Part 11

This is the order with man,--hope, surprise, bewilderment, disgust, facetiousness. The people in New England finally become facetious about spring. This is the last stage: it is the most dangerous. When a man has come to make a jest of misfortune, he is lost. "It bores me to die," said the journalist Carra to the headsman at the foot of the guillotine: "I would like to have seen the continuation." One is also interested to see how spring is going to turn out.

A day of sun, of delusive bird-singing, sight of the mellow earth,-- all these begin to beget confidence. The night, even, has been warm. But what is this in the morning journal, at breakfast?--"An area of low pressure is moving from the Tortugas north." You shudder.

What is this Low Pressure itself,--it? It is something frightful, low, crouching, creeping, advancing; it is a foreboding; it is misfortune by telegraph; it is the "'93" of the atmosphere.

This low pressure is a creation of Old Prob. What is that? Old Prob. is the new deity of the Americans, greater than AEolus, more despotic than Sans-Culotte. The wind is his servitor, the lightning his messenger. He is a mystery made of six parts electricity, and one part "guess." This deity is worshiped by the Americans; his name is on every man's lips first in the morning; he is the Frankenstein of modern science. Housed at Washington, his business is to direct the storms of the whole country upon New England, and to give notice in advance. This he does. Sometimes he sends the storm, and then gives notice. This is mere playfulness on his part: it is all one to him. His great power is in the low pressure.

On the Bexar plains of Texas, among the hills of the Presidio, along the Rio Grande, low pressure is bred; it is nursed also in the Atchafalaya swamps of Louisiana; it moves by the way of Thibodeaux and Bonnet Carre. The southwest is a magazine of atmospheric disasters. Low pressure may be no worse than the others: it is better known, and is most used to inspire terror. It can be summoned any time also from the everglades of Florida, from the morasses of the Okeechobee.

When the New-Englander sees this in his news paper, he knows what it means. He has twenty-four hours' warning; but what can he do? Nothing but watch its certain advance by telegraph. He suffers in anticipation. That is what Old Prob. has brought about, suffering by anticipation. This low pressure advances against the wind. The wind is from the northeast. Nothing could be more unpleasant than a northeast wind? Wait till low pressure joins it. Together they make spring in New England. A northeast storm from the southwest!--there is no bitterer satire than this. It lasts three days. After that the weather changes into something winter-like.

A solitary song-sparrow, without a note of joy, hops along the snow to the dining-room window, and, turning his little head aside, looks up. He is hungry and cold. Little Minnette, clasping her hands behind her back, stands and looks at him, and says, "Po' birdie!" They appear to understand each other. The sparrow gets his crumb; but he knows too much to let Minnette get hold of him. Neither of these little things could take care of itself in a New-England spring not in the depths of it. This is what the father of Minnette, looking out of the window upon the wide waste of snow, and the evergreens bent to the ground with the weight of it, says, "It looks like the depths of spring." To this has man come: to his facetiousness has succeeded sarcasm. It is the first of May.

Then follows a day of bright sun and blue sky. The birds open the morning with a lively chorus. In spite of Auster, Euroclydon, low pressure, and the government bureau, things have gone forward. By the roadside, where the snow has just melted, the grass is of the color of emerald. The heart leaps to see it. On the lawn there are twenty robins, lively, noisy, worm-seeking. Their yellow breasts contrast with the tender green of the newly-springing clover and herd's-grass. If they would only stand still, we might think the dandelions had blossomed. On an evergreen-bough, looking at them, sits a graceful bird, whose back is bluer than the sky. There is a red tint on the tips of the boughs of the hard maple. With Nature, color is life. See, already, green, yellow, blue, red! In a few days--is it not so?--through the green masses of the trees will flash the orange of the oriole, the scarlet of the tanager; perhaps tomorrow.

But, in fact, the next day opens a little sourly. It is almost clear overhead: but the clouds thicken on the horizon; they look leaden; they threaten rain. It certainly will rain: the air feels like rain, or snow. By noon it begins to snow, and you hear the desolate cry of the phoebe-bird. It is a fine snow, gentle at first; but it soon drives in swerving lines, for the wind is from the southwest, from the west, from the northeast, from the zenith (one of the ordinary winds of New England), from all points of the compass. The fine snow becomes rain; it becomes large snow; it melts as it falls; it freezes as it falls. At last a storm sets in, and night shuts down upon the bleak scene.

During the night there is a change. It thunders and lightens. Toward morning there is a brilliant display of aurora borealis. This is a sign of colder weather.

The gardener is in despair; so is the sportsman. The trout take no pleasure in biting in such weather.

Paragraphs appear in the newspapers, copied from the paper of last year, saying that this is the most severe spring in thirty years. Every one, in fact, believes that it is, and also that next year the spring will be early. Man is the most gullible of creatures.

And with reason: he trusts his eyes, and not his instinct. During this most sour weather of the year, the anemone blossoms; and, almost immediately after, the fairy pencil, the spring beauty, the dog-tooth violet, and the true violet. In clouds and fog, and rain and snow, and all discouragement, Nature pushes on her forces with progressive haste and rapidity. Before one is aware, all the lawns and meadows are deeply green, the trees are opening their tender leaves. In a burst of sunshine the cherry-trees are white, the Judas-tree is pink, the hawthorns give a sweet smell. The air is full of sweetness; the world, of color.

In the midst of a chilling northeast storm the ground is strewed with the white-and-pink blossoms from the apple-trees. The next day the mercury stands at eighty degrees. Summer has come.

There was no Spring.

The winter is over. You think so? Robespierre thought the Revolution was over in the beginning of his last Thermidor. He lost his head after that.

When the first buds are set, and the corn is up, and the cucumbers have four leaves, a malicious frost steals down from the north and kills them in a night.

That is the last effort of spring. The mercury then mounts to ninety degrees. The season has been long, but, on the whole, successful. Many people survive it.

CAPTAIN JOHN SMITH

PREFACE

When I consented to prepare this volume for a series, which should deal with the notables of American history with some familiarity and disregard of historic gravity, I did not anticipate the seriousness of the task. But investigation of the subject showed me that while Captain John Smith would lend himself easily enough to the purely facetious treatment, there were historic problems worthy of a different handling, and that if the life of Smith was to be written, an effort should be made to state the truth, and to disentangle the career of the adventurer from the fables and misrepresentations that have clustered about it.

The extant biographies of Smith, and the portions of the history of Virginia that relate to him, all follow his own narrative, and accept his estimate of himself, and are little more than paraphrases of his story as told by himself. But within the last twenty years some new contemporary evidence has come to light, and special scholars have expended much critical research upon different portions of his career. The result of this modern investigation has been to discredit much of the romance gathered about Smith and Pocahontas, and a good deal to reduce his heroic proportions. A vague report of- -these scholarly studies has gone abroad, but no effort has been made to tell the real story of Smith as a connected whole in the light of the new researches.

This volume is an effort to put in popular form the truth about Smith's adventures, and to estimate his exploits and character. For this purpose I have depended almost entirely upon original contemporary material, illumined as it now is by the labors of special editors. I believe that I have read everything that is attributed to his pen, and have compared his own accounts with other contemporary narratives, and I think I have omitted the perusal of little that could throw any light upon his life or character. For the early part of his career--before he came to Virginia--there is absolutely no authority except Smith himself; but when he emerges from romance into history, he can be followed and checked by contemporary evidence. If he was always and uniformly untrustworthy it would be less perplexing to follow him, but his liability to tell the truth when vanity or prejudice does not interfere is annoying to the careful student.

As far as possible I have endeavored to let the actors in these pages tell their own story, and I have quoted freely from Capt. Smith himself, because it is as a writer that he is to be judged no less than as an actor. His development of the Pocahontas legend has been carefully traced, and all the known facts about that Indian--or Indese, as some of the old chroniclers call the female North Americans--have been consecutively set forth in separate chapters. The book is not a history of early Virginia, nor of the times of Smith, but merely a study of his life and writings. If my estimate of the character of Smith is not that which his biographers have entertained, and differs from his own candid opinion, I can only plead that contemporary evidence and a collation of his own stories show that he was mistaken. I am not aware that there has been before any systematic effort to collate his different accounts of his exploits. If he had ever undertaken the task, he might have disturbed that serene opinion of himself which marks him as a man who realized his own ideals.

The works used in this study are, first, the writings of Smith, which are as follows:

"A True Relation," etc., London, 1608.

"A Map of Virginia, Description and Appendix," Oxford, 1612.

"A Description of New England," etc., London, 1616.