My Workshop--My Business "Partner"--Not by Gainsborough--Lord Leighton--The Private View--The Catalogue--Sold Out--How the R.A.'s Took It--How a Critic Took It--Curious Offers--Mr. Sambourne as a Company Promoter--A One-man Show--Punch's Mistake--A Joke within a Joke--My Offer to the Nation pp. 1--25
CONFESSIONS OF A COLUMBUS.
The Cause of my Cruise--No Work--The Atlantic Greyhound--Irish Ship--Irish Doctor--Irish Visitors--Queenstown--A Surprise--Fiddles--Edward Lloyd--Lib--Chess--The Syren--The American Pilot--Real and Ideal--Red Tape--Bribery--Liberty--The Floating Flower Show--The Bouquet--A Bath and a Bishop--"Beastly Healthy"--Entertainment for Shipwrecked Sailors--Passengers--Superstition.
AMERICA IN A HURRY--Harry Columbus Furniss--The Inky Inquisition--First Impressions--Trilby--Tempting Offers--Kidnapped--Major Pond--Sarony--Ice--James B. Brown--Fire!--An Explanation.
WASHINGTON--Mr. French of Nowhere--Sold--Interviewed--The Sporting Editor--Hot Stuff--The Capitol--Congress--House of Representatives--The Page Boys--The Agent--Filibuster--The "Reccard"--A Pandemonium--Interviewing the President.
CHICAGO--The Windy City--Blowers--Niagara--Water and Wood--Darkness to Light--My Vis-a-Vis--Mr. Punch--My Driver--It Grows upon Me--Inspiration--Harnessing Niagara--The Three Sisters--Incline Railway--Captain Webb.
TRAVELLING--Tickets--Thirst--Sancho Panza--Proclaimed States--"The Amurrican Gurl"--A Lady Interviewer--The English Girl--A Hair Restorer--Twelfth Night Club Reception at a Ladies' Club--The Great Presidential Election--Sound Money v. Free Silver--Slumland--Detective O'Flaherty.
pp. 26--130
AUSTRALIA.
Quarantined--The Receiver-General of Australia--An Australian Guide-book--A Death Trap--A Death Story--The New Chum--Commercial Confessions--Mad Melbourne--Hydrophobia--Madness--A Land Boom--A Paper Panic--Ruin.
SYDNEY--The Confessions of a Legislator--Federation--Patrick Francis Moran.
ADELAIDE--Wanted, a Harbour--Wanted, an Expression--Zoological--Guinea-pigs--Paradise!--Types--Hell Fire Jack--The Horse--The Wrong Room! pp. 131--153
PLATFORM CONFESSIONS.
Lectures and Lecturers--The Boy's Idea--How to Deliver It--The Professor--The Actors--My First Platform--Smoke--Cards--On the Table--Nurses--Some Unrehearsed Effects--Dress--A Struggle with a Shirt--A Struggle with a Bluebottle--Sir William Harcourt Goes out--My Lanternists Go Out--Chairmen--The Absent Chairman--The Ideal Chairman--The Political Chairman--The Ignorant Chairman--Chestnuts--Misunderstood--Advice to Those about to Lecture--I am Overworked--"'Arry to Harry." pp. 154-189
MY CONFESSIONS AS A "REFORMER."
Portraiture Past and Present--The National Portrait Gallery Scandal--Fashionable Portraiture--The Price of an Autograph--Marquis Tseng--"So That's My Father!"--Sala Attacks Me--My Retort--Du Maurier's Little Joke--My Speech--What I Said and What I Did Not Say--Fury of Sala--The Great Six-Toe Trial--Lockwood Serious--My Little Joke--Nottingham Again--Prince of Journalists--Royal Academy Antics--An Earnest Confession--My Object--My Lady Oil--Congratulations--Confirmations--The Tate Gallery--The Proposed Banquet--The P.R.A. and Modern Art--My Confessions in the Central Criminal Court--Cricket in the Park--Reform!--All About that Snake--The Discovery--The Capture--Safe--The Press--Mystery--Evasive--Experts--I Retaliate--The Westminster Gazette--The Schoolboy--The Scare--Sensation--Death--Matters Zoological--Modern Inconveniences--Do Women Fail in Art?--Wanted a Wife pp. 190-234
THE CONFESSIONS OF A DINER.
My FirstCity Dinner--A Minnow against the Stream--Those Table Plans--Chaos --The City Alderman, Past and Present--Whistler's Lollipops--Odd Volumes--Exchanging Names--Ye Red Lyon Clubbe--The Pointed Beard--Baltimore Oysters--The Sound Money Dinner--To Meet General Boulanger--A Lunch at Washington--No Speeches.
THE THIRTEEN CLUB--What it was--How it was Boomed--Gruesome Details--Squint-Eyed Waiters--Superstitious Absentees--My Reasons for being Present--'Arry of Punch--The Lost "Vocal" Chords--The Undergraduate and the Undertaker--Model Speeches--Albert Smith--An Atlantic Contradiction--The White Horse--The White Feather--Exit 13 pp. 235-271
THE CONFESSIONS OF AN EDITOR.
Editors--Publishers--An Offer--Why I Refused it--The Pall Mall Budget --Lika Joko--The New Budget--The Truth about my Enterprises-- Au Revoir! pp. 272-280
LIST OF ILLUSTRATIONS.
PAGE
An Artistic Joke. A London Slum. My Parody of the Venetian School. Frontispiece.
My Studio during the Progress of "An Artistic Joke" 1
Harry Furniss's Royal Academy 3
Throwing myself into it 5
Fire! 6
The Pictures by R. Macbeth: Potato Gang in the Fens; Twitch-burning in the Fens; A Flood in the Fens 8
Macbeth in the Fens 9
Letter from the President of the Royal Academy 11
"An Artistic Joke" 15
Mr. Sambourne's Prospectus 18
Cover of "How he did it" 20
Initial "T" 20
My Portrait. Frontispiece for "How he did it" 21
Harry Furniss and his "Lay Figure" 22
Letter from the President of the Royal Academy 25
Initial "I" 26
A "T--Tonic" 27
An Atlantic "Greyhound." 28
The Saloon of the Teutonic. The First Morning at Breakfast 30
At Queenstown--A Reminiscence 33
Bog-Oak Souvenirs 34
The Captain's Table 36
Not up in a Balloon 38
Chess 40
Mr. Lloyd and the Lady. "If you will sing, I will!" 42
The American Pilot--Ideal 43
The American Pilot--Real 43
The Health Officer comes on Board 45
Just in Time 46
"A Floating Flower Show" 47
The Bath Steward and the Bishop. "Your Time, Sir! Your Time!" 48
Americans and English on Deck 49
American Interviewing--Imaginary 52
American Interviewing--Real 53
"Sandy." 55
Chiropody 57
"New Trilby." 58
"Amiable Mr. Harry Furniss" 59
Major Pond 59
The Great Sarony 61
James B. Brown 63
Fire! 65
The Alarm 67
The Throne in the Senate 72
The Throne, House of Representatives 73
Initial "T" 74
The House of Representatives 75
An ex-Speaker 77
An ex-Minister 80
Anglophobia 82
The President--Ideal 83
The President--Real 83
Initial "A" 84
A Buffalo Girl 84
President Harrison's Reply 85
Mr. Punch at Niagara 86
Hebe 86
My Driver 87
Fra' Huddersfield 87
Niagara growing upon Me 88
I admire the great Horseshoe Fall 89
Jonathan harnessing Niagara 90
"The Three Sisters." 91
Inclined Railway, Niagara 92
Where Captain Webb was Killed 93
Tourists 94
American Travelling. Nothing to Eat 96
American Travelling. Nothing to Drink 97
Sleep(!) 100
A Washington Lady 102
A Lady Interviewer 104
A Sketch at "Del's" 105
Young America 106
An American Menu 107
My Portrait--in the Future 108
I am Entertained at the Twelfth Night Club 110
Reception at a Ladies' Club 112
Wife and Husband 113
A Dream of the White House 114
The Political Quartette 116
After the Great Parade: "Am I to sit on an ordinary seat to-night?" 120
Italians 123
Where the Deed was done! 125
"A Youth with a Crutch" 127
In an Opium Joint 128
"In His Own Black Art" 128
"Hitting the Pipe" 129
"Good-bye" 130
Initial "W" 131
Coaling 132
Quarantine 133
Initial "T" 134
Sleepy Hollow 135
Prospectors 138
Quarantine Island 141
I am invited to present myself 143
Landing at Adelaide 148
Pondicherry Vultures 150
The Maid of the Inn 150
The Way into Paradise 151
Paradise 151
Adam and Eve 152
A Type 153
Queen's Hall, London. I was the first to speak from the Platform 154
"Parliament by Day" 156
"Parliament by Night" 157
Miss Mary Anderson 159
Initial "By" 159
Giving My "Humours of Parliament" to the Nurses 162
Speaker Brand, afterwards Viscount Hampden 164
The Surprise Shirt 166
Discovered! 168
The Fly in the Camera 169
Late Arrivals 171
Reserved Seats 172
Chairman No. 1 174
Chairman No. 2 177
The Pumpkin--a Chestnut 178
In "The Humours of Parliament." Ballyhooley Pathetic 181
Harry Furniss as a Pictorial Entertainer 182
"Grandolph ad Leones." Reduction of a Page Drawing for Punch made by me whilst travelling by Train 185
Down with Dryasdust 189
From a Photo by Debenham and Gould 190
G. A. Sala 195
"Art Critic of the Daily Telegraph" 199
Counsel for the Plaintiff 200
Mr. F. C. Gould's Sketch in the Westminster, which Sala maintained was mine 200
Defendant 202
My Hat 202
The Plaintiff 203
The Editor of Punch supports me 203
Sir F. Lockwood and Myself 204
"Six Toes" Signature 205
The Sequel--I Distribute the Prizes at Nottingham 205
Initial "T" 206
The See-Saw Antic 207
The first P.R.A. 209
No Water-Colour or Black-and-White need apply 210
A National Academy 211
The Central Criminal Court. From Punch 215
"Thank Y-o-o-u!" 216
Regent's Park as it was. From Punch. A Rough Sketch on Wood 217
The Late Mr Bartlett 220
Sketch by Mr. F. C. Gould 223
The Lady and Her Snakes 226
Do Women fail in Art--The Chrysalis 228
The Butterfly 230
Early Victorian Art 232
Young Lady's Portrait of her Brother 233
Waiting 234
Initial "P" 235
Menu of the Dinner given to me by the Lotos Club, New York 237
Alderman--Ideal. Real 239
J. Whistler, after a City Dinner (Drawn with my Left Hand) 241
An Odd Volume 241
My Design for Sette of Odd Volumes 242
My Design (reduced) for the Dinner of Ye Red Lyon Clubbe 243
A Distinguished "Lyon" 243
Headpiece and Initial "S" 245
A Sound Money Dinner 249
A Sketch of Boulanger 251
Address of Boulanger's Retreat 252
A Note on My Menu 253
Remarkable and much-talked-of Lunch to me at Washington. The Autographs on back of Menu 254
Mr. Punch and his Dog Toby 256
A Memorandum in Pencil 258
Thirteen Club Banquet. The Table Decorations 259
Mr. W. H. Blanch 260
The Broken Looking-Glass 261
The Badge 261
Squint-Eyed Waiter 263
Coffins, Sir! 266
"The Chairman will be Pleased to Spill Salt with You." From the St. James's Budget 267
A Knife I was Presented with 268
Tailpiece 271
"Au Revoir" 280
CONFESSIONS OF A CARICATURIST.
THE ARTISTIC JOKE.
The First Idea--How it was Made--"Fire!"--I am a Somnambulist--My Workshop--My Business "Partner"--Not by Gainsborough--Lord Leighton--The Private View--The Catalogue--Sold Out--How the R.A.'s Took It--How a Critic Took It--Curious Offers--Mr. Sambourne as a Company Promoter--A One-man Show--Punch's Mistake--A Joke within a Joke--My Offer to the Nation.
"In the year 1887 he startled the town and made a Society sensation by means of an exceedingly original enterprise which any man of less audacious and prodigious power of work would have shrunk from in its very inception. For years this Titanic task was in hand. This was his celebrated 'artistic joke,' the name given by the 'Times' to a bold parody on a large scale of an average Royal Academy Exhibition. This great show was held at the Gainsborough Gallery, New Bond Street, and consisted of some eighty-seven pictures of considerable size, executed in monochrome, and presenting to a marvelling public travesties--some excruciatingly humorous and daringly satirical, others really exquisite in their rendering of physical traits and landscape features--of the styles, techniques, and peculiar choice of subjects of a number of the leading artists, R.A.'s and others, who annually exhibit at Burlington House. It was a surprise, even to his intimate friends, who, with one or two exceptions, knew nothing about it until the announcement that Mr. Furniss had his own private Royal Academy appeared in the 'Times.' He worked in secret at intervals, under a heavy strain, to get the Exhibition ready, particularly as he had to manage the whole of the business part; for the show at the Gainsborough Gallery was entirely his own speculation. Granted that the experiment was daring, yet the audacity of the artist fascinated people. Nor did the Academicians, whom some thought would have been annoyed at the fun, as a body resent it. They were not so silly, though a minority muttered. Most of them saw that Mr. Furniss was not animated by any desire to hold them up to contempt, but his parodies were perfectly good-natured, that he had served all alike, and that he had only sought the advancement of English art. During the whole season the gallery was crushed to overflowing, the coldest critics were dazzled, the public charmed, and literally all London laughed. It furnished the journalistic critics of the country with material for reams of descriptive articles and showers of personal paragraphs, and whether relished or disrelished by particular members of the artistic profession, at least proved to them, as to the world at large, the varied powers (in some phases hitherto unsuspected) and exuberant energies of the Harry Furniss whose name was now on the tongue and whose bold signature was familiar to the eyes of that not easily impressed entity, the General Public.
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