Part 16

"I suppose her brother was a great care," I observed.

It seemed to me that the doctor's hearty voice was a trifle less frank when he replied. But when I rang off I told myself that I, too, was becoming neurasthenic and suspicious. I had, however, learned what I had wanted to know. Miss Emily had had no life outside Bolivar County. The place to look for her story was here, in the immediate vicinity.

That night I made a second visit to the basement. It seemed to me, with those chaotic shelves before me, that something of the haste and terror of a night five years before came back to me, a night when, confronted by the necessity for concealing a crime, the box upstairs had been hurriedly unpacked, its contents hidden here and locked away, and some other content, inert and heavy, had taken the place of the books.

Miss Emily in her high bed, her Bible and spectacles on the stand beside her, her starched pillows, her soft and highbred voice? Or another Miss Emily, panting and terror-stricken, carrying down her armfuls of forbidden books, her slight figure bent under their weight, her ears open for sounds from the silent house? Or that third Miss Emily, Martin Sprague's, a strange wild creature, neither sane nor insane, building a crime out of the fabric of a nightmare? Which was the real Emily Benton?

Or was there another contingency that I had not thought of? Had some secret enemy of Miss Emily's, some hysterical girl from the parish, suffering under a fancied slight, or some dismissed and revengeful servant, taken this strange method of retaliation, done it and then warned the little old lady that her house contained such a paper? I confess that this last thought took hold on me. It offered a way out that I clutched at.

I had an almost frantic feeling by that time that I must know the truth. Suspense was weighing on me. And Maggie, never slow to voice an unpleasant truth, said that night, as she brought the carafe of ice-water to the library, "You're going off the last few days, Miss Agnes." And when I made no reply: "You're sagging around the chin. There's nothing shows age like the chin. If you'd rub a little lemon-juice on at night you'd tighten up some."

I ignored her elaborately, but I knew she was right. Heat and sleepless nights and those early days of fear had told on me. And although I usually disregard Maggie's cosmetic suggestions, culled from the beauty columns of the evening paper, a look in the mirror decided me. I went downstairs for the lemon. At least, I thought it was for the lemon. I am not sure. I have come to be uncertain of my motives. It is distinctly possible that, sub-consciously, I was making for the cellar all the time. I only know that I landed there, with a lemon in my hand, at something after eleven o'clock.

The books were piled in disorder on the shelves. Their five years of burial had not hurt them beyond a slight dampness of the leaves. No hand, I believe, had touched them since they were taken from the box where Mrs. Graves had helped to pack them. Then, if I were shrewd, I should perhaps gather something from their very disorder, But, as a matter of fact, I did not.

I would, quite certainly, have gone away as I came, clueless, had I not attempted to straighten a pile of books, dangerously sagging--like my chin!--and threatening a fall. My effort was rewarded by a veritable Niagara of books. They poured over the edge, a few first, then more, until I stood, it seemed, knee-deep in a raging sea of atheism.

Somewhat grimly I set to work to repair the damage, and one by one I picked them up and restored them. I put them in methodically this time, glancing at each title to place the volume upright. Suddenly, out of the darkness of unbelief, a title caught my eye and held it, "The Handwriting of God." I knew the book. It had fallen into bad company, but its theology was unimpeachable. It did not belong. It--

I opened it. The Reverend Samuel Thaddeus had written his own name in it, in the cramped hand I had grown to know. Evidently its presence there was accidental. I turned it over in my hands, and saw that it was closed down on something, on several things, indeed. They proved to be a small black note-book, a pair of spectacles, a woman's handkerchief.

I stood there looking at them. They might mean nothing but the accidental closing of a book, which was mistakenly placed in bad company, perhaps by Mrs. Graves. I was inclined to doubt her knowledge of religious literature. Or they might mean something more, something I had feared to find.

Armed with the volume, and the lemon forgotten--where the cook found it the next day and made much of the mystery--I went upstairs again.

Viewed in a strong light, the three articles took on real significance. The spectacles I fancied were Miss Emily's. They were, to all appearances, the duplicates of those on her tidy bedside stand. But the handkerchief was not hers. Even without the scent, which had left it, but clung obstinately to the pages of the book, I knew it was not hers. It was florid, embroidered, and cheap. And held close to the light, I made out a laundry-mark in ink on the border. The name was either Wright or Knight.

The note-book was an old one, and covered a period of almost twenty years. It contained dates and cash entries. The entries were nearly all in the Reverend Samuel Thaddeus's hand, but after the date of his death they had been continued in Miss Emily's writing. They varied little, save that the amounts gradually increased toward the end, and the dates were further apart. Thus, in 1898 there were six entries, aggregating five hundred dollars. In 1902-1903 there were no entries at all, but in 1904 there was a single memorandum of a thousand dollars. The entire amount must have been close to twenty-five thousand dollars. There was nothing to show whether it was money saved or money spent, money paid out or come in.

But across the years 1902 and 1903, the Reverend Thaddeus had written diagonally the word "Australia." There was a certain amount of enlightenment there. Carlo Benton had been in Australia during those years. In his "Fifty Years in Bolivar County," the father had rather naively quoted a letter from Carlo Benton in Melbourne. A record, then, in all probability, of sums paid by this harassed old man to a worthless son.

Only the handkerchief refused to be accounted for.

I did not sleep that night. More and more, as I lay wide-eyed through the night, it seemed to me that Miss Emily must be helped, that she was drifting miserably out of life for need of a helping hand.

Once, toward morning, I dozed off, to waken in a state of terror that I recognized as a return of the old fear. But it left me soon, although I lay awake until morning.

That day I made two resolves--to send for Willie and to make a determined effort to see the night telephone-operator. My letter to Willie off, I tried to fill the day until the hour when the night telephone-operator was up and about, late in the afternoon.

The delay was simplified by the arrival of Mrs. Graves, in white silk gloves and a black cotton umbrella as a sunshade. She had lost her air of being afraid I might patronize her, and explained pantingly that she had come on an errand, not to call.

"I'm at my Christmas presents now," she said, "and I've fixed on a bedroom set for Miss Emily. I suppose you won't care if I go right up and measure the dresser-top, will you?"

I took her up, and her sharp eyes roved over the stairs and the upper hall.

"That's where Carlo died," she said. "It's never been used since, unless you--" she had paused, staring into Miss Emily's deserted bedroom. "It's a good thing I came," she said. "The eye's no use to trust to, especially for bureaus."

She looked around the room. There was, at that moment, something tender about her. She even lowered her voice and softened it. It took on, almost comically, the refinements of Miss Emily's own speech.

"Whose photograph is that?" she asked suddenly. "I don't know that I ever saw it before. But it looks familiar, too."

She reflected before it. It was clear that she felt a sort of resentment at not recognizing the young and smiling woman in the old walnut frame, but a moment later she was measuring the dresser-top, her mind set on Christmas benevolence.

However, before she went out, she paused near the photograph.